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MASTER SECTION FEATURES AND CONTROLS

AUX SENDS
(21) LEVEL

This control sets the output level of the various AUX mixes and is adjustable from no output 
(– 

) to +10 dB.

(22) MUTE 

SWITCH/MUTE-CLIP LED

This switch mutes the output signal from the respective AUX SEND. Illumination of the 
corresponding red LED signifies this status. When the MUTE switch is disengaged, the LED 
functions as a clip (PK) indicator that will illuminate at 2 dB below clipping.

(23) AFL SWITCH/AFL-SIGNAL LED

This switch directs the post-fader (AFL) signal to the HEADPHONE output (39), and activates
the AFL/PFL LED display. An adjacent LED illuminates to signify this selection. If AFL is 
not selected, the LED will blink as an indication of signal presence (-20 dBu). Selecting AFL
allows monitoring of AUX SENDS with the full AFL/PFL LEVEL DISPLAY (45), as well as 
allowing the operator to hear the output.

COMPRESSORS

The compressors on the AAM

2443/3243 function similarly to automatic volume controls. In other

words, they put signals into a more controllable dynamic range. For example, suppose a singer
sings too softly and gets buried in the mix on certain parts of a song, yet sings really loudly on other
parts. To control this problem, the operator must “ride gain” (turn the volume up and down to achieve
a constant level), but these dynamic changes may be hard to anticipate. Using a compressor
eliminates this problem. The compressors are factory set at a ratio of 4 to 1, meaning that for every
4 dB of change in input signal, the output changes 1 dB. Compression takes place once the level
determined by the THRESHOLD (28) is reached. A high setting, rotating the control clockwise, will
result in only the louder notes being compressed; a low setting, rotating the control
counterclockwise, will compress a broader range of notes. 

(24) COMPRESSOR 

I/O

This switch determines if the compressor will be used on the SUB mix or will be patched to 
another channel or other external location. The corresponding yellow LED illuminates when 
the compressor is being patched externally. This switch can also be used to perform the 
bypass function. When the compressor is assigned to the SUB group, the I/O jack (53) is 
bypassed. Similarly, when the compressor is being patched externally, the SUB group is 
bypassed. Engaging the I/O switch allows the operator to hear the difference between the 
compressed and noncompressed signal when the compressor is being used on the SUB 
group. 

(25) GAIN

This control sets the output level of the compressor and allows recovery of gain lost by 
compression. The amount of gain being lost will be represented on the GAIN REDUCTION 
LEDs (27), and a similar setting on the GAIN control will approximate pre-compression levels. 

(26)

LINK

This switch allows the compressor in SUB group 1 (or 3) to be linked with the compressor in
SUB group 2 (or 4). This is useful if the two SUB groups are being used to create a stereo
image. When they are linked, the RMS detector voltages are summed together for an
accurate representation of the two levels. This locks the compressors together to maintain the
stereo image during compression. While linked, the controls in the first of the two linked
groups affect both channels. The compressor controls in the second group are disabled. The
gain reduction meter for the first group is accurate for both groups and should be used to
monitor compressor activity. When the link is enabled, the yellow LED will illuminate.

9

Содержание AAM 2443

Страница 1: ...AAM 2443 3243 User Manual ARCHITECTURAL ACOUSTICS...

Страница 2: ...aci n Ce symbole est utilis dans ce manuel pour indiquer l utilisateur la pr sence d une tension dangereuse pouvant tre d amplitude suffisante pour constituer un risque de choc lectrique Ce symbole es...

Страница 3: ...panel connectors ideal for desktop placement Smooth 60 mm CHANNEL SUB L R and MONO faders Phantom power with separate activation switches and LEDs indicating operation on CHANNELS 1 16 or 17 24 AAM 24...

Страница 4: ...output level from the compressor This is really a makeup gain allowing the user to recover gain lost by compression LINK When these buttons are depressed the input to compressor 1 activates compresso...

Страница 5: ...trol varies the input gain of the channel to provide a wider dynamic range The adjustment range is 10 dB to 58 dB for the XLR input and 10 dB to 38 dB for the line input Proper adjustment of input gai...

Страница 6: ...trol counterclockwise increases the amount of signal sent to SUB 1 while rotating clockwise increases the amount sent to SUB 2 The C position sends equal amounts to each 13 1 2 3 4 L R MONO ASSIGN The...

Страница 7: ...dB This allows accommodation of higher input levels without clipping and is especially useful when close miking high sound pressure level SPL sources such as drums or guitar cabinets It is also benefi...

Страница 8: ...phono inputs are unbalanced line level inputs for stereo L R signals They are connected in parallel with the STEREO 1 4 LINE INPUTS 19 8 21 22 23 24 25 26 27 28 31 33 32 29 30 34 37 39 42 43 38 40 35...

Страница 9: ...otating the control clockwise will result in only the louder notes being compressed a low setting rotating the control counterclockwise will compress a broader range of notes 24 COMPRESSOR I O This sw...

Страница 10: ...is assigned to SUB 1 depressing the LEFT button will send the drum SUB mix to the LEFT OUT on the rear panel 31 MUTE MUTE LED This switch mutes all output from the corresponding SUB group Illuminatio...

Страница 11: ...microphones that need an external power source These switches are recessed into the console and require a small tool to activate If PHANTOM POWER is used do not connect unbalanced dynamic microphones...

Страница 12: ...the return if no plug is inserted The signal must be returned to this jack when this feature is used Failure to return the signal will result in no output 50 L R MONO UNBAL UNBALANCED OUTPUT These 1...

Страница 13: ...ower to the unit Connect the line cord to this connector and to a properly grounded AC supply Damage to the equipment may occur if an improper line voltage is used see voltage marking on unit Never re...

Страница 14: ...14 BLOCK DIAGRAM...

Страница 15: ...Bu Sleeve Ground 10 dB Insert 22 k N A 16 dBu 4 dBu 22 dBu Unbal 1 4 TRS Return 0 dB Tip Send Ring Return Sleeve Ground Stereo 20 k Max Gain 29 dBu 9 dBu 4 dBu Unbal 1 4 Phono Line Input 20 dB Sleeve...

Страница 16: ...ip Left no load Ring Right Sleeve Ground Gain Mic Input Gain Adj Range 10 dB to 58 dB Mic Input to Sub Output 78 dB Max Gain Mic lnput Longest Path 88 dB Max Gain Line Input Gain Adj Range 10 dB to 38...

Страница 17: ...Adjacent input channels 20 Hz 20 kHz 70 dB Left to right outputs 20 Hz 20 kHz Common Mode Rejection Ratio Mic Input 50 dB min 20 Hz 20 kHz 70 dB typ 1 kHz Meters L R master and all submasters 12 segme...

Страница 18: ...sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over 13 Unplug this apparatus during lightning storms or when unused for lo...

Страница 19: ...Service Center OR 2 Ship the defective item prepaid to Peavey Electronics Corporation International Service Center 412 Highway 11 80 East Meridian MS 39301 or Peavey Canada Ltd 95 Shields Court Markh...

Страница 20: ...and specifications subject to change without notice Peavey Electronics Corporation 711 A Street Meridian MS 39301 601 483 5376 FAX 601 486 1678 http aa peavey com 2001 Printed in the U S A 7 01 ARCHIT...

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