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17

Delays

There are four delays available. Delay 1 has

one repeat after the original note. Delay 2 has
two repeats, Delay 3 has three, and Delay 4 has
four. The 

TIME/RATE PARAMETER

 controls the

time between repeats, with the fastest repeats
at the 

0

 position and the slowest repeats at 

10

.

The 

DAMPING/DEPTH PARAMETER

 controls

the damping, with the darkest tone at 

0

 and

the brightest tone at 

10

. For an analog tape

delay sound, use a darker setting so that each
subsequent repeat is darker than the prior one.
For a crisp digital delay sound, use a brighter
setting so the tone retains its high end on each
subsequent repeat. Since the delay effect is not
stereo, it is not affected by the 

EFX WIDE

 switch.

DELAY 1

: One repeat. Works best for

slapback delay used in country and swing gui-
tar, and for rockabilly and some country vocals.
Delay range adjustable from 5ms to 524ms.

DELAY 2

: Two repeats. Provides a fuller,

more dramatic effect for rock and gospel vocals,
acoustic guitar, and wind instruments such as
flute. Especially effective for some finger-picking
styles. Delay range adjustable from 5ms to 524ms.

DELAY 3

: Three repeats. An excellent delay

for slow, bluesy vocals and melodic flute music.
This delay usually works best when the chan-
nel EFX send is set at less than halfway. Delay
range adjustable from 5ms to 524ms.

DELAY 4

: Four repeats. This is for very dra-

matic delay effects, particularly for enhancing
long vocal notes and dramatic instrumental
note-chopping effects. Be sure to set the chan-
nel EFX send at about halfway. Delay range
adjustable from 5ms to 524ms.

Modulation Effects

These include Chorus, Flange and Phaser,

and are generally used for enhancement of
instrumental music. However, Chorus adds a
dramatic effect to vocals as well. The 

EFX WIDE

switch is very effective at dramatically increas-
ing the strength and thickness of a modulation
effect. For example, using the 

EFX WIDE

 on

Chorus mimics a multi-voiced chorus effect.

The 

TIME/RATE PARAMETER

 controls the

effect Rate, which is the speed of the sweeping
effect. Fully counter-clockwise produces the
slowest sweeps and fully clockwise produces
the fastest. 

DAMPING/DEPTH PARAMETER

controls the effect depth, which is the strength
of the sweeping effect. Fully counter-clockwise
produces the lightest sweeping effect and fully
clockwise produces the thickest.

CHORUS 

: Provides a soft, ethereal sweeping

effect. Perfect for enhancement of electric and
acoustic guitar and bass. Also adds a dramatic
effect to vocals, particularly group harmonies
and choirs. The channel 

EFX

 send should be set

halfway or higher. Rate adjustable from 0.5Hz to
30Hz. Depth adjustable from 0% to 100%.

FLANGE 

: Creates a strong sweeping effect,

particularly effective on rock electric guitar, lead
and rhythm. The channel 

EFX

 send should be set

halfway or higher. Rate adjustable from 0.5Hz to
20Hz. Depth adjustable from 0% to 100%.

PHASER 

: This effect is perfect for enhanc-

ing strummed acoustic guitar or electric guitar
power chords. The 

PHASER

 effectively dupli-

cates the popular 70's phase shift effect used
for guitar. Rate adjustable from 0.5Hz to 35Hz.
Depth adjustable from 50% to 100%.

Name

Parameters

Typical Applications

Reverbs

Decay/Pre-delay

REVERSE

35ms-515ms/none

Special effects on instruments or drums

GATED

35ms-515ms/none

Special effects on instruments or drums

CATHEDRAL

2sec-10sec/75ms

Wind instruments; acoustic guitar; choir

LG. HALL

1sec-5sec/75ms

Vocals; electric and acoustic guitar

MD. HALL

750ms-2.5sec/65ms

Vocals; electric and acoustic guitar

LG. PLATE

1sec-5sec/none

Vocals; snare

MD. PLATE

750ms-2.5sec/none

Tight vocals; snare

SM. ROOM

250ms-1sec/30ms

Tight vocals

SPRING

1sec-5sec/none

Acoustic guitar

Delays

Delay/No. of Repeats

DELAY 1

5ms-524ms/1

Country, swing guitar; rockabilly vocals

DELAY 2

5ms-524ms/2

Rock, gospel vocals; acoustic guitar; wind instruments

DELAY 3

5ms-524ms/3

Slow, bluesy vocals; melodic flute

DELAY 4

5ms-524ms/4

Long vocal notes

Chorus/Flange/Phase

Modulation/Depth

CHORUS

0.5Hz-30Hz/0%-100%

Electric, acoustic guitars; bass; choir

FLANGE

0.5Hz-20Hz/0%-100%

Rock electric guitar

PHASER

0.5Hz-35Hz/50%-100%

Strummed acoustic guitar, electric guitar power chords

EMAC SELECTIONS

Содержание PPM Series

Страница 1: ...LINE LINE LINE INSERT 15 U O O 1K 500 250 63 125 16K LEVEL 2K 4K 8K MAIN MASTER EFX TO MAIN U O O 10 MASTER OUTPUT SECTION LINE U 12dB O O L R R L POWER OUT MONITOR EQUALIZER 15 15 5 10 0 5 10 15 15 5...

