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Anechoic Position-

3dB at 20Hz (anechoic)
+/-1dB pass band (40Hz to 150Hz) 
-3dB at 200Hz

In this position the subwoofer has the greatest low frequency extension and in small rooms often provides a rising char-

acteristic below 35Hz.

H)

Input Gain Switch - In THX mode, the gain is fixed and provides 90dB of output when a 200mv signal is applied to the
balanced input (100mv unbalanced).

I)

Variable Gain Knob - Variable gain knob provides gain settings from -

to approxi20dB above reference.           

Reference is equal to the input gain switch being set to the THX position. 

J)

Right Un-balanced Input - 15K Ohms balanced input connector - 100mv in produces 90dB of output   
(Reference/THX input sensitivity mode)

K)

Left /Mono Un-balanced Input - 15K Ohms balanced input connector - 100mv in produces 90dB of output   
(Reference/THX input sensitivity mode)

9.

RESPONSE AND SENSITIVITY ADJUSTMENTS

M&K Professional subwoofers feature user adjustable response, sensitivity and crossover adjustments in order to allow for easy

integration into any monitoring system or acoustical space.  Make sure to use the settings that best match your specific components
so that double filtering does not occur and that the most accurate response is achieved.

Using your M&K subwoofer with External Bass-Management Electronics

The following is an overview of how the subwoofer should be connected when used with an external bass-management sys-

tem, such as the M&K Professional LFE-4 or LFE-5.  These guidelines should also be followed when the subwoofer is used with a
consumer Dolby Digital or THX decoder.

Connect the subwoofer output from your bass-management box directly to either the XLR input of the subwoofer or the mono-

unbalanced RCA input.  Since all the bass-management filtering is being done externally, the internal low pass filter should be set
to THX mode so it is bypassed.   

The phase switch should be set to whichever mode yields the smoothest response at crossover.  This can be confirmed by

using a spectral analyzer, or by listening tests.

Bass EQ should be set to whichever mode yields the flattest low frequency response.  Typically, because of a phenomenon

known as room gain, it has been found that the THX mode yields the flattest in-room response.  This mode also yields the maxi-
mum headroom.

If additional low frequency extension is required, the subwoofer can be switched to its extended mode, which typically results

in a rising characteristic below 30Hz, when measured in room.

Because most external bass-management boxes provide their own output adjustment for the subwoofer, it is recommended that

the subwoofers input gain switch be set to THX mode.  This mode is equal to the reference setting on the variable gain knob.

Additional Suggestions Regarding Low-Pass Filter Settings

The MPS-5310 features an adjustable 36dB per octave, variable low-pass filter.  This filter can be useful when using this sub-

woofer with non M&K Professional monitors so as to help provide a perfect match at crossover between the main speaker(s) and
the subwoofer.

The low-pass filter should be set to the 24dB/80Hz filter setting when using the an M&K Professional subwoofer with a bass-

management controller that does not have a low-pass filter (such as the M&K LFE-4, LFE-5 and BMC-Mini).

10.

CALIBRATING YOUR M&K PROFESSIONAL SYSTEM

1.

For this set-up procedure, you will need the following:

a.)  An SPL meter. Radio Shack has an analog SPL meter that is very effective and not expensive. 
b.)  The M&K Professional test CD.

9

Содержание MPS-2810

Страница 1: ...1 1 7 70 01 10 0 f fa ax x 8 81 18 8 7 70 01 1 0 07 77 76 6 w ww ww w m mk kp pr ro of fe es ss si io on na al l c co om m M Mi il ll le er r K Kr re ei is se el l E Eu ur ro op pe e S So ol lr rø øe ed d C Ce en nt te er r 1 12 2B B L Le ev ve el l I I 2 26 68 80 0 S So ol lr rø øe ed d S St tr ra an nd d D De en nm ma ar rk k t te el l 4 45 5 5 56 61 12 29 90 04 47 7 f fa ax x 4 45 5 5 56 61 12 ...

Страница 2: ...RVICE Unplug this product from the wall outlet and refer servicing to qualified personnel under the following conditions When the power supply cord or plug is damaged If liquid has been spilled or objects have fallen into this product If the product does not operate normally by following the operating instructions Adjust only controls that are covered by the operating instructions as an improper a...

Страница 3: ...ICK PRODUCT OVERVIEW 6 7 SUBWOOFER PLACEMENT 6 8 INPUTS AND CONTROLS 8 9 RESPONSE AND SENSITIVITY ADJUSTMENTS 9 10 CALIBRATING YOUR M K PROFESSIONAL SYSTEM 9 11 SPEAKER CALIBRATION 10 12 SUBWOOFER CALIBRATION 11 13 THE FOUR MAJOR ADVANTAGES OF USING BASS MANAGEMENT 11 14 SPECIFICATIONS 12 DIAGRAMS INPUTS AND CONTROLS 8 CABINET DIMENSIONS 12 14 3 ...

