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Owner’s Manual

Owner’

s Manual

“XLR” Connectors

Mackie mixers use 3-pin female “XLR” connectors on 

all microphone inputs, with pin 1 wired to the grounded 
(earthed) shield, pin 2 wired to the “high” (”hot” or 
positive polarity) side of the audio signal and pin 3 
wired to the “low” (“cold” or negative polarity) side of 
the signal. See Figure A. This is all totally aboveboard 
and in full accord with the hallowed standards dictated 
by the AES (Audio Engineering Society).

Use a male “XLR”-type connector, usually found on the 

nether end of what is called a “mic cable,” to connect to 
a female XLR jack.

1

4

" TRS Phone Plugs and Jacks

“TRS” stands for Tip-Ring-Sleeve, the three 

 connections available on a “stereo” 

1

4

" or “balanced” 

phone jack or plug. See Figure B.

TRS jacks and plugs are used in several different ap-

plications:

•  Stereo Headphones, and rarely, stereo micro-

phones and stereo line connections.  
When wired for stereo, a 1⁄4" TRS jack or plug 
is connected tip to left, ring to right and sleeve 
to ground (earth). Mackie mixers do not 
directly accept 1-plug-type stereo microphones. 
They must be separated into a left cord and a 
right cord, which are plugged into the two mic 
preamps.

Appendix B: Connections

 

You can cook up your own adapter for a stereo 
microphone adapter. “Y” two cables out of a 
female 1⁄4" TRS jack to two male XLR plugs, 
one for the Right signal and one for the Left.

•  Balanced mono circuits. When wired as a bal-

anced connector, a 1⁄4" TRS jack or plug is con-
nected tip to signal high (hot), ring to signal 
low (cold), and sleeve to ground (earth).

•  Unbalanced Send/Return circuits. When wired 

as send/return “Y” connector, a 1⁄4" TRS jack 
or plug is connected tip to signal send (output 
from mixer), ring to signal return (input back 
into mixer), and sleeve to ground (earth).

1

4

" TS Phone Plugs and Jacks

“TS” stands for Tip-Sleeve, the two connections avail-

able on a “mono” 1⁄4" phone jack or plug. See Figure C.

TS jacks and plugs are used in many different 

 applications, always unbalanced. The tip is connected to 
the audio signal and the sleeve to ground (earth). Some 
examples:

•  Unbalanced microphones
•  Electric guitars and electronic instruments
•  Unbalanced line-level connections

Switched 

1

4

" Phone Jacks

Switches can be incorporated into 1⁄4" phone jacks, 

which are activated by inserting the plug. These switch-
es may open an insert loop in a circuit, change the input 
routing of the signal or serve other functions. Mackie 
uses switches in the channel insert and bus insert jacks, 
input jacks and AUX returns. We also use these switches 
to ground the line-level inputs when nothing is plugged 
into them.

In most cases, the plug must be inserted fully to 

activate the switch. Mackie takes advantage of this in 
some circuits, specifying circumstances where you are 
to insert the plug only partially. See Special Mackie 
 Connections, on the next page.

SLEEVE

TIP

TIP

SLEEVE

TIP

SLEEVE

SLEEVE

TIP

SLEEVE

TIP

RING

RING

TIP

SLEEVE

RING

Figure C: TS Plug

2

2

3

1

1

SHIELD

COLD

HOT

SHIELD

COLD

HOT

3

SHIELD

COLD

HOT

3

2

1

Figure A: XLR Connectors

SLEEVE

TIP

TIP

SLEEVE

TIP

SLEEVE

SLEEVE

TIP

SLEEVE

TIP

RING

RING

TIP

SLEEVE

RING

Figure B: " TRS Plugs

Содержание 1642-VLZ3

Страница 1: ...1642 VLZ3 OWNER S MANUAL 16 Channel Mic Line Mixer...

Страница 2: ...dio interference regulations of the Canadian Department of Communications ATTENTION Le pr sent appareil num rique n met pas de bruits radio lectriques d passant las limites applicables aux appareils n...

Страница 3: ...LZ3 Or you might be one of those people who never reads manuals All we ask is that you read this page NOW and read the rest later you ll be glad you did WARNING Before you plug the AC power cord into...

Страница 4: ...u adjust each channel Output Section The output section on the right Throughout these chapters you ll find illustrations with each feature numbered If you re curious about a feature simply locate it o...

Страница 5: ...N 1 2 3 4 L R 14 27 SOLO 14 28 20 SOLO LED 15 29 OL MUTE LED 15 30 MUTE 15 31 PAN 15 STEREO SOURCES 15 CONSTANT LOUDNESS 16 32 3 BAND MID SWEEP EQ 16 33 4 BAND FIXED FREQUENCY EQ 17 34 LOW CUT 17 35 A...

Страница 6: ...order 8 Track Recorder Out In From Mics Keys Drum machines etc Headphones EFX A Stereo Compressor EFX B CHANNEL INSERTS CHANNEL INPUTS AUX SENDS BAL UNBAL TAPE OUT TAPE IN PHONES OUT SUB OUTS BAL UNBA...

Страница 7: ...al stereo source Stereo Compressors TAPE OUT TAPE IN PHONES OUT SUB OUTS C R OUT BAL UNBAL MAIN INSERT Headphones Digital Multitrack Recorder Stereo Processor CD Player Active PASpeaker Subwoofer comb...

