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Manual-2

FRONT PANEL DESCRIPTION

1. POWER “ON” indicator

: This yellow LED illuminates anytime the MP 24x is connected to an appropriate power source

(see #28, 

Rear Panel

).

2. SOURCE CONTROL selectors:

 These four position rotary switches provide Input selection between the various Phono

and Line Inputs for their respective mixing Channels.

3. Input channel faders:

 These faders control the relative Levels of each of the four Input mixing Channels.

4. Channel CUE selectors:

 Engaging any single or combination of CUE pushbuttons sends any program present at the

respective Channel’s SOURCE CONTROL selector to the Headphone Cue section. The yellow LEDs adjacent to each CUE
select button illuminate when the switch is engaged.

5. CROSSFADE ENGAGE switch:

 Engaging this switch activates the CROSSFADER and disables manual mixing capabili-

ties. The adjacent green LED illuminates whenever the Crossfader is active.

6. Left-hand CROSSFADE ASSIGN switch:

 This four position rotary switch ASSIGNS the 

left

 side of the Crossfader to any

of the four Input Channels when the Crossfader is activated by its ENGAGE switch.

7. Right-hand CROSSFADE ASSIGN switch:

 This four position rotary switch ASSIGNS the 

right

 side of the Crossfader to

any of the four Input Channels when the Crossfader is activated by the ENGAGE switch.

8. ACTIVE CROSSFADER:

 This fader controls the Levels of any two Channels assigned to it by the left and right Crossfade

ASSIGN switches when the ENGAGE switch is activated. The entire Crossfader assembly is replaceable from the front
panel without disassembling the entire unit. See 

Service Information 

on page Schematic-1for instructions.

9.

 

ENGAGE MIC switch:

 This pushbutton enables the Microphone Inputs to feed the Booth, Zone, and Main Outputs. The

adjacent red LED flashes whenever the ENGAGE MIC switch is down and locked. This switch also activates a “ducker”
circuit in the Booth Output.(See #15 

Front Panel

 and #20 

Rear Panel

.)

10. MAIN MIC LEVEL control:

 This rotary control sets the Level of the balanced low impedance MAIN MIC Input.

11. AUX MIC LEVEL control:

 This rotary control sets the Level of the unbalanced high impedance AUX MIC Input, most

often used for wireless mics.

Содержание MP 24X

Страница 1: ...47 It s just not something you do Trust us you don t want to make mistakes with this sucker So just this once please we highly recommend you read this entire manual front to back every single page every single word It will familiarize you with the many intricacies of the MP 24x not to mention all the nooks and crannies ...

Страница 2: ... side of the Crossfader to any of the four Input Channels when the Crossfader is activated by its ENGAGE switch 7 Right hand CROSSFADE ASSIGN switch This four position rotary switch ASSIGNS the right side of the Crossfader to any of the four Input Channels when the Crossfader is activated by the ENGAGE switch 8 ACTIVE CROSSFADER This fader controls the Levels of any two Channels assigned to it by ...

Страница 3: ... PAN CONTROL This rotary control serves two purposes in the STEREO mode it changes the relative levels of the Cue and Program mixed together in both earcups In the MONO mode it changes the balance between the Mono Cue in the left ear cup and the Mono Program in the right 21 HEADPHONE CUE mode switch In the up position this switch feeds STEREO Program and Cue to both earcups in the down position th...

Страница 4: ...lanced and unbalanced MAIN OUTPUTS of the MP 24x as it is rotated CCW 6 METER SENSITIVITY ADJUST Clockwise rotation decreases the full scale sensitivity of the PEAK PROGRAM METER as indicated by the full scale voltage calibrations around the control 7 SYSTEM MONO STEREO switch Engaging this pushbutton converts all Outputs except tapes and loops to MONO regardless of the nature of the Input signals...

Страница 5: ...ry for PHONO The PH AUX 3 jumper is set at the factory for a LINE level input When these jumpers are set to PHONO never use these Inputs for any other purpose due to the amount of gain and RIAA equalization present Any unused Phono Input should have the Phono Shorting Plug installed to prevent interference from an outside source Do not put any of the Phono Shorting Plugs into the Tape Out jacks as...

Страница 6: ...e rule is Whatever works works MP 24x CONNECTION Even though the system variations are limitless in most applications where the MP 24x is used an installer must follow some basic interconnect guidelines Unfortunately even though the system and the primary components such as mixers processors and amplifiers are of commercial grade most of the source components i e turntables disc players tape decks...

Страница 7: ... that is THE HEADPHONE CONTROL CUE SYSTEM To use the HEADPHONE CUE System signal must be present at one of the Inputs Well at least you do to make sure it works Depressing the CUE switch for the respective Input Channel presents this signal to the Headphone Cue amplifier An LED illuminates next to the CUE switch attesting to the fact that it was indeed pushed down Now select how to listen to it Mo...

Страница 8: ...ders affect this drive level BOOTH AND ZONE OUTPUTS The ZONE OUTPUT is an additional Stereo Output with it s own ZONE LEVEL control that can be routed to an amplifer that feeds the bar another tape recorder etc This output is Post EQ which means also that the mic is heard from the Zone Outputs along with any Program EQ changes This can be changed with an internal jumper block The BOOTH OUTPUT oper...

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