background image

Manual-4

REAR PANEL DESCRIPTION

1. BALANCED MAIN OUTPUT connectors: These three-pin connectors provide a fully balanced Main Output signal, pin 2

is (+), pin 3 is () and pin 1 is signal ground. Pin 3 must never be grounded for unbalanced operation. Use only pin 2 as hot
and pin 1 as return for any unbalanced operation
.

2. UNBALANCED MAIN OUTPUT connectors: These ¼" unbalanced connectors provide MAIN OUTPUT signals.

3. BOOTH OUTPUT connectors: Connecting to the Left Output only supplies a mono BOOTH monitor OUTPUT; connect-

ing to both Left and Right provides a stereo Output.

4. ZONE OUTPUT connectors: Connecting to the Left Output only supplies a mono ZONE OUTPUT, connecting to both

Left and Right provides a stereo Output. The Zone Outputs are located Post-EQ, which includes the Microphone Output.
An internal jumper block programs the Zone to Pre-EQ (and no mic) if required. See SERVICE INFORMATION on page
Schematic-1.

5. MAXIMUM OUTPUT GAIN REDUCTION control: This rotary control decreases the maximum Level of the balanced

and unbalanced MAIN OUTPUTS of the MP 24 as it is rotated CCW.

6. METER SENSITIVITY ADJUST: Clockwise rotation decreases the full-scale sensitivity of the PEAK PROGRAM

METER, as indicated by the full-scale voltage calibrations around the control.

7. SYSTEM MONO/STEREO switch: Engaging this pushbutton converts all Outputs (except tapes and loops) to MONO,

regardless of the nature of the Input signals.

8. EQ RANGE switch: In the out position, the maximum boost/cut available from the Program Equalizer is ±8dB. In the

switch’s in position, this range is reduced to ±4 dB.

9. LIGHT CONTROL OUTPUT jack: This ¼" TRS connector provides a transformer-coupled mono program signal for use

by a lighting controller’s trigger input. The tip is positive, the ring is negative and the sleeve is floating.

10. LIGHT OUTPUT LEVEL attenuator: Counter-clockwise rotation reduces the Output Level at the LIGHT CONTROL

OUTPUT jack.

11. TAPE OUTPUT jacks: One pair of RCA jacks provides pre-EQ, pre-LOOP Program Outputs. The other pair supplies pre-

EQ, post-LOOP Program Outputs. The microphone signals are not available at these Outputs, however they are selectable
using an internal jumper block. (See SERVICE INFORMATION on page Schematic-1.)

Содержание MP 24

Страница 1: ...7 It s just not something you do Trust us you don t want to make mistakes with this sucker So just this once please we highly recommend you read this entire manual front to back every single page every single word It will familiarize you with the many intricacies of the MP 24 not to mention all the nooks and crannies ...

Страница 2: ...eft side of the Crossfader to any of the four Input Channels when the Crossfader is activated by its ENGAGE switch 7 Right hand CROSSFADE ASSIGN switch This four position rotary switch ASSIGNS the right side of the Crossfader to any of the four Input Channels when the Crossfader is activated by the ENGAGE switch 8 CROSSFADER This fader controls the Levels of any two Channels assigned to it by the ...

Страница 3: ...ging this switch enables the Program Equalizer to function In the out position the Equalizer is bypassed 19 HEADPHONE LEVEL CONTROL Clockwise rotation of this rotary control increases the headphone drive level 20 HEADPHONE PAN CONTROL This rotary control serves two purposes in the STEREO mode it changes the relative levels of the Cue and Program mixed together in both earcups In the MONO mode it c...

Страница 4: ...lanced and unbalanced MAIN OUTPUTS of the MP 24 as it is rotated CCW 6 METER SENSITIVITY ADJUST Clockwise rotation decreases the full scale sensitivity of the PEAK PROGRAM METER as indicated by the full scale voltage calibrations around the control 7 SYSTEM MONO STEREO switch Engaging this pushbutton converts all Outputs except tapes and loops to MONO regardless of the nature of the Input signals ...

Страница 5: ...atic 1 When these jumpers are set to PHONO as shipped from the factory these Inputs should never be used for any other purpose due to the amount of gain and RIAA equalization present Any unused Phono Input should have the Phono Shorting Plug installed to prevent interference from an outside source Do not put any of the Phono Shorting Plugs into the Tape Out jacks as this will short all the Outputs...

Страница 6: ...es none The rule is Whatever works works SYSTEM CONNECTION Even though the system variations are limitless in most applications where the MP 24 is used an installer must follow some basic interconnect guidelines Unfortunately even though the system and the primary components such as mixers processors and amplifiers are of commercial grade most of the source components i e turntables disc players t...

Страница 7: ...dB In the in position this range is reduced to 4 dB The latter is considered safer in situations where taste makes waste in drivers that is THE HEADPHONE CONTROL CUE SYSTEM To use the HEADPHONE CUE System signal must be present at one of the Inputs Well at least you do to make sure it works Depressing the CUE switch for the respective Input Channel presents this signal to the Headphone Cue amplifi...

Страница 8: ... mic is heard from the Zone Outputs along with any Program EQ changes This can be changed with an internal jumper block The BOOTH OUTPUT operates much the same way with an added feature When the ENGAGE MIC switch is activated the gain of the BOOTH OUTPUT ducks down 13 5 dB to prevent feedback from the booth speakers If this Output is used for something else and this feature is undesired a BOOTH DU...

Отзывы: