background image

By combining a carefully designed low frequency acoustic rolloff of all the main speakers, including the

surrounds, and a matching 2nd order electronic filter in the M&K Bass Management Controller, M&K achieves all
the theoretical benefits of a 4th order Linkwitz-Riley filter. In addition, to further create a seamless bass managed
system, we use only non-ported sealed cabinet designs on all our speakers and subwoofers, eliminating ported
speaker phase anomalies which would prohibit smooth transitions at the bass managed crossover frequency.

Another good reason for using bass management in the control room is that even the least expensive Dolby

Digital consumer decoder, found in millions of homes, has bass management built in, allowing the bass from all
channels to be fed to a single subwoofer. Also, all Home THX systems utilize an 80Hz bass management system.
Monitoring with proper bass management in the professional control room insures proper playback translation into
the "home theater" environment and into larger spaces such as motion picture theaters.

It is important to understand that Bass Management is done as a function of the monitoring system and in no

way affects the actual mix. Full frequency musical content, is assigned or panned around the room via normal
console or software operations to the various desired subjective locations such as Left, Center, Right, Left
Surround, and so on. This full frequency musical data corresponding to each speaker location channel is stored
normally on tape, hard drive, etc.

Bass Management psychoacoustically works because the ear-brain mechanism cannot detect direction at low

frequencies, but takes its directional cues from the harmonics of the low frequency sound. In the monitoring
process, frequencies below 80Hz are redirected to the subwoofer. Frequencies above 80Hz are sent to the desired
speaker. During the hearing process, our hearing mechanism integrates the sound into the correct spatial
auditory image.

Bass management is equally suited to all formats from 2-channel stereo to 5.1 and beyond. Indeed, existing

control rooms that are doing stereo 2 channel mixes, especially with smaller nearfield monitors placed on the
console, can benefit immensely from the correct integration of Bass Management and a subwoofer; because the
engineer is now able to hear low frequency anomalies caused by room rumble, microphone stand thumping, breath
pops, and other artifacts that cause undesirable actions later in the broadcast, film chain, or DVD Mastering
process.

When mixes are intended for theatrical presentation, it is sometimes necessary to use an additional channel

for extra low frequency effects or enhancement.

This channel is called the LFE or Low Frequency

Effects/Enhancements channel. In the control room monitoring environment, the LFE channel, if or when it is used
in the mix, is monitored by the same subwoofer used for the regular [L,C,R,LS,RS] channels.

M&K Bass

Management Controllers have both a 0dB (with unity gain) and +10dB (with 10dB gain) inputs to accommodate
any mixing / monitoring situation, as per Dolby specifications.

The M&K Professional Division supplies, at no additional charge, a special CD test disc to assist in the

proper setup and calibration of our Bass Management Systems. This disk has pre-filtered and calibrated tracks of
noise which allow quick, accurate, and error-free setup of the monitoring environment to the Dolby standard of
85dB SPL, or any other relative reference level, by using an SPL meter.

4.

INTRODUCTION

The LFE-4 Bass Management Controller is a balanced, line-level studio bass management controller which is

intended for use with the M&K line of professional studio monitors. Although the LFE-4 was primarily designed for
monitoring 5.1 audio, its flexible architecture allows it to be used for monitoring mono, stereo, Dolby Surround,
Dolby Digital, DTS and other formats.

The LFE-4 combines several necessary functions in one 19” rack mount, 1RU package. Along with bass

management and LFE channel control, it also provides individual channel adjustment capability to properly
calibrate your entire monitor system.

Bass Management Controller

5

Содержание LFE-4

Страница 1: ...LFE 4 Miller Kreisel Sound Inc 9351 Deering Avenue Chatsworth CA 91311 5858 USA 818 701 7010 fax 818 701 0369 www mkprofessional com 2003 Miller Kreisel Sound Inc bass management operation manual...

Страница 2: ...FOR STEREO 8 7 CONNECTING FOR DOLBY DIGITAL 9 8 CONNECTING FOR DTS 10 9 CALIBRATING YOUR M K PROFESSIONAL SYSTEM 11 THE M K PROFESSIONAL TEST DISC 11 10 SPEAKER PLACEMENT 12 ITU R BS 775 1 RECOMMENDAT...

Страница 3: ...his product from the wall outlet and refer servicing to qualified personnel under the following conditions When the power supply cord or plug is damaged If liquid has been spilled or objects have fall...

Страница 4: ...DTS and other surround sound formats are faced with numerous challenges when trying to accurately monitor complex and dynamic material and determine how this material will sound in its intended playb...

Страница 5: ...e Bass management is equally suited to all formats from 2 channel stereo to 5 1 and beyond Indeed existing control rooms that are doing stereo 2 channel mixes especially with smaller nearfield monitor...

Страница 6: ...way it will ultimately be played back The LFE 4 together with a properly set up and calibrated M K monitor system allows the mixer to hear his work with more accuracy than might otherwise be possible...

Страница 7: ...of the mixer and power amplifiers through the XLR cables In order to minimize the grounding problems between the LFE 4 and equipment racks the internal audio signal ground can be separated from the ch...

Страница 8: ...ower amplifiers 5 Locate the external power supply for the LFE 4 and plug it into the 4 pin power connector on the back of the LFE 4 Secure it in place by turning the outer ring clockwise Plug the ext...

Страница 9: ...to plus and set the gain switch to the THX position 5 If you are using passive speakers with external amplifiers connect your speaker system to the power amplifiers 6 Locate the external power supply...

Страница 10: ...E 4 2 Connect the outputs of LFE 4 to the inputs of your power amplifiers or directly to your powered loudspeakers 3 Connect the mixer output assigned to the low frequency effects channel LFE to the 0...

Страница 11: ...el of 4dB with 20dB of headroom the maximum signal level from the source console etc can be 24dB Therefore at very high signal levels you can only add around 3dB of gain with the trim pots before the...

Страница 12: ...dation is based on placing the speakers at equal distances around a 2 5 meter circle with the height of each speaker at 1 2 meters The center speaker is placed directly in front of the listener with t...

Страница 13: ...eaking it is not a good idea to place the subwoofer directly in the center between the left and right speakers There s usually a null in this location which absorbs low frequencies rather than reinfor...

Страница 14: ...off your body and into the microphone Point the meter at the center speaker at about ear height Play track one of the test CD through the selected speaker and read the SPL Adjust the level to 85dB usi...

Страница 15: ...ut clipping level 27 dBu Gain Adjustment 12dB THD 1kHz 4 dBu 0 002 LFE Inputs Input impedance 20K ohm balanced Nominal input level 4 dBu Maximum input level 24 dBu Gain Adjustment 12dB Gain 10dB input...

Страница 16: ...LFE 4 manual PN 70360 7 08 2003 rev 1 pt qrk...

Отзывы: