M&K Sound MPS-2810 Скачать руководство пользователя страница 7

Methodology For Placing Subwoofers

The low frequency response and efficiency of a subwoofer are heavily influenced by the acoustics of the playback environment.

More specifically, the response is influenced by the room’s dimensional ratios, types of construction and location of the subwoofer
within that environment.  You can significantly improve the subwoofer’s in-room response and efficiency by experimenting with var-
ious subwoofer placements until you find an optimum location.

Here are a few guidelines for placing the subwoofer in your room.

Every acoustic space is unique and experimentation is an important key to finding the best possible location in your
particular environment. 

A subwoofer becomes more acoustically efficient (has greater output) as you move it closer to a room surface.

A subwoofer will give maximum output and maximum acoustic excitement when it is located in a corner.  

Under certain acoustic conditions corner locations are optimum; in others they can excite
multiple room modes, producing “muddy” or “boomy” sound.

As you walk around your room, be sure to pay careful attention to where the spectral response is smoothest and has the great-

est low frequency extension. Pay special attention to the corners and along the walls.  Remember, because the subwoofer is basi-
cally omni-directional, the best spot for the subwoofer may be next to, or behind, the main monitoring area.  

It has been found that a subwoofer’s in-room response can sometimes be improved by facing the drivers towards a wall.

Typically, when you place the subwoofer near a wall the sound will couple with the wall and create an extra 3dB of gain.  Place the
subwoofer in a corner and you will pick up additional 3dB of gain.  Again, experimentation is the key to finding the best possible
location.

An effective way to find the best location for the subwoofer is to start out by placing the subwoofer at the listening position.

Connect an audio source to the input of the subwoofer and play music with good low-end content through the subwoofer.  While
the music is playing, move around the room in areas that you think might be good locations for the subwoofer’s final placement.
Try to locate an area that responds well to the music being played by the subwoofer.  Listen for even, well-defined, low frequency
response.  Once you have settled on a possible placement, move the subwoofer to that location.  Experiment with aiming the sub-
woofer directly at the console, or aiming it at a wall or even aiming it along a wall.  Once you have found a good placement solu-
tion for the subwoofer, play program material that you are familiar with through the satellites and subwoofer and check the sound
quality.  Two-channel material is good for this as the imagery of the phantom center depends upon equal volume from both chan-
nels and phase coherency of the satellites with the subwoofer. 

M&K subwoofers generate tremendous energy, so they may vibrate objects close to it.  If you hear buzzing or vibrating objects,

make sure to dampen those objects.  Rattling, buzzing and other sympathetic resonances can make the subwoofer localizable and
therefore should be avoided.  Using a sine wave generator can be helpful in locating these acoustic anomalies.

MPS-2810 SPECIAL INSTALLATION NOTES

An enclosed hardware kit contains four black metal spikes, threaded at one end and tapering to a sharp point at the other.  By

mounting these spikes into the threaded inserts mounted in the bottom of the Subwoofer, you can elevate the Subwoofer, and on
carpet, couple it more tightly to that floor.    Do not use the spiked feet on hardwood or tile floors.  They can damage the floor
surface.

The threaded inserts are found in the four corners of the cabinet's bottom.  The inserts are 1/4 - 20, that is, 1/4 inch in  diam-

eter and 20 threads per inch.  This is compatible with the most spikes, "cones," "tip-toes," etc. offered by manufacturers of spe-
cialized speaker feet.

To properly secure the feet to the cabinet, you must use the provided washer and jamb nut on the threaded portion of the foot.

The washer goes first, with the nut over it, holding the washer securely in place.  This prevents damage to the spike and the thread-
ed insert in case something moves the cabinet sideways.  

The MPS-2810’s pressure-loaded design allows for maximum coupling to a room because it places its drivers directly adjacent

to room surfaces, whether the cabinet is horizontally or vertically oriented. Feel free to orient the cabinet either way.  When verti-
cal, its tall thin look is very attractive, and gives excellent performance when the subwoofer is in a corner.

The cabinet's 17" width allows the MPS-2810 to be rack mounted for professional applications or installations where space is

at a premium.  If you want to do this, contact M&K for a rack-mounting kit.

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Содержание MPS-2810

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Страница 2: ...RVICE Unplug this product from the wall outlet and refer servicing to qualified personnel under the following conditions When the power supply cord or plug is damaged If liquid has been spilled or objects have fallen into this product If the product does not operate normally by following the operating instructions Adjust only controls that are covered by the operating instructions as an improper a...

Страница 3: ...ICK PRODUCT OVERVIEW 6 7 SUBWOOFER PLACEMENT 6 8 INPUTS AND CONTROLS 8 9 RESPONSE AND SENSITIVITY ADJUSTMENTS 9 10 CALIBRATING YOUR M K PROFESSIONAL SYSTEM 9 11 SPEAKER CALIBRATION 10 12 SUBWOOFER CALIBRATION 11 13 THE FOUR MAJOR ADVANTAGES OF USING BASS MANAGEMENT 11 14 SPECIFICATIONS 12 DIAGRAMS INPUTS AND CONTROLS 8 CABINET DIMENSIONS 12 14 3 ...