Страница 2: ...0 0 5 10 1K 500 250 63 125 16K 2K 4K 8K MONITOR MASTER EFX TO MON U O O 10 U 12dB O O 75Hz RUMBLE REDUCTION LEFT RIGHT LEFT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH...

Страница 3: ...EFX TO MON U O O 10 U 12dB O O 75Hz RUMBLE REDUCTION RIGHT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH 1 6 408S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATE...

Страница 4: ...INE HI Z SUM MONO MIC LINE HI Z AMP 1 MAIN MAIN MONITOR AMP 2 MAIN SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT...

Страница 5: ...EDUCTION RIGHT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH 1 6 808S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DE...

Страница 6: ...PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT STEREO MAINS LEFT MAIN RIGHT MONITOR 2 X 400W STEREO PROFESSIONAL POWERED MIXER LEVEL 30 CLIP 5 5 0 10 15 20 L R LEFT MONO LEFT MONO STEREO...

Страница 7: ...10 15 20 L R LEFT MONO LEFT MONO STEREO MIC LINE HI Z STEREO MIC LINE HI Z U O O 10 U 15 15 U 15 15 U 12 12 1 U 20dB O O HI LOW NORMAL U O O 15 U O O 10 U 15 15 U 15 15 U 12 12 U 20dB O O HI LOW NORM...

Страница 8: ...BREAK MUTES CH 1 6 808S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT STEREO MAINS LEFT MAIN R...

Страница 9: ...obs cut as well as the right boost EFX MON HI 12kHz MID 2 5kHz LOW 80Hz PAN VOLUME CH 1 INPUT LEVEL SET MIC 1 INSERT LINE U O O 10 U 15 15 U 15 15 U 12 12 1 U 20dB O O HI LOW NORMAL U O O 15 R L Stere...

Страница 10: ...is controlled by the MONITOR MASTER control Themonitorsendsignalispre EQandpre VOLUME soifyouadjustthesecontrolstheywill affectonlythemainmixandnotthemonitormix Each MON send control ranges from off...

Страница 11: ...rfect for vocals and snare Decay range adjustable from 1 second to 5 seconds No pre delay MD PLATE Good early reflections and no pre delay Tails are short and warm with strong high end for increased p...

Страница 12: ...the effect Rate which is the speed of the sweeping effect Fully counter clockwise produces the slowest sweeps and fully clockwise produces the fastest DAMPING DEPTH PARAMETER controls the effect depth...

Страница 13: ...Note Make sure the singer is within 3 to 6 inches of the microphone No amount of EQ can save a vocal when the singer is too far away from the microphone 2 For more presence set the 4K and 8K sliders...

Страница 14: ...al level at the MONITOR LINE OUT and the MIXER LINE OUT To attain the best signal to noise ratio while still maintain ing adequate headroom set the MONITOR MASTER and MAIN MASTER controls so the 0 dB...

Страница 15: ...our monitor speakers When the switch is pushed IN the main mix is routed to the input of the MAIN power amp and the monitor mix is routed to the input of the MONITOR power amp You can still con nect u...

Страница 16: ...rip 2 2 3 1 1 SHIELD COLD HOT SHIELD COLD HOT 3 SHIELD COLD HOT 3 2 1 Balanced XLR Connectors SLEEVE SHIELD TIP SLEEVE TIP HOT RING COLD RING TIP SLEEVE RING Balanced 1 4 TRS Plug MAKING THE CONNECTIO...

Страница 17: ...a TS plug like a guitar plug or if it s a TRS plug like a headphone plug make sure the ring is tied to the shield preferably at the source You can connect an input signal to both the MIC input and th...

Страница 18: ...el Inserts section to see how to make this connection Parallel effects device Plug a TS plug half way into the EFFECTS SEND jack to the first click This allows you to use the EFFECTS SEND jack as a di...

Страница 19: ...the other band can plug right into the PPM Series and use its amplifiers and con nected speakers see application diagram on page 13 MIXER LINE OUT This is a 1 4 connector that produces an unbalanced l...

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