Mackie SR40.8, Руководство пользователя

Страница: 30 / 86

30
CENTER FADER
Point Before:
MAIN INSERTS
.
Point After:
MAIN OUTPUTS
.
The
CENTER
mix is off with this Fader fully
down, the “
U
” marking is unity gain, and fully
up provides 10dB additional gain.
Remember that the
CENTER
mix is not actu-
ally related to the
LEFT
and
RIGHT
mix (except
that they usually wind up singing to the same
audience). Ride the
CENTER
Fader as needed,
regardless of the position of the
FADER LINK
switch and
LEFT
and
RIGHT
Faders.
SOLO
PFL Point Before:
LEFT
,
RIGHT
and
CENTER
mix .
PFL Point After:
PFL
mix (mono) .
AFL Point Before:
LEFT
,
RIGHT
and
CENTER
Faders .
AFL Point After:
AFL
mix (stereo) .
SOLO
allows you to audition signals
through your headphones. You can simulta-
neously
SOLO
as many signals as you like. The
SR40•8 features nondestructive solo: Engaging
SOLO
does not interrupt any of the other
Channels, buses, or outputs. Not only that, the
SOLO
system comes in two flavors:
PFL
(Pre-
Fader Listen) and
AFL
(After-Fader Listen,
Solo-In-Place).
U
O O +15
U
O O +15
U
O O +15
U
O O +15
U
O O +15
U
O O +15
U
O O +15
U
O O +15
O O O O O O O O
U
O O +20
U
O O +20
U
O O +20
U
O O +20
U
O O 10
U
O O +20
U
O O +20
L R
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
O O
U
+10
U
+10
U
+10
16kHz
5
+10 0
U
+10
U
+10
L R
16kHz
5
+10 0
L R
16kHz
5
+10 0
L R
16kHz
5
+10 0
L R
16kHz
5
+10 0
L R
16kHz
5
+10 0
L R
16kHz
5
+10 0
L R
16kHz
5
+10 0
O O
MAX
O O MAX
MAX LOW MAX LOW
O O
MAX
-20 +20
U
L R
U
O O +15
U
O O +15
U
O O +15
U
O O
+15
U
+15 -15
U
+15 -15
U
+15 -15
U
O O +15
U
O O +15
U
O O +15
U
O O
+15
U
+15 -15
150
220
350 45
75
800 30
150
220
350 45
75
800 30
150
220
350 45
75
800 30
250
700 70
3k 45
2.5k
6k 700
15k 450
U
O O
+15
U
O O +15
U
O O +15
U
O O +15
U
+15 -15
U
+15 -15
U
O O +15
U
O O +15
U
O O +15
U
O O +15
250
350 220
3k 45
3k
5k 1k
15k 500
MI
C GAIN
+10dB -40dB
-10dBV
U
0 60
250
700 70
3k 45
2.5k
6k 700
15k 450
U
O O
+15
U
O O +15
U
O O +15
U
O O +15
U
+15 -15
U
+15 -15
U
O O +15
U
O O +15
U
O O +15
U
O O +15
250
350 220
3k 45
3k
5k 1k
15k 500
MI
C GAIN
+10dB -40dB
-10dBV
U
0 60
L R
250
700 70
3k 45
2.5k
6k 700
15k 450
U
O O
+15
U
O O +15
U
O O +15
U
O O
+15
U
+15 -15
U
+15 -15
U
O O +15
U
O O +15
U
O O +15
U
O O +15
250
350 220
3k 45
3k
5k 1k
15k 500
MI
C GAIN
+10dB -40dB
-10dBV
U
0 60
L R
800 30
150
220
350 45
75
800 30 800 30
250
700 70
3k 45
2.5k
6k 700
15k 450
U
O O
+15
U
O O +15
U
O O +15
U
O O +15
U
+15 -15
U
+15 -15
U
O O +15
U
O O +15
U
O O +15
U
O O +15
250
350 220
3k 45
3k
5k 1k
15k 500
MI
C GAIN
+10dB -40dB
-10dBV
U
0 60
-20 +20
U
L R
U
O O +15
U
O O +15
U
O O +15
U
O O
+15
U
+15 -15
U
+15 -15
U
+15 -15
U
O O
+15
U
O O
+15
U
O O +15
U
O O
+15
U
+15 -15
-20 +20
U
L R
U
O O +15
U
O O +15
U
O O +15
U
O O
+15
U
+15 -15
U
+15 -15
U
+15 -15
U
O O
+15
U
O O
+15
U
O O +15
U
O O
+15
U
+15 -15
-20 +20
U
L R
U
O O +15
U
O O +15
U
O O +15
U
O O
+15
U
+15 -15
U
+15 -15
U
+15 -15
U
O O
+15
U
O O
+15
U
O O +15
U
O O
+15
U
+15 -15
SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO
PAN
1 2 3 4
B 1 B 2 B 3 B 4
5 6 7 8
1 2 3 4 5 6 7 8
MUTE
L-R
CENTER
L-R
CENTER
L-R
CENTER
L-R
CENTER
L-R
CENTER
L-R
CENTER
L-R
CENTER
L-R
CENTER
PAN
MUTE
PAN
MUTE
PAN
MUTE
PAN
MUTE
PAN
MUTE
PAN
MUTE
