background image

12

EFX

MON

HI

12kHz

HI

12kHz

MID

2.5kHz

MON

MID

2.5kHz

MON

HI

12kHz

MID

2.5kHz

MON

HI

12kHz

MID

2.5kHz

MON

HI

12kHz

MID

2.5kHz

MON

HI

12kHz

MID

2.5kHz

MON

HI

12kHz

MID

2.5kHz

MON

HI

12kHz

MID

2.5kHz

LOW

80Hz

PAN

P

AN

PAN

P

AN

PAN

P

AN

PAN

P

AN

VOLUME  CH.

VOLUME  CH.

VOLUME  CH.

VOLUME  CH.

VOLUME  CH.

VOLUME  CH.

VOLUME  CH.

VOLUME  CH.

1

EFX

LOW

80Hz

2

2

EFX

LOW

80Hz

3

3

EFX

LOW

80Hz

4

4

EFX

LOW

80Hz

5

5

EFX

LOW

80Hz

6

6

EFX

LOW

80Hz

7

8

7

EFX

LOW

80Hz

8

EFX BYPASS

EFX DRIVE

LEVEL

12

0

NORMAL

INPUT 

LEVEL

SET

INPUT 

LEVEL

SET

INPUT 

LEVEL

SET

INPUT 

LEVEL

SET

INPUT 

LEVEL

SET

INPUT 

LEVEL

SET

INPUT 

LEVEL

SET

INPUT 

LEVEL

SET

EFX

CLIP

PARAMETERS

10

0

10

0

REVERBS

DELAYS

CHORUS

FLANGE

DAMPING

DEPTH

PHASER

TIME

RATE

NORMAL

NORMAL

CUSTOM 32-BIT PRECISION

DIGITAL STEREO EFFECTS PROCESSING

EFX WIDE

MAIN-STEREO/MONO EQUALIZER

30

CLIP

5

5

0

10

15

20

EFX FOOT

SWITCH

RIGHT RETURN

LEFT RETURN

SEND

L MIXER OUT

R

 MIXER OUT

C

OMPRESSOR

L POWER

AMP IN

R POWER

AMP IN

EFFECTS

(OVERRIDES INTERNAL EFX)

MONITOR

MAINS

TAPE IN

TAPE OUT

LEVEL

MIC

 

1

MIC

 

2

MIC

 

3

MIC

 

4

MIC

 

5

MIC

 

6

INSERT

INSERT

INSERT

INSERT

INSERT

LINE

LINE

LINE

LINE

LINE

LINE

INSERT

+15

U

O

O

1K

500

250

63

125

16K

LEVEL

2K

4K

8K

MAIN 

MASTER

EFX TO

MAIN

U

O

O

+10

MASTER OUTPUT SECTION

LINE 

U

+12dB

O

O

L

R

R

L

POWER

OUT

MONITOR EQUALIZER

15-

15+

5

10

0

5

10

-15

+15

5

10

0

5

10

15-

15+

5

10

0

5

10

-15

+15

5

10

0

5

10

1K

500

250

63

125

16K

2K

4K

8K

MONITOR

MASTER

EFX TO

MON

U

O

O

+10

U

+12dB

O

O

75Hz RUMBLE

REDUCTION

RIGHT

R

IGHT

MIC

 

7

MIC

 

8

75Hz RUMBLE

REDUCTION

PHANTOM

POWER CH 1

-8

BREAK

(MUTES CH 1-6)

808S   

POWER AMP ROUTING

SM. ROOM

MD.  

PLATE

LG. 

 PLATE

LG.  

 HALL

GATED

REVERSE

CATHEDRAL

MD. 