Страница 4: ... PM Pacific Time We will be more than happy to help you with any question no matter how simple or complex it may be Additional information may also be found on our web site www mkprofessional com 3 PACKING LIST Miller Kreisel Professional wants your product to work and look as good as the day it left the factory so please inspect the packaging for any shipping damage and contact the dealer if the ...

Страница 5: ...ion No less is true in multi channel mixing Proper low frequency equalization and mixing decisions are difficult if not impossible unless all 5 1 or more chan nels have the same bass frequency response at the mixers listening position Due to unavoidable room modes five or more correctly placed full range speakers in even the most perfectly designed stu dio will produce dramatically different low f...

Страница 6: ...t powered subwoofer that is certified for THX pm3 applications with reference level output in rooms up to approximately 3000 Cubic Feet in volume multiple subs can be used for larger room applications M K s MPS 5410 powered subwoofer allows mixers to hear details in low frequency information down to the limits of audibili ty With 400 watts of power and M K s Push Pull Technology the THX PM3 compli...

Страница 7: ...cy response Once you have settled on a possible placement move the subwoofer to that location Experiment with aiming the sub woofer directly at the console or aiming it at a wall or even aiming it along a wall Once you have found a good placement solu tion for the subwoofer play program material that you are familiar with through the satellites and subwoofer and check the sound quality Two channel...

Страница 8: ...r B The bottom position of this switch activates an 80Hz 24dB per octave filter This mode should not be used when the subwoofer is being connected to an external bass management box D Phase Switch Allows the subs phase to be changed between 0 degrees and 180 degree out of phase so as to best accommodate subwoofer location and crossover performance with regards to the main speakers E Standard IEC P...

Страница 9: ...her the XLR input of the subwoofer or the mono unbalanced RCA input Since all the bass management filtering is being done externally the internal low pass filter should be set to THX mode so it is bypassed The phase switch should be set to whichever mode yields the smoothest response at crossover This can be confirmed by using a spectral analyzer or by listening tests Bass EQ should be set to whic...

Страница 10: ... 3kHz recorded at 20dB FSD Use this tone to calibrate your main and surround satellite speakers Track two Band limited Pink noise from 40Hz to 80Hz recorded at 20dB FSD Use this tone to adjust your subwoofer level Track three 1 kHz sine wave recorded at 20dB FSD Use this to set the reference level of your source console etc On an analog console this will be 0VU On digital sources this will be eith...

Страница 11: ... engineer never heard When these recordings are played back on a properly calibrated multichannel audio system the music sounds bass heavy or even worse has information in the sound track that was never intended to be there such as noise equipment hum or other artifacts Satellite speakers are smaller and can fit in more places than full range speakers Unlike two channel stereo multichannel audio r...

Страница 12: ...UTPUT 20 millisecond pulse 550 WATTS AMPLIFIER DISTORTION 03 AT FULL OUTPUT FROM 20 HZ TO 125 HZ AMPLIFIER NOISE relative to full output 90 db TYPICAL ROOM RESPONSE 20 HZ 200 HZ 2db THX POSITION ANECHOIC RESPONSE 18HZ 125 HZ 2 db ANECHOIC POSITION INPUT IMPEDANCE BALANCED 30 K OHMS UNBALANCED 15K OHMS LOW PASS FILTER fixed 80Hz 24db PER OCTAVE SLOPE 4th order Linkwitz Riley variable 55Hz 125Hz 12 ...

Страница 13: ...0 millisecond pulse 480 WATTS AMPLIFIER DISTORTION 03 AT FULL OUTPUT FROM 20 HZ TO 125 HZ AMPLIFIER NOISE relative to full output 90 TYPICAL ROOM RESPONSE 20 HZ 200 HZ 2db THX POSITION ANECHOIC RESPONSE 18HZ 125 HZ 2 db ANECHOIC POSITION INPUT IMPEDANCE BALANCED 15 K OHMS UNBALANCED 15K OHMS LOW PASS FILTER fixed 80Hz 24db PER OCTAVE SLOPE 4th order Linkwitz Riley variable 55Hz 125Hz 13 ...

Страница 14: ...relative to full output 90 db TYPICAL ROOM RESPONSE 30 HZ 200 HZ 2db THX POSITION ANECHOIC RESPONSE 22 HZ 125 HZ 2 db ANECHOIC POSITION INPUT IMPEDANCE BALANCED 15K OHMS UNBALANCED 15K OHMS LOW PASS FILTER fixed 80Hz 24db PER OCTAVE SLOPE 4th order Linkwitz Riley variable 55Hz 125Hz MPS Sub Manual qrk 3 23 2004 pt 2 21 3 13 2 13 14 88 14 50 17 50 10 00 5 50 5 50 MPS 2810 2004 M K Sound Inc All rig...

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