Marani CLP-160, Руководство пользователя

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This is due to the fact that extend the same amplitude to the all sub harmonics
generated, would bring to a “booming” and “dark” result, there where having a
Peak on the 65Hz, will leave the max intensity of the synthesized sub
harmonics, in correspondence of the original fundamentals, ranging around
130Hz, where typically fall the octave used by the harmonizing instruments as
the Bass or Kick Drum, creating there a bigger presence and giving the music
that much sought after "punch".
The Sub Harmonic Synthesizer is working on the base of a single control used
for deciding the amount of Sub Harmonics in terms of Amplitude Gain.
To access the Sub Harmonic Synthesizer control, need to press the Atk/Rel
Select Button so to turn ON the related Led, and to make sure the Atk/Rel
Confirm Led is OFF.
TAB 5
Referring to the Fig E, here following the table showing the relation between
the THR/VAR potentiometer position on the Grid and the Sub Harmonic
Synthesizer Amount in terms of Gain Amplitude at 65Hz
Atk/Rel Select Led Atk/Rel Confirm Led Pot's related Parameter
ON OFF SUB HARMONIC
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