  HALL

SPRING

PHASER

DELAY  4

CHORUS

DELAY  3

DELAY  1

FLANGE

DELAY  2

IN

OUT

STEREO MAINS

LEFT = MAIN

RIGHT = MONITOR

2 X 400W STEREO

PROFESSIONAL POWERED MIXER

LEVEL

30

CLIP

5

5

0

10

15

20

LR

LEFT/MONO

LEFT/MONO

STEREO

MIC/

LINE

HI-Z

STEREO

MIC/

LINE

HI-Z

U

O

O

+10

U

+1

5

-1

5

U

+1

5

-1

5

U

+12

-12

1

U

+20dB

O

O

HI

LOW

NORMAL

U

O

O

+15

U

O

O

+10

U

+1

5

-1

5

U

+1

5

-1

5

U

+12

-12

U

+20dB

O

O

HI

LOW

NORMAL

U

O

O

+15

U

O

O

+10

U

+1

5

-1

5

U

+1

5

-1

5

U

+12

-12

U

+20dB

O

O

HI

LOW

NORMAL

U

O

O

+15

U

O

O

+10

U

+1

5

-1

5

U

+1

5

-1

5

U

+12

-12

U

+20dB

O

O

HI

LOW

NORMAL

U

O

O

+15

U

O

O

+10

U

+1

5

-1

5

U

+1

5

-1

5

U

+12

-12

U

+20dB

O

O

HI

LOW

NORMAL

U

O

O

+15

U

O

O

+10

U

+1

5

-1

5

U

+1

5

-1

5

U

+12

-12

U

+20dB

O

O

HI

LOW

NORMAL

U

O

O

+15

U

O

O

+10

U

+1

5

-1

5

U

+1

5

-1

5

U

+12

-12

U

+20dB

O

O

HI

LOW

NORMAL

U

O

O

+15

U

O

O

+10

U

+1

5

-1

5

U

+1

5

-1

5

U

+12

-12

U

+20dB

O

O

HI

LOW

NORMAL

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

U

O

O

+15

Vocal

Mics

M

onitor

Amplifier

M

onitor

Speakers

Stereo Processor

Processor

Direct Box

Le

ft

 FOH

Speakers

S

ubmix

er 

(closely r

esembling a 

Mackie CR1604-VLZ)

Right FOH

Speakers

Fr

om 

LEFT

SPEAKER 

OUT

Fr

om 

RIGHT

SPEAKER 

OUT

P

OWER AMP R

OUTING 

Button OUT

Ster

eo

Aux 

Return

Mic Inputs

Line Inputs

Mo

n

Out

Mix

er

Line Outs

Drum

Mics

Ho

rn

Mics

M

onitor Send

If y

ou need mor

e inputs than 

those pr

ovided b

y y

our PPM 

Series P

o

w

er

ed Mix

er

, this setup 

shows how to use an external 

submix

er to add additional inputs 

into the mix. The MIXER LINE 

OUT(s) fr

om the pow

er

ed mix

er 

ar

e r

o

uted to two mono or a 

ster

eo aux r

eturn on the 

submix

er

, wher

e the signal is 

mix

ed with the additional inputs 

connected to the submix

er

. The 

final, ov

er

all mix is r

outed back to 

the P

OWER AMP IN jacks on the 

pow

er

ed mix

er

, which pow

ers the 

main FOH speakers

.

Route the MONIT

O

R LINE OUT on 

the pow

er

ed mix

er to an unused 

line input on the submix

er

. Leav

tha

t channel's v

olume contr

ol 

turned down, and set the 

channel's monitor send contr

ol 

to unity gain.

The monitor out on the submix

er 

is r

outed to an external pow

er 

amplifier

, which driv

es the monitor 

speakers

.

N

ote: Since each amplifier is 

driving two speakers in par

allel, 

each speaker must be 4 ohms or 

gr

ea

ter

.

From MIXER OUT

From MONITOR OUT

Fr

om MIXER OUT

Fr

om MONIT

OR OUT

To POWER AMP IN

808S with External Mixer using PPM Amplifiers

Содержание PPM Series

Страница 1: ...LINE LINE LINE INSERT 15 U O O 1K 500 250 63 125 16K LEVEL 2K 4K 8K MAIN MASTER EFX TO MAIN U O O 10 MASTER OUTPUT SECTION LINE U 12dB O O L R R L POWER OUT MONITOR EQUALIZER 15 15 5 10 0 5 10 15 15 5...

