background image

There are a number of possible symptoms of something not quite right, some may be interfacing, others we will touch

on as well. On the back panel are balanced and unbalanced inputs and outputs. Usually we connect balanced outputs to
balanced inputs (same with unbalanced) but usually we can also patch an unbalanced to balanced or balanced to unbalanced
with no problem (especially true with transformers) but some gear you can't. Check the manuals if you find a problem.

NO POWER, NO INDICATORS, NADA - Probably something to do with AC power. Is it plugged in? Check the fuse on
the back panel. A blown fuse often looks blackened inside or the little wire inside looks broken. A very blackened fuse is a
big hint that a short occured. Try replacing the fuse with a good one of the same value and size. If it too blows then prepare
to send the unit back to the dealer or factory for repair. The fuse is a protection device and it should blow if there is a problem.
If the unit works with a new fuse, fine. Check the MAINS VOLTAGE SELECTOR if one is fitted. Some of our models are
able to have them and some don't. It should be set correctly for your mains voltage.

LIGHTS BUT NO SOUND - First try plugging the in and out cables into some other piece of gear to verify that your wires
are OK. Assuming that it was OK into the other unit it probably is still a wiring thing. The XLRs are transformer balanced
(isolated / floating) that require the LOW or negative part of the signal on PIN 3 to be connected to something, even when
driving unbalanced inputs. With unbalanced sends or returns are used with the EQ balanced inputs/outputs then PIN 3 and
GROUND should be connected together. The EQ's unbalanced outputs kill the balanced XLR signals to provide a
transformerless audio path. Once again, when using a balanced to unbalanced (or vice versa) don't forget to have PIN 3
connected to the SLEEVE of the 1/4" plug.

LEVELS SEEM TO BE WRONG, NO BOTTOM - Several possible scenarios. Manley uses the professional standard of
+4 dBm = Zero VU = 1.23 volts AC RMS. A lot of semi-pro gear uses the hi-fi reference of -10 dBm = Zero VU. This is a
14 dB difference that will certainly look goofy and may tend to distort. Often there are switches on the semi-pro gear to choose
the pro reference level. We do not provide that kind of switch because of inevitable compromises in the signal path. If the
loss looks close to 6 dB and it sounds thin then one half of the signal is lost. The cause is probably wiring again. One of the
two signal carrying wires (the third is ground / shield on pin 1) is not happening. Check the cables carefully because
occasionally a cable gets modified to work with a certain unit and it seems to work but its wrong in other situations. If you
have two and only one EQ exhibits this problem, it may be a problem in that unit. See the next item.

SIGNAL GONE EVEN IN BYPASS -  The signal goes through the tube stage in "Bypass". Let's assume the wiring has been
checked twice. There is about a 98% chance it is a tube. If it were solid state you would generally send it back for repair. Being
a tube unit, you can probably find the problem and fix it in a few minutes. Not too many years ago, people (your parents) could
"fix" their own stuff by taking a bag of tubes down to the corner and checking said tubes on a tube tester. These are practically
extinct but no prob'. Be careful - there are some high voltages inside the chassis and tubes can get pretty warm but if you can
replace a light bulb  you should be able to cruise through this. Before you remove a tube, just take a look at them powered
up. They should glow a bit and they should be warm. If one is not, you have already found the problem. The tube's filament
(heater) is burnt out or broken (like a dead light bulb). The other big visual symptom is a tube that has turned milky white
- that indicates air has gotten into the tube or we joke "the vacuum leaked out". Either way replace the tube. They are not hard
to find - even Radio Shack carries a fair tube stock and Manley can ship you a tested one. You can even pull a tube or two
from a guitar amp to verify "it was that one not glowing" but then get an exact replacement (substitution list on previous page).
Before you pull a tube, pull the power out, let the unit sit and cool and discharge for 10 minutes, then swap, then power, then
check. Gentle with those tubes, don't bend the pins by trying to insert them not quite right. A little rocking of them as you
pull them out or put them in helps. When the problem follows the tube you found the problem - a bad tube. No soldering, no
meters, one screwdriver - easy. The good news is "easy" the bad news is "tubes have an very unpredictable lifespan.