Страница 4: ... PM Pacific Time We will be more than happy to help you with any question no matter how simple or complex it may be Additional information may also be found on our web site www mkprofessional com 3 PACKING LIST Miller Kreisel Professional wants your product to work and look as good as the day it left the factory so please inspect the packaging for any shipping damage and contact the dealer if the ...

Страница 5: ...ion No less is true in multi channel mixing Proper low frequency equalization and mixing decisions are difficult if not impossible unless all 5 1 or more chan nels have the same bass frequency response at the mixers listening position Due to unavoidable room modes five or more correctly placed full range speakers in even the most perfectly designed stu dio will produce dramatically different low f...

Страница 6: ...t powered subwoofer that is certified for THX pm3 applications with reference level output in rooms up to approximately 3000 Cubic Feet in volume multiple subs can be used for larger room applications M K s MPS 5410 powered subwoofer allows mixers to hear details in low frequency information down to the limits of audibili ty With 400 watts of power and M K s Push Pull Technology the THX PM3 compli...

Страница 7: ...cy response Once you have settled on a possible placement move the subwoofer to that location Experiment with aiming the sub woofer directly at the console or aiming it at a wall or even aiming it along a wall Once you have found a good placement solu tion for the subwoofer play program material that you are familiar with through the satellites and subwoofer and check the sound quality Two channel...

Страница 8: ...r B The bottom position of this switch activates an 80Hz 24dB per octave filter This mode should not be used when the subwoofer is being connected to an external bass management box D Phase Switch Allows the subs phase to be changed between 0 degrees and 180 degree out of phase so as to best accommodate subwoofer location and crossover performance with regards to the main speakers E Standard IEC P...

Страница 9: ...her the XLR input of the subwoofer or the mono unbalanced RCA input Since all the bass management filtering is being done externally the internal low pass filter should be set to THX mode so it is bypassed The phase switch should be set to whichever mode yields the smoothest response at crossover This can be confirmed by using a spectral analyzer or by listening tests Bass EQ should be set to whic...

Страница 10: ... 3kHz recorded at 20dB FSD Use this tone to calibrate your main and surround satellite speakers Track two Band limited Pink noise from 40Hz to 80Hz recorded at 20dB FSD Use this tone to adjust your subwoofer level Track three 1 kHz sine wave recorded at 20dB FSD Use this to set the reference level of your source console etc On an analog console this will be 0VU On digital sources this will be eith...

Страница 11: ... engineer never heard When these recordings are played back on a properly calibrated multichannel audio system the music sounds bass heavy or even worse has information in the sound track that was never intended to be there such as noise equipment hum or other artifacts Satellite speakers are smaller and can fit in more places than full range speakers Unlike two channel stereo multichannel audio r...

Страница 12: ...UTPUT 20 millisecond pulse 550 WATTS AMPLIFIER DISTORTION 03 AT FULL OUTPUT FROM 20 HZ TO 125 HZ AMPLIFIER NOISE relative to full output 90 db TYPICAL ROOM RESPONSE 20 HZ 200 HZ 2db THX POSITION ANECHOIC RESPONSE 18HZ 125 HZ 2 db ANECHOIC POSITION INPUT IMPEDANCE BALANCED 30 K OHMS UNBALANCED 15K OHMS LOW PASS FILTER fixed 80Hz 24db PER OCTAVE SLOPE 4th order Linkwitz Riley variable 55Hz 125Hz 12 ...

Страница 13: ...0 millisecond pulse 480 WATTS AMPLIFIER DISTORTION 03 AT FULL OUTPUT FROM 20 HZ TO 125 HZ AMPLIFIER NOISE relative to full output 90 TYPICAL ROOM RESPONSE 20 HZ 200 HZ 2db THX POSITION ANECHOIC RESPONSE 18HZ 125 HZ 2 db ANECHOIC POSITION INPUT IMPEDANCE BALANCED 15 K OHMS UNBALANCED 15K OHMS LOW PASS FILTER fixed 80Hz 24db PER OCTAVE SLOPE 4th order Linkwitz Riley variable 55Hz 125Hz 13 ...

Страница 14: ...relative to full output 90 db TYPICAL ROOM RESPONSE 30 HZ 200 HZ 2db THX POSITION ANECHOIC RESPONSE 22 HZ 125 HZ 2 db ANECHOIC POSITION INPUT IMPEDANCE BALANCED 15K OHMS UNBALANCED 15K OHMS LOW PASS FILTER fixed 80Hz 24db PER OCTAVE SLOPE 4th order Linkwitz Riley variable 55Hz 125Hz MPS Sub Manual qrk 3 23 2004 pt 2 21 3 13 2 13 14 88 14 50 17 50 10 00 5 50 5 50 MPS 2810 2004 M K Sound Inc All rig...

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