Polaroid SPd 360, Руководство пользователя

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8 English
Removing the film holder
You do not have to remove the film holder
to load film. However if you are using two
different film holders, for example, one for
colour and one for black & white film, you
may need to switch holders from time to
time.
a If there is film in the printer, a black or
white film tab shows. Insert the dark slide
into the slot on the end of the film holder
and slide it in until the blue line is no longer
visible
(11) . This prevents the film from
being exposed when you remove the film
holder.
b Unlock the film holder by sliding the retain-
ing bars
(18) .
c Remove the film holder by lifting it off the
printer.
Cleaning the rollers
Remember to clean the rollers in the film
holder at the end of every pack of film.
a Open the door of the film holder
b
Remove the rollers by placing your thumbs
at the ends of the roller assembly and
rotating it upwards
(19) .
c Wipe the rollers gently with a clean, lint
free cloth moistened in water
(20) .
d Replace the rollers by placing the assembly
against the film door and rotating down-
wards.
e Check the film exit door and remove any
pieces of paper or dried film developer.
f Close the film holder and load film as nor-
mal.
3 Optimising your system
Ensure you get the best out of the SPd360
product by reading through this section to
see how your system can be better
matched to your particular studio set up
and requirements.
Improving the focus setting
The lens range markings can be used to
focus the image if the subject distance is
known. For a more accurate setting:
a Adjust lens aperture to the maximum set-
ting (f/1).
b Adjust lighting to stop image saturation
(e.g. switch off studio lights).
c Move camera to correctly frame the sub-
ject on the preview screen.
d Adjust the zoom lens to it’s most telephoto
(highest magnification).
e Focus lens on the subject.
f
Re-zoom to correctly frame the subject on
the preview screen.
g Return aperture setting and lighting to orig-
inal configuration.
Approximate depth of field
See below for the range within which the
subject will remain in focus for different
aperture settings. This has been calculated
for a nominal camera to subject distance of
2m and a zoom setting which gives a typi-
cal portrait shot. Different subject dis-
tances and zoom settings will affect depth
of field and so these values are intended as
a guide only.
Colour adjustment
If you are not satisfied with the colour bal-
ance seen in your prints, you need to
check that the camera is calibrated to suit
your particular studio set up. The camera
colour balance has been factory preset to
3200K for tungsten flood light and 5500K
for flash light. However lighting used and
personal preference will vary from one user
F number
Min. subject
distance
Max. subject
distance
1
4
8
16
1.95
1.80
1.65
1.40 2.05
2.25
2.60
3.85