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Manual-8

controls. Modifying the sound of the mic in this way won't
affect the EQ of the music in the system. The two Equalizer
sections (Mic and Program) are totally independent. When the
microphone is not in use, release the MIC ENGAGE switch
again to its upward position. When the switch is down, the red
LED flashes. When off, the LED will be out. If the micro-
phone preamp becomes overloaded, the red LED OverLoad
light illuminates. If this is a problem, lower the appropriate
MIC LEVEL control and increase the level of the MASTER
LEVEL fader to restore desired microphone level.

MONO OPERATION

There may be situations where a mono output signal is

preferable to a stereo output. If this is the case, mono outputs
may be obtained on all of the Outputs (Master, Booth, Zone)
by engaging the SYSTEM MONO switch on the rear panel.
When engaged, the SYSTEM MONO switch sums the Left
and Right buses together. In this situation, if only one of the
stereo Inputs on any of the three Phono or six Line sections is
driven, the applied signal appears in equal quantities at both
Left and Right OUTPUT connectors.

USING THE LIGHTING CONTROL OUTPUT

The mono LIGHT CONTROL OUTPUT allows use of

lighting systems designed to be triggered from an audio
source. A LIGHT OUTPUT LEVEL control adjusts the
output level appropriate for the lighting controller. There
appears to be a wide variety of sensitivities in different brands
of controllers, therefore some adjustment is likely required. In
the full CW position of the LIGHT OUTPUT LEVEL control,
the signal delivered is amplified 20 dB relative to the pre-
master fader level. If this is excessive, CCW rotation of the
LIGHT OUTPUT LEVEL control decreases the drive
amount. None of the Level controls past the Input Channel
faders affect this drive level.

BOOTH AND ZONE OUTPUTS

The ZONE OUTPUT is an additional Stereo Output with

it’s own ZONE LEVEL control that can be routed to an
amplifer that feeds the bar, another tape recorder, etc. This
output is Post-EQ, which means also that the mic is heard
from the Zone Outputs along with any Program EQ changes
(This can be changed with an internal jumper block). The
BOOTH OUTPUT operates much the same way, with an
added feature: When the ENGAGE MIC switch is activated,
the gain of the BOOTH OUTPUT “ducks” down 13.5 dB to
prevent feedback from the booth speakers. If this Output is
used for something else and this feature is undesired, a
BOOTH DUCKER DEFEAT switch is provided on the rear
panel. Be sure this switch is in the ACTIVE position if booth
speakers are used.

SOME FURTHER HINTS

Set the Input Channel faders near their maximum levels to

preclude required excessive gain from the Output stage.
Optimum noise performance is achieved by running the
majority of the gain on the Input stages. Taking the least
amount of gain on the Output stage ensures that the system
doesn’t have to amplify the unavoidable noise generated by
the input buffers and summing amplifiers.

IMPORTANT NOTE

CHASSIS GROUNDING

The MP 24 is supplied with a rear mounted ground-lift

switch. The unit is shipped with this switch in the
“grounded” position, tying circuit ground to chassis
ground. If after hooking up your system it exhibits
excessive hum or buzzing, there is an incompatibility in
the grounding configuration between units somewhere.
Here are some things to try:

1. Try combinations of lifting grounds on units that

are supplied with ground lift switches or links.

2. If your equipment is in a rack, verify that all chassis

are tied to a good earth ground, either through the line
cord grounding pin or the rack screws to another
grounded chassis.

3. This units outboard power supply does NOT ground

the chassis through the line cord. Make sure that this unit
is grounded either to another chassis which is earth
grounded, or directly to the grounding screw on an AC
outlet cover by means of a wire connected to a screw on
the chassis with a star washer to guarantee proper contact.

Please refer to RaneNote “Sound System Interconnec-

tion” (supplied with this manual and available on request
at no charge separately) for further information on system
grounding.

©Rane Corporation  10802 47th Ave. W.,  Mukilteo WA 98275-5098  TEL (425)355-6000  FAX (425)347-7757  WEB http://www.rane.com

Содержание MP 24

Страница 1: ...7 It s just not something you do Trust us you don t want to make mistakes with this sucker So just this once please we highly recommend you read this entire manual front to back every single page every single word It will familiarize you with the many intricacies of the MP 24 not to mention all the nooks and crannies ...

Страница 2: ...eft side of the Crossfader to any of the four Input Channels when the Crossfader is activated by its ENGAGE switch 7 Right hand CROSSFADE ASSIGN switch This four position rotary switch ASSIGNS the right side of the Crossfader to any of the four Input Channels when the Crossfader is activated by the ENGAGE switch 8 CROSSFADER This fader controls the Levels of any two Channels assigned to it by the ...

Страница 3: ...ging this switch enables the Program Equalizer to function In the out position the Equalizer is bypassed 19 HEADPHONE LEVEL CONTROL Clockwise rotation of this rotary control increases the headphone drive level 20 HEADPHONE PAN CONTROL This rotary control serves two purposes in the STEREO mode it changes the relative levels of the Cue and Program mixed together in both earcups In the MONO mode it c...

Страница 4: ...lanced and unbalanced MAIN OUTPUTS of the MP 24 as it is rotated CCW 6 METER SENSITIVITY ADJUST Clockwise rotation decreases the full scale sensitivity of the PEAK PROGRAM METER as indicated by the full scale voltage calibrations around the control 7 SYSTEM MONO STEREO switch Engaging this pushbutton converts all Outputs except tapes and loops to MONO regardless of the nature of the Input signals ...

Страница 5: ...atic 1 When these jumpers are set to PHONO as shipped from the factory these Inputs should never be used for any other purpose due to the amount of gain and RIAA equalization present Any unused Phono Input should have the Phono Shorting Plug installed to prevent interference from an outside source Do not put any of the Phono Shorting Plugs into the Tape Out jacks as this will short all the Outputs...

Страница 6: ...es none The rule is Whatever works works SYSTEM CONNECTION Even though the system variations are limitless in most applications where the MP 24 is used an installer must follow some basic interconnect guidelines Unfortunately even though the system and the primary components such as mixers processors and amplifiers are of commercial grade most of the source components i e turntables disc players t...

Страница 7: ...dB In the in position this range is reduced to 4 dB The latter is considered safer in situations where taste makes waste in drivers that is THE HEADPHONE CONTROL CUE SYSTEM To use the HEADPHONE CUE System signal must be present at one of the Inputs Well at least you do to make sure it works Depressing the CUE switch for the respective Input Channel presents this signal to the Headphone Cue amplifi...

Страница 8: ... mic is heard from the Zone Outputs along with any Program EQ changes This can be changed with an internal jumper block The BOOTH OUTPUT operates much the same way with an added feature When the ENGAGE MIC switch is activated the gain of the BOOTH OUTPUT ducks down 13 5 dB to prevent feedback from the booth speakers If this Output is used for something else and this feature is undesired a BOOTH DU...

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