HUM -  Once again - several possibilities - several cures. Most likely it is a ground loop.  If you are using the 1/4" unbalanced
inputs, try the transformer XLRs. Balanced inputs can reject hum from ground  loops, but it would be good to break the loop.
The two most common procedures are: try a 3 pin to 2 pin AC adapter (about a dollar at the hardware store) which is better
than messing up the power cable by bending the ground pin until it breaks off. Method two - cutting the shield on one side
of the cable. This is usually done at every  female XLR to "break" all  loops. You may get a loop simply from the rack. All
the other gear in the rack is "dumping" ground noise onto the rack rails. Try removing the EQ from the rack so that it is not
touching any metal. You may have cured a non-loop hum. Some gear radiates a magnetic field and some gear (especially if
it has transformers) might receive that hum. A little distance was all it took. A cool method of reducing all sorts of hum and
noise is to use the new 60-0-60 balanced AC power transformers available from Equi=Tech and Furman. It costs more but
works best. Hum might be because of the unbalanced input but this hints at  ground loops and questionable wiring.

TROUBLE-SHOOTING

9

Содержание Enhanced Pultec Mid Frequency Equalizer

Страница 1: ...MANLEY LABORATORIES INC OWNER S MANUAL ENHANCED MID FREQUENCY PULTEC EQUALIZER...

Страница 2: ...ON 3 EQ HINTS 4 FRONT PANEL 5 REAR PANEL 6 MAINS CONNECTIONS 7 TECH NOTES 8 TROUBLESHOOTING 9 10 CURVES 11 WARRANTY 13 WARRANTY REGISTRATION 14 APPENDIX WIRING YOUR OWN CABLES TEMPLATE FOR STORING SET...

Страница 3: ...he distortion as such The older transformers suffered from wide band distortion and losses inthehighs Thisisrarelywanted Modernhighqualitytransformersaremuchbetterinthehighsandgenerally much lower dis...

Страница 4: ...lexible for mastering Many of the most recognised engineers suggest cutting rather than boosting According to them it sounds like less phase shift and resonance They would start by dipping a little in...

Страница 5: ...ful hard sounds while the 5 or 7 kHz are often used to compensate for microphone diaphragm resonances E MID FREQUENCY DIP peak Provides continuously variable CUT from 0 to 10 or 12 dB to the selected...

Страница 6: ...inserted Tip Signal Sleeve Ground Ring unused Use either output but not both F GAIN SET PRESET This control adjusts the feedback over the line amplifier It is preset for unity gain however additional...

Страница 7: ...ire which is coloured BROWN must be connected to the terminal in the plug which is marked by the letter L or coloured RED This unit like most pro gear is designed for third pin AC mains ground See the...

Страница 8: ...it Replacement tubes can be obtained from Manley Laboratories However if you re stuck in a pinch the following tubes are approved substitutes for this unit For the 5814 12AU7WA ECC82 exact substitutes...

Страница 9: ...BYPASS The signal goes through the tube stage in Bypass Let s assume the wiring has been checked twice There is about a 98 chance it is a tube If it were solid state you would generally send it back...

Страница 10: ...we know of David showed us that they have less coloration than Penny Giles faders on bigconsoles Unfortunatelythey feel loose Wecouldusecheapunsealedpotslikemostothercompaniesbutthenwewould not feel...

Страница 11: ......

Страница 12: ...015 Noise Floor Gain set to minimum 80 dB Wideband Signal to Noise 126 dB typical Maximum Gain via trim on back 5 dB to 5 dB Maximum EQ Boost 12 dB low mids 10 dB high mids Maximum EQ Cut 12 dB 10 db...

Страница 13: ...rwarrantyregistrationcard IfaManleyLaboratories productfailstomeettheabovewarranty thenthepurchaser ssole remedyshallbetoreturntheproducttoManleyLaboratories wherethedefectwillberepaired withoutcharge...

Страница 14: ..._ SUPPLIER ______________________ PLEASE DETACH THIS PORTION AND SEND IT TO MANLEY LABORATORIES MODEL MANLEY MID FREQUENCY PULTEC EQ SERIAL No ____________ PURCHASE DATE ______________ SUPPLIER ______...

Страница 15: ......

Отзывы: