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Manual-3

12. Microphone equalization controls:

 These three rotary controls adjust the frequency contour of both Microphone Inputs.

They have no effect on any other program material.

13. LOOP ENGAGE switch:

 This pushbutton controls the Switchable Effects Loop; pressing it to its 

down 

and locked

position routes the main signal through the processor attached to the SWITCHABLE LOOP connectors on the rear.(See #12
& #13, 

Rear Panel

.)

14. MASTER LEVEL fader:

 This control determines the program and microphone Level at the Main Outputs. Unity gain is

approximately “4.5”

15. BOOTH LEVEL control:

 Controls the program and microphone Level at the Booth Outputs. Unity gain is approximately

“6.5”. This Output utilizes a “ducking” circuit that reduces the microphone Level when the MIC ENGAGE switch is
activated. (See #20, 

Rear Panel

.)

16. ZONE LEVEL control:

 Controls the program and microphone Level of the Zone Outputs. Unity gain is approximately

“6.5”.

17. PROGRAM EQUALIZER controls:

 These four rotary controls are used to contour the frequency response of the

program at the Main, Booth and Zone Outputs. This is not designed to be the only equalizer in the system, this is intended
to provide EQ between varying program materials.

18. PROGRAM EQUALIZER ENGAGE switch:

 Engaging this switch enables the Program Equalizer to function. In the 

out

position, the Equalizer is bypassed.

19. HEADPHONE LEVEL CONTROL:

 Clockwise rotation of this rotary control increases the headphone drive level.

20. HEADPHONE PAN CONTROL:

 This rotary control serves two purposes; in the STEREO mode it changes the relative

levels of the Cue and Program mixed together in both earcups. In the MONO mode it changes the balance between the
Mono Cue in the left ear cup and the Mono Program in the right.

21. HEADPHONE CUE mode switch:

 In the 

up

 position, this switch feeds STEREO Program and Cue to both earcups, in the

down 

position the Headphone circuit provides MONO Cue to the left ear and MONO Program to the right.

22. HEADPHONE output jack:

 A tip-ring-sleeve stereo jack provides for the insertion of stereo headphones.

23. PEAK PROGRAM METER:

 This stereo LED bargraph provides a visual indication of program output voltage. The

calibration of the indication is user adjustable. (See #6,

 Rear Panel

.)

FADER CARE

With heavy use in harsh environments, the faders may

need lubrication. Rane recommends spraying one or two
bursts of CaiLube MCL into the fader. Work the fader back
and forth a few times after spraying. This treatment extends
longevity and can make used faders as good as new.

Order CaiLube MCL

®

 from:

CAIG Laboratories, Inc.

12200 Thatcher Ct.

Poway, CA  92064

Phone 619-486-8399

Fax 619-486-8396

Web www.caig.com

REPLACING THE ACTIVE CROSSFADER

The Crossfader may be removed from the front of the

MP 24x without any disassembly of the unit itself, and may
be performed while the unit is operating with no interruption
of the audio signal.
1. Remove the two (2) outer screws attaching the crossfader

assembly to the front panel.

2. Firmly pull the Crossfader Assembly forward, unplugging

it from the connector on the bottom board.

3. Install the replacement assembly by reversing the above

instructions.

Содержание MP 24X

Страница 1: ...47 It s just not something you do Trust us you don t want to make mistakes with this sucker So just this once please we highly recommend you read this entire manual front to back every single page every single word It will familiarize you with the many intricacies of the MP 24x not to mention all the nooks and crannies ...

Страница 2: ... side of the Crossfader to any of the four Input Channels when the Crossfader is activated by its ENGAGE switch 7 Right hand CROSSFADE ASSIGN switch This four position rotary switch ASSIGNS the right side of the Crossfader to any of the four Input Channels when the Crossfader is activated by the ENGAGE switch 8 ACTIVE CROSSFADER This fader controls the Levels of any two Channels assigned to it by ...

Страница 3: ... PAN CONTROL This rotary control serves two purposes in the STEREO mode it changes the relative levels of the Cue and Program mixed together in both earcups In the MONO mode it changes the balance between the Mono Cue in the left ear cup and the Mono Program in the right 21 HEADPHONE CUE mode switch In the up position this switch feeds STEREO Program and Cue to both earcups in the down position th...

Страница 4: ...lanced and unbalanced MAIN OUTPUTS of the MP 24x as it is rotated CCW 6 METER SENSITIVITY ADJUST Clockwise rotation decreases the full scale sensitivity of the PEAK PROGRAM METER as indicated by the full scale voltage calibrations around the control 7 SYSTEM MONO STEREO switch Engaging this pushbutton converts all Outputs except tapes and loops to MONO regardless of the nature of the Input signals...

Страница 5: ...ry for PHONO The PH AUX 3 jumper is set at the factory for a LINE level input When these jumpers are set to PHONO never use these Inputs for any other purpose due to the amount of gain and RIAA equalization present Any unused Phono Input should have the Phono Shorting Plug installed to prevent interference from an outside source Do not put any of the Phono Shorting Plugs into the Tape Out jacks as...

Страница 6: ...e rule is Whatever works works MP 24x CONNECTION Even though the system variations are limitless in most applications where the MP 24x is used an installer must follow some basic interconnect guidelines Unfortunately even though the system and the primary components such as mixers processors and amplifiers are of commercial grade most of the source components i e turntables disc players tape decks...

Страница 7: ... that is THE HEADPHONE CONTROL CUE SYSTEM To use the HEADPHONE CUE System signal must be present at one of the Inputs Well at least you do to make sure it works Depressing the CUE switch for the respective Input Channel presents this signal to the Headphone Cue amplifier An LED illuminates next to the CUE switch attesting to the fact that it was indeed pushed down Now select how to listen to it Mo...

Страница 8: ...ders affect this drive level BOOTH AND ZONE OUTPUTS The ZONE OUTPUT is an additional Stereo Output with it s own ZONE LEVEL control that can be routed to an amplifer that feeds the bar another tape recorder etc This output is Post EQ which means also that the mic is heard from the Zone Outputs along with any Program EQ changes This can be changed with an internal jumper block The BOOTH OUTPUT oper...

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