Metaxas & Sins solitaire, Руководство пользователя

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If the words you think of when listening include - e  ortless,
transparent, engaging, holographic, real...then you are close.
More than that, you need to “feel” the performance.
It MUST move you.
The only way to design audio equipment with these qualities is
to have
fi rst-hand experience with the fi nest available recording
equipment AND playback equipment.
This is important for two reasons; it ensures that your designs work
and ’mate-well’ with other products and that their resolution is not
limited by the weakest link in the playback ‘chain’.
Metaxas ampli fi ers have been conceived using extensive
listening tests with a variety of state-of-the-art ancillary equipment
[and the systems of customers] over a 35 year period.
Our ampli fi ers have been designed using a variety of state-of-the-
art phono playback equipment over the years but our
ABSOLUTE REFERENCE is our library of over 300 in-house
Master Tapes of acoustic Jazz and Classical concerts recorded
using our Metaxas-modi
fi ed battery-powered Stellavox SM-8 [and
TD9]Tape Recorders with AGFA 468 1/4” tape recording using
Bruel & Kjaer 4135 1/4” instrumentation and modi
fi ed NEUMANN
TLM-50 and M150 condensor microphones.
Digital copies of these recording “Masters” are freely available
to our customers.
perfect sound?