Страница 8: ...nput feeding each pair Channels 13 14 and 15 16 are stereo pairs with LINE inputs only 1 MIC INPUTS We use phantom powered balanced microphone inputs just like the big studio mega consoles for exactly...

Страница 9: ...inputs for virtually any signal you ll come across from instru ment levels as low as 50 dB to operating levels of 10 dBV to 4 dBu as there is 45 dB of gain available via the GAIN 3 knob Note that cha...

Страница 10: ...OUT 1 SUB OUT 1 s output is patched to multitrack input 1 From there the multitrack output goes to the mixer s channel 3 LINE input as we just discussed Double Busing How on earth do you get four bus...

Страница 11: ...l you ve put the phones on Then turn it up slowly Why Engineers who fry their ears find themselves with short careers Another method of interfacing a multitrack is called in line monitoring and requir...

Страница 12: ...ts device outputs Sleeve common ground connect shield to all three sleeves 14 MAIN OUTS Two sets of jacks are provided for the main out puts 1 4 TRS jacks and XLR jacks These are usually patched to th...

Страница 13: ...mono mix is maxed just reach for this knob and turn it down a bit Just the thing for send ing mono signals to mic inputs like camcorders tele phone interface boxes even answering machines With the po...

Страница 14: ...d that channel s 20 SOLO LED 28 will light constantly so you can easily catch any channels which have been soloed by those naughty SOLO pixies Using the MODE 44 switch the 1642 VLZ3 s solo system come...

Страница 15: ...that channel s MUTE switch is engaged Here is a quick reference to these LEDs 30 MUTE Engaging a channel s MUTE switch provides the same results as turning the fader all the way down Any chan nel assi...

Страница 16: ...frequency signals like kick drums and bass guitars The MID EQ or midrange has a fixed bandwidth of 1 octave The MID knob sets the amount of boost or cut up to 15 dB and is effectively bypassed at the...

Страница 17: ...if you do The AUX SEND outputs can then be patched to paral lel effects processor inputs or stage monitor amp inputs AUX SENDS 1 and 2 levels are controlled not only by the channel s AUX knobs but al...

Страница 18: ...n insert jack on their way to the subgroup faders That s no problem should you want to send these signals through a serial effects processor simply patch from the SUB OUTS to the effect s input and fr...

Страница 19: ...These signals are tapped off as follows post MAIN MIX 37 fader post SUBGROUP 38 faders and post TAPE IN 40 knob With no switches engaged there will be no signal at these outputs and no meter indicatio...

Страница 20: ...f the channel fader and that would be a big problem 46 SOLO LEVEL This knob controls the level of the signals coming from the SOLO system It s range is off when fully down unity at the center detent w...

Страница 21: ...d 2 are sent to the AUX SENDS 1 and 2 49 master knobs before the AUX SEND outputs and AUX 3 through 6 are sent directly These outputs are fed to the inputs of a reverb or other device From there the o...

Страница 22: ...ctive AUX SEND 6 outputs TO AUX 1 feeds STEREO RETURN 1 to AUX SEND 1 49 master and TO AUX 2 feeds STEREO RETURN 2 to AUX SEND 2 master They are off when turned fully down deliver unity gain at the ce...

Страница 23: ...SOLO This switch operates just like the channel SOLO 27 switches engaging it sends signals to the control room headphones and meters and interrupts whatever happened to be there before you soloed It f...

Страница 24: ...not the mixer If it s a stereo pair try switching them around For example if a left output is presumed dead switch the left and right cords at the mixer end If the left is still dead it s not the mixe...

Страница 25: ...nected tip to signal high hot ring to signal low cold and sleeve to ground earth Unbalanced Send Return circuits When wired as send return Y connector a 1 4 TRS jack or plug is connected tip to signal...

Страница 26: ...s and jacks are often used in home stereo and video equip ment and in many other applications Figure D They are unbalanced and electrically identical to a 1 4 TS phone plug or jack See Figure C Connec...

Страница 27: ...turn circuit and will show up in the center of the stereo pair of buses it s assigned to or it can be panned with the PAN control Y cord splitter cable TIP SEND RING IN TIP OUT RING RETURN TO MIXER CH...

Страница 28: ...5 kilohms All other inputs 10 kilohms or greater Tape out 1 1 kilohms All other outputs 120 ohms 3 Band EQ channels 1 8 High Shelving 15 db 12 kHz Mid Peaking 15 dB sweep 100 Hz 8 kHz Low Shelving 15...

Страница 29: ...OUT METERS 0VU 0dBu TAPE IN L R TAPE LEVEL C R PHONES SOURCE MAIN TAPE 1 2 RUDE SOLO LED C R PHONES MIX C R LEVEL CONTROL ROOM OUT L R PHONES OUT A SIP PFL SOLO LEVEL SOLO MIX SUB 1 MIX FADER FADER AS...

Страница 30: ...30 1642 VLZ3 1642 VLZ3 Track Sheet Session Notes Date...

Страница 31: ...ice representative will at its option either repair or replace any such nonconforming product provided that Customer gives notice of the noncompliance within the Warranty Period to the Company at www...

Страница 32: ...Road NE Woodinville WA 98072 USA United States and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail s...

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