4
MIC/LINE INPUT (CH.1-8
)
This combination input jack can accept either a ¼” (balanced or unbalanced) input or a XLR
balanced, low-impedance connection. The tip is positive on the ¼” balanced input, and pin 2 is
positive on the XLR
PAD (CH. 1-6)
When engaged, the pad reduces the input signal by 25dB. If you notice distortion from a
particular channel or if the channel becomes loud very quickly, try engaging this switch. In ad-
dition to increasing the dynamic range, the channel can now accommodate a higher input level
before clipping occurs, which may be helpful when close-mic’ing a loud guitar amp or drum
kit, for example.
HIGH EQ
This High EQ shelving type of active tone control varies the treble frequencies (+/- 15 dB at
12kHz) and is designed to remove noise or add brilliance to the signal, depending on the qual-
ity of the source.
MID-MORPH EQ (CH. 1-7)
Where most mid-range controls work at just one frequency, the Mid-Morph works at two.
When turned counterclockwise, it cuts at 250Hz to reduce frequencies that muddy the sound.
When turned clockwise, it boosts at 4kHz to add intelligibility to vocals. Either way, improved
vocal or instrument definition can be achieved.
LOW EQ
A shelving type of EQ that varies the bass frequency levels (+/- 15dB at 80Hz). Low EQ adds
depth to thin-sounding signals or cleans up the muddy ones. As with any EQ, use sparingly.
Too much of this EQ can give you a booming bottom end.
MONITOR SEND
The monitor send adjusts the level of the channel signal added to the monitor send (16).
EFFECTS SEND (CH. 1-7)
This control adjusts the level of channel signal added to the effects mix. The signal is sent to the
internal effects processor. Turning the knob to the left (0) will turn off the effects on the associ-
ated channel, while turning the knob to the right will increase the amount of the selected effect.
CLIP
When this LED turns on or blinks red, it is an indication that the signal in the channel is
potentially too strong and could cause distortion. Turn down the Level control (10) until the
Clip light is no longer present. If you are having difficulty getting a clean signal, try varying the
output of the connected device, if possible.
SIG
When this LED is green, it is an indication the mixer is receiving signal at the input of the chan-
nel. If you are having trouble getting sound out of the mixer and this LED is not on, check the
microphone, instrument or cable that is connected to the channel.
Channel Strip for Channels 1-7
HIGH
HIGH
MID
-M
ORP
H
LO
W
LO
W
M
ONIT
OR
M
ONIT
OR
MID
EFFECT
S
LEVEL
1
CH. 1
min
max
min
max
min
max
clip
sig
min
max
high
min
max
LEVEL
2
CH. 2
min
max
min
max
min
max
clip
sig
min
max
high
min
max
LEVEL
3
CH. 3
min
max
min
max
min
max
clip
sig
min
max
high
min
max
LEVEL
4
CH. 4
min
max
min
max
min
max
clip
sig
min
max
high
min
max
LEVEL
5
CH. 5
min
max
min
max
min
max
clip
sig
min
max
high
min
max
LEVEL
6
CH. 6
min
max
min
max
min
max
clip
sig
min
max
high
min
max
LEVEL
7
CH. 7
min
max
min
max
min
max
clip
sig
min
max
high
min
max
LEVEL
LEVEL
LEVEL
LEVEL
8
CH. 8
min
max
min
max
clip
sig
min
max
min
max
min
max
USB MEDIA PLAYBACK
DIGITAL EFFECTS
Press to Select
Press to Select
EFX
SELECT
MEDIA
SELECT
MIC
EFX
MUTE
DEFEAT
efx clip
IN
USB
USB MEDIA
+12
+6
0
-6
-12
63
125 250 500
1K
2K
4K
8K
12K
FLS FEEDBACK LOCATING SYSTEM
SIGNAL
MONITOR
+12
+6
0
-6
-12
63
125 250 500
1K
2K
4K
8K
12K
FLS FEEDBACK LOCATING SYSTEM
SIGNAL
MAIN
KOSM
OS-
C
M
ONIT
OR
MAIN
min
max
min/off
max
min
max
EFX TO MON
-6
-12
LIMIT
-18
-24
-30
-6
-12
LIMIT
-18
-24
-30
PAD
1
PAD
2
PAD
3
PAD
4
PAD
5
PAD
6
7
INPUT SELECT
MEDIA
XLR-1/4”
RCA
8
L
R
ENABLE
ACTIVE
GLOBAL PHANTOM
POWER
L
R
SUB OUT MONO
MAIN OUT
MONITOR OUT
TRS BAL
TRS BAL
TRS BAL
NON-POWERED OUTPUTS
RECORD OUT
MON
MAIN
POWER AMP 2
ASSIGN
UNBAL
3.5mm
TRS
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
10