Страница 2: ...0 0 5 10 1K 500 250 63 125 16K 2K 4K 8K MONITOR MASTER EFX TO MON U O O 10 U 12dB O O 75Hz RUMBLE REDUCTION LEFT RIGHT LEFT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH...

Страница 3: ...EFX TO MON U O O 10 U 12dB O O 75Hz RUMBLE REDUCTION RIGHT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH 1 6 408S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATE...

Страница 4: ...INE HI Z SUM MONO MIC LINE HI Z AMP 1 MAIN MAIN MONITOR AMP 2 MAIN SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT...

Страница 5: ...EDUCTION RIGHT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH 1 6 808S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DE...

Страница 6: ...PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT STEREO MAINS LEFT MAIN RIGHT MONITOR 2 X 400W STEREO PROFESSIONAL POWERED MIXER LEVEL 30 CLIP 5 5 0 10 15 20 L R LEFT MONO LEFT MONO STEREO...

Страница 7: ...10 15 20 L R LEFT MONO LEFT MONO STEREO MIC LINE HI Z STEREO MIC LINE HI Z U O O 10 U 15 15 U 15 15 U 12 12 1 U 20dB O O HI LOW NORMAL U O O 15 U O O 10 U 15 15 U 15 15 U 12 12 U 20dB O O HI LOW NORM...

Страница 8: ...BREAK MUTES CH 1 6 808S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT STEREO MAINS LEFT MAIN R...

Страница 9: ...obs cut as well as the right boost EFX MON HI 12kHz MID 2 5kHz LOW 80Hz PAN VOLUME CH 1 INPUT LEVEL SET MIC 1 INSERT LINE U O O 10 U 15 15 U 15 15 U 12 12 1 U 20dB O O HI LOW NORMAL U O O 15 R L Stere...

Страница 10: ...is controlled by the MONITOR MASTER control Themonitorsendsignalispre EQandpre VOLUME soifyouadjustthesecontrolstheywill affectonlythemainmixandnotthemonitormix Each MON send control ranges from off...

Страница 11: ...rfect for vocals and snare Decay range adjustable from 1 second to 5 seconds No pre delay MD PLATE Good early reflections and no pre delay Tails are short and warm with strong high end for increased p...

Страница 12: ...the effect Rate which is the speed of the sweeping effect Fully counter clockwise produces the slowest sweeps and fully clockwise produces the fastest DAMPING DEPTH PARAMETER controls the effect depth...

Страница 13: ...Note Make sure the singer is within 3 to 6 inches of the microphone No amount of EQ can save a vocal when the singer is too far away from the microphone 2 For more presence set the 4K and 8K sliders...

Страница 14: ...al level at the MONITOR LINE OUT and the MIXER LINE OUT To attain the best signal to noise ratio while still maintain ing adequate headroom set the MONITOR MASTER and MAIN MASTER controls so the 0 dB...

Страница 15: ...our monitor speakers When the switch is pushed IN the main mix is routed to the input of the MAIN power amp and the monitor mix is routed to the input of the MONITOR power amp You can still con nect u...

Страница 16: ...rip 2 2 3 1 1 SHIELD COLD HOT SHIELD COLD HOT 3 SHIELD COLD HOT 3 2 1 Balanced XLR Connectors SLEEVE SHIELD TIP SLEEVE TIP HOT RING COLD RING TIP SLEEVE RING Balanced 1 4 TRS Plug MAKING THE CONNECTIO...

Страница 17: ...a TS plug like a guitar plug or if it s a TRS plug like a headphone plug make sure the ring is tied to the shield preferably at the source You can connect an input signal to both the MIC input and th...

Страница 18: ...el Inserts section to see how to make this connection Parallel effects device Plug a TS plug half way into the EFFECTS SEND jack to the first click This allows you to use the EFFECTS SEND jack as a di...

Страница 19: ...the other band can plug right into the PPM Series and use its amplifiers and con nected speakers see application diagram on page 13 MIXER LINE OUT This is a 1 4 connector that produces an unbalanced l...

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