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54.
Let this all run for a moment or two to take it all in, then press
Auto
again.
All of the above resulted from your pressing a single button. You can see that the
control surface
allows you to quickly configure complex compositions, and display them with flair.
Multi-selecting delegates provides a great deal of convenience, as we’ve seen. Consider too that
it becomes a simple matter to ensure matching positioning (etc.) for a series of sources, such as
title overlays, picture-in-picture setups, and so on. Let’s look at an example using M/Es.
3.1.5
M/ES
We’ll perform a very simple exercise, but it will quickly impart everything you need to know.
Turn off both
DSK
s, and press the
BKGD
button in the
MAIN
TRANSITION
>
DELEGATE
group.
The
Preview
monitor
will now show the Switcher’s
Preview row
selection (only);
and the
Program monitor
will display the current
Program row
selection – this
will let you see how subsequent steps affect delegated Virtual Inputs.
In the onscreen user interface (
Live Desktop
), click the tab labeled
M/E
1 (
if necessary,
press the m key to toggle the
M/E pane
open first).
In the tabbed pane that appears, click the
Effect
button over the thumbnail icon in the
center.
If necessary, click the
name label
for the effect (below the thumbnail icon) and, using
the
Media Browser
that opens, select
Default (2 Layer)
from the
Default
effect group
.
Repeat these two steps for
M/E 2
.
(We’re going to create two matching
M/E
setups. We could just as easily use different effects,
but our current purposes don’t require that, so we’ll opt for simplicity.)
Select
M/E 1
on
PGM
, and
M/E 2
on
PVW
, so you can follow the action to come.
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