PAN
ASSIGN
TALKBACK MIC
TALKBACK
MUTE
LINE OUT LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL
MUTE
INPUTS
MONITOR SOLO TAPE B TAPE A
FLIP FLIP FLIP FLIP FLIP FLIP FLIP
INPUT
SECTION
OUTPUT
SECTION
FLIP
AUX SEND MASTERS
AUX RETURNS
ASSIGNED TO
CENTER
TAPE RETURNS
MATRIX
A
MATRIX
B
MATRIX
C
MATRIX
D
MASTER
A B C D
MASTER MASTER MASTER
SUB
1
SUB
2
SUB
3
SUB
4
SUB
5
SUB
6
SUB
7
SUB
8
CTR
LEFT
RIGHT
PFL
AFL PFL
AFL
PFL
AFL
PFL
AFL
CLEAR DO IT STORE SYSTEM
BY PASS
MUTE
PREVIEW
SOLO
MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE
SOLO SOLO SOLO SOLO SOLO SOLO SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
GRP SNAP
MODE
RUDE
SOLO LIGHT
SOLO
FADER LINK
SOLO SOLO SOLO
MUTE MUTE MUTE MUTE
AIR AIR AIR AIR AIR AIR AIR AIR
AUX 1-4 MATRIX A
AUX 5-8 MATRIX B
EXTERNAL MATRIX C
L/R MATRIX D
INTERCOM
PHONES
SOLO LEVEL
LEVEL
METER
TALKBACK LEVEL
ULTRA MUTE ™
V.+
POWER SUPPLY
STATUS
V.- 5 V 12 V 48 V
PHONES
0 1 2 3 4 5 6 7 8 9
10
dB
30
20
10
O O
40
5
5
U
60
50
10
dB
30
20
10
O O
40
5
5
U
60
50
10
dB
30
20
10
O O
40
5
5
U
60
50
10
dB
30
20
10
O O
40
5
5
U
60
50
10
dB
30
20
10
O O
40
5
5
U
60
50
10
dB
30
20
10
O O
40
5
5
U
60
50
10
dB
30
20
10
O O
40
5
5
U
60
50
10
dB
30
20
10
O O
40
5
5
U
60
50
10
dB
30
20
10
O O
40
5
5
U
60
50
10
dB
30
20
10
O O
40
5
5
U
60
50
10
dB
30
20
10
O O
40
5
5
U
60
50
LOW CUT
150 Hz
18dB/OCT
A
1
1
PRE
2
3
5
6
12k
HI
80Hz
EQ IN
LOW
AUX
EQ
1-2
3-4
5-6
7-8
L-R
SOLO
CENTER
4
PRE FDR
POST EQ
7
8
HI
MID
3k
LOW
MID
800Hz
PAN
A1
10
dB
30
20
10
O O
40
5
5
U
60
50
TRIM
DIMMER METERING
ON
IGNORE
CALL
COMMUNICATIONS
OSCILLATOR
RECEIVE
400Hz
PINK NOISE
OUTPUTS
0-9
ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN
LAMP
40•8•2 AUDIO MIXING CONSOLE
1
PRE
2
3
5
12k
HI
FREQ
FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4
5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
25
10
dB
30
20
10
O O
40
5
5
U
60
50
0
6
7
TRIM
25
SOLO
+48 PH
1
PRE
2
3
5
12k
HI
FREQ
FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4
5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
26
10
dB
30
20
10
O O
40
5
5
U
60
50
0
6
7
TRIM
26
SOLO
+48 PH
1
PRE
2
3
5
12k
HI
FREQ
FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4
5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
23
10
dB
30
20
10
O O
40
5
5
U
60
50
0
6
7
TRIM
23
SOLO
+48 PH
1
PRE
2
3
5
12k
HI
FREQ
FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4
5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
24
10
dB
30
20
10
O O
40
5
5
U
60
50
0
6
7
TRIM
24
SOLO
+48 PH
LOW CUT
150 Hz
18dB/OCT
A
2
1
PRE
2
3
5
6
12k
HI
80Hz
EQ IN
LOW
AUX
EQ
1-2
3-4
5-6
7-8
L-R
SOLO
CENTER
4
PRE FDR
POST EQ
7
8
HI
MID
3k
LOW
MID
800Hz
PAN
A2
10
dB
30
20
10
O O
40
5
5
U
60
50
TRIM
LOW CUT
150 Hz
18dB/OCT
A
3
1
PRE
2
3
5
6
12k
HI
80Hz
EQ IN
LOW
AUX
EQ
1-2
3-4
5-6
7-8
L-R
SOLO
CENTER
4
PRE FDR
POST EQ
7
8
HI
MID
3k
LOW
MID
800Hz
PAN
A3
10
dB
30
20
10
O O
40
5
5
U
60
50
TRIM
LOW CUT
150 Hz
18dB/OCT
A
4
1
PRE
2
3
5
6
12k
HI
80Hz
EQ IN
LOW
AUX
EQ
1-2
3-4
5-6
7-8
L-R
SOLO
CENTER
4
PRE FDR
POST EQ
7
8
HI
MID
3k
LOW
MID
800Hz
PAN
A4
10
dB
30
20
10
O O
40
5
5
U
60
50
TRIM
TALKBACK
L R L R
O O
MAX
O O
MAX
COMMUNICATIONS
L & R
R = L/R
A1
MUTE
A2
MUTE
A3
MUTE
A4
MUTE
24
MUTE
23
MUTE 1 2 3 4 5 6 7 8
A B C D
25
CENTER LEFT RIGHT
MUTE
26
MUTE