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not hurt most dynamic mics. Check the micro-
phone’s user manual if you’re not sure.

Caution:

 

Turn all output

levels down before operat-
ing this switch to avoid the
possibility of a “pop” in
your speakers.

Connecting a line-level input to an XLR in-

put connector with the phantom power
switched on could damage the output of the
source device. We recommend using the 1/4"
jacks for line-level inputs.

PHANTOM

POWER CH 1-8

BREAK

(MUTES CH 1-6)

BREAK Switch

As in “take a break.” Push this switch in dur-

ing your breaks and the mono channels (1-6),
monitor send, and effects send are muted so you
don’t run the danger of something going haywire
during your break, like having your system start
feeding back or having some would-be poet jump
up on stage and start reciting his latest epic.

This switch doesn’t affect the 

TAPE IN

 or

the stereo channels (7&8) so you can go ahead
and run your cassette or CD player while you
are on break.

POWER AMP ROUTING

This handy switch provides the flexibility to

use the internal power amplifiers to power
both the main and monitor outputs, or to
power two main speakers with the internal
amplifiers and use a separate power amplifier
to power the monitor speakers.

When the switch is in the OUT position, the

main mix is routed to the inputs of both
amplifiers. For the mono versions (406M,
408M, 808M), the same signal is routed to the
inputs of both amplifiers. You must have another
amplifier to power your monitor speakers.

When the switch is pushed IN, the main mix

is routed to the input of the 

MAIN

 power amp,

and the monitor mix is routed to the input of
the 

MONITOR

 power amp. You can still con-

nect up to two speakers to each amplifier
output, since there are two parallel 

SPEAKER

OUTPUT

 jacks for each amplifier on the back

panel. Just remember to maintain a 2 ohm
load or greater for each amplifier.

Note:

 On the stereo versions (408S, 808S),

the left and right signals are summed together
just prior to the 

MAIN

 power amp input when

the 

POWER AMP ROUTING

 switch is pushed in.

COMPRESSOR

Pushing this switch in activates a circuit at

the input to the power amplifiers that senses
the signal level and reduces the possibility of
driving the amplifier into clipping. Clipping
creates distortion that not only sounds bad, but
can actually damage your loudspeakers. We
recommend that you leave this switch pushed
in (unless you hate your speakers).

TAPE IN LEVEL

You can connect a tape deck or CD player

to the PPM Series and play back prerecorded
music during your breaks. The tape signal is
added to the main signal path just after the

RUMBLE REDUCTION

 switch and just prior to

the 

MAIN MASTER

 control. This is a stereo

control, but for the mono versions (406M, 408M,
808M), the left and right inputs are summed.

EFX FOOT

SWITCH

RIGHT RETURN

LEFT RETURN

SEND

L MIXER OUT

R MIXER OUT

COMPRESSOR

L POWER

AMP IN

R POWER

AMP IN

EFFECTS

(OVERRIDES INTERNAL EFX)

MONITOR

MAINS

TAPE IN

TAPE OUT

LEVEL

+15

U

O

O

LINE 

L

R

R

L

OUT

408S   

POWER AMP ROUTING

IN

OUT

STEREO MAINS
LEFT = MAIN
RIGHT = MONITOR

2 X 250W STEREO

Stereo Version Connector Section

Содержание PPM Series

Страница 1: ...LINE LINE LINE INSERT 15 U O O 1K 500 250 63 125 16K LEVEL 2K 4K 8K MAIN MASTER EFX TO MAIN U O O 10 MASTER OUTPUT SECTION LINE U 12dB O O L R R L POWER OUT MONITOR EQUALIZER 15 15 5 10 0 5 10 15 15 5...

Страница 2: ...0 0 5 10 1K 500 250 63 125 16K 2K 4K 8K MONITOR MASTER EFX TO MON U O O 10 U 12dB O O 75Hz RUMBLE REDUCTION LEFT RIGHT LEFT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH...

Страница 3: ...EFX TO MON U O O 10 U 12dB O O 75Hz RUMBLE REDUCTION RIGHT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH 1 6 408S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATE...

