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Radial Engineering Ltd.

PZ-DI™  User Guide

usIng The -15db Pad

As previously mentioned, the -15db PAD is used to reduce the PZ-DI’s input sensitivity. This lowers the signal level while 

also lowering the impedance to reduce susceptibility to noise. Most instruments do not produce enough output to overload 

the PZ-DI. However, if you are using high output devices like active basses, digital pianos or maybe a headphone output 

from a computer, engaging the PAD will help by avoiding overload which in turn can cause the circuit to distort. Reducing 

distortion can often help reduce feedback! 

usIng The low-CuT fIlTer

One of the cool features on the PZ-DI is the variable low frequency 

filter. This low-cut filter does exactly that, it cuts the bass frequencies 

and allows the highs to pass. When using acoustic instruments on 

a live stage, the low frequencies generated by the PA system can 

often cause the top of the instrument to resonate and feedback due 

to the vibrations. This is all the more acute when using a top-mounted 

piezo-electric device that is affixed on the top or the bridge. Activating 

the low-cut filter reduces the bass frequencies going to the PA which 

in turn, reduces resonant feedback. 

Start by setting the filter control completely counter-clockwise. Slowly turn it clock-wise until you notice the bass roll off. 

Turn back a bit and you are set. The filter position is usually set in proportion to the size of the instrument whereby larger 

instruments such as a contrabass will be set with more bass, while a cello or violin will have less.  

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-15

-10

-5

+0

+5

+10

20

20k

50

100

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500

1k

2k

5k

10k

Hz

PZ-DI Low-Cut Filter Response

Содержание PZ-DI

Страница 1: ...www radialeng com USER GUIDE PZ DI Piezo Optimized Active Direct Box Radial Engineering Ltd 1588 Kebet Way Port Coquitlam BC V3C 5M5 Tel 604 942 1001 Fax 604 942 1010 Email info radialeng com...

Страница 2: ......

Страница 3: ...cers while significantly enhancing the musical performance when used with other pickups or instruments This manual has been written to provide you with a full understanding of how to use the PZ DI and...

Страница 4: ...cies 7 BOOK END DESIGN Creates protective zone around con nectors switches and potentiometers to prevent damage OUTPUT PANEL 8 NO SLIP PAD Provides electrical and mechanical isolation while keeping th...

Страница 5: ...a solid state buffer provides a similar sound to connecting to a 1 meg ohm input on a tube guitar amp The Radial J48 employs this input impedance for this reason and the PZ DI follows suit So if you...

Страница 6: ...n the PZ DI will illuminate to let you know you are set to go 4 The 48V LED will illuminate when phantom power is present THRU INPUT PAD 1M 10M 220K 15dB OFF MAX LOAD FILTER LOAD 1MEG CLASSIC 10M PIEZ...

Страница 7: ...nt cable set the appropriate load and connect the XLR output to your mixer using a standard mic cable The PZ DI will convert the high impedance unbalanced signal to a balanced low impedance signal tha...

Страница 8: ...s sent thru to the amp This setting is typically used with an active instrument such as an acoustic guitar or passive instrument such as a bass where you do not want to amplify the signal before it re...

Страница 9: ...hat it cuts the bass frequencies and allows the highs to pass When using acoustic instruments on a live stage the low frequencies generated by the PA system can often cause the top of the instrument t...

Страница 10: ...ase the level of the acoustic instrument sound waves from the PA monitors and wall boundaries combine at certain frequencies to create hot spots known as room modes This can cause feedback The 180 pol...

Страница 11: ...0K Ohms PAD 15dB Input impedance with PAD on 50K Ohms Output impedance 200 Ohms nominal Power requirement 48V Phantom Power XLR configuration AES standard pin 1 ground pin 2 Hot pin 3 Cold FCC approva...

Страница 12: ...product must be returned prepaid in the original shipping container or equivalent to Radial or to an authorized Radial repair center and you must assume the risk of loss or damage A copy of the origin...

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