Страница 4: ...INE HI Z SUM MONO MIC LINE HI Z AMP 1 MAIN MAIN MONITOR AMP 2 MAIN SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT...

Страница 5: ...EDUCTION RIGHT RIGHT MIC 7 MIC 8 75Hz RUMBLE REDUCTION PHANTOM POWER CH 1 8 BREAK MUTES CH 1 6 808S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DE...

Страница 6: ...PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT STEREO MAINS LEFT MAIN RIGHT MONITOR 2 X 400W STEREO PROFESSIONAL POWERED MIXER LEVEL 30 CLIP 5 5 0 10 15 20 L R LEFT MONO LEFT MONO STEREO...

Страница 7: ...10 15 20 L R LEFT MONO LEFT MONO STEREO MIC LINE HI Z STEREO MIC LINE HI Z U O O 10 U 15 15 U 15 15 U 12 12 1 U 20dB O O HI LOW NORMAL U O O 15 U O O 10 U 15 15 U 15 15 U 12 12 U 20dB O O HI LOW NORM...

Страница 8: ...BREAK MUTES CH 1 6 808S POWER AMP ROUTING SM ROOM MD PLATE LG PLATE LG HALL GATED REVERSE CATHEDRAL MD HALL SPRING PHASER DELAY 4 CHORUS DELAY 3 DELAY 1 FLANGE DELAY 2 IN OUT STEREO MAINS LEFT MAIN R...

Страница 9: ...obs cut as well as the right boost EFX MON HI 12kHz MID 2 5kHz LOW 80Hz PAN VOLUME CH 1 INPUT LEVEL SET MIC 1 INSERT LINE U O O 10 U 15 15 U 15 15 U 12 12 1 U 20dB O O HI LOW NORMAL U O O 15 R L Stere...

Страница 10: ...is controlled by the MONITOR MASTER control Themonitorsendsignalispre EQandpre VOLUME soifyouadjustthesecontrolstheywill affectonlythemainmixandnotthemonitormix Each MON send control ranges from off...

Страница 11: ...rfect for vocals and snare Decay range adjustable from 1 second to 5 seconds No pre delay MD PLATE Good early reflections and no pre delay Tails are short and warm with strong high end for increased p...

Страница 12: ...the effect Rate which is the speed of the sweeping effect Fully counter clockwise produces the slowest sweeps and fully clockwise produces the fastest DAMPING DEPTH PARAMETER controls the effect depth...

Страница 13: ...Note Make sure the singer is within 3 to 6 inches of the microphone No amount of EQ can save a vocal when the singer is too far away from the microphone 2 For more presence set the 4K and 8K sliders...

Страница 14: ...al level at the MONITOR LINE OUT and the MIXER LINE OUT To attain the best signal to noise ratio while still maintain ing adequate headroom set the MONITOR MASTER and MAIN MASTER controls so the 0 dB...

Страница 15: ...our monitor speakers When the switch is pushed IN the main mix is routed to the input of the MAIN power amp and the monitor mix is routed to the input of the MONITOR power amp You can still con nect u...

Страница 16: ...rip 2 2 3 1 1 SHIELD COLD HOT SHIELD COLD HOT 3 SHIELD COLD HOT 3 2 1 Balanced XLR Connectors SLEEVE SHIELD TIP SLEEVE TIP HOT RING COLD RING TIP SLEEVE RING Balanced 1 4 TRS Plug MAKING THE CONNECTIO...

Страница 17: ...a TS plug like a guitar plug or if it s a TRS plug like a headphone plug make sure the ring is tied to the shield preferably at the source You can connect an input signal to both the MIC input and th...

Страница 18: ...el Inserts section to see how to make this connection Parallel effects device Plug a TS plug half way into the EFFECTS SEND jack to the first click This allows you to use the EFFECTS SEND jack as a di...

Страница 19: ...the other band can plug right into the PPM Series and use its amplifiers and con nected speakers see application diagram on page 13 MIXER LINE OUT This is a 1 4 connector that produces an unbalanced l...

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