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13

Owner’s Manual

Owner’

s Manual

standby mode. It will not function, but the circuits are 
still live. To remove AC power, either turn off the AC 
mains supply, or unplug the power cord from the mixer 
and the AC mains supply.

As a general guide, you should turn on your mixer 

first, before the power amplifier or powered speakers, 
and turn it off last. This will reduce the possibilities of 
any turn-on, or turn-off thumps in your speakers. 

21.  POWER LED

You’ve probably already 

figured this out, but if the 
POWER [20] switch is on, this 
LED (light-emitting do-hicky) 
will light. If the switch is off, 
well, you get the idea. If the 
POWER [20] switch is on and 
the LED does not glow, one of 
three things has happened: 
Somebody tripped over the 
power cord and yanked it from 
the outlet, your electricity has 
been turned off due to nonpay-
ment, or the FUSE [19] has 
blown.

22.  PHANTOM SWITCH

This switch controls the phantom power supply for 

condenser microphones as discussed on page 8. When 
turned on (or off), the phantom power circuitry takes a 
few moments for voltage to ramp up (or down). This is 
perfectly normal.

23.  48V LED

This is just to let you know which way you have the 

PHANTOM [22] switch set. If your dynamic mics work 
and your condensers don’t, chances are this LED is off, 
so turn the PHATOM switch on.

You’ll notice that when you turn the phantom power 

off, the LED stays on for a while. This is a natural phe-
nomenon — the LED is actually a voltmeter telling you 
that the phantom power takes time to ramp itself down 
to zero volts. So, if you’ve turned phantom power off to 
connect something to the mic inputs, wait until the LED 
stops glowing and then make your connections safely.

24.  BNC LAMP SOCKET

Located in the top right corner of the output sec-

tion, this 12V socket will drive any standard BNC-type 
lamp (a Littlite® #12G or #12G-HI (high-intensity), for 
instance).

16.  MONO LEVEL

If Mr. Mono's main mono mix is maxed, just reach for 

this knob and turn it down a bit. Just the thing for send-
ing mono signals to mic inputs like camcorders, tele-
phone interface boxes, even answering machines. With 
the pot all the way up (fully clockwise), you’ll have 6 dB 
of extra gain, and unity gain is at the 12 o'clock position.

17.  VOLTAGE SELECTOR

WARNING: Before you plug the AC power cord 
into the 1642-VLZ3, you must make sure that 
this slide switch is set to the same voltage as 

your local AC main supply. Only slide the voltage switch 
with the power cord unplugged.

Use a flat headed screwdriver to slide the switch if 

needed. The switch allows you to use the mixer in dif-
ferent countries and voltages, meet interesting people 
from other cultures, and entertain them.

18.  POWER CONNECTION

Just in case you lose the cord provided with the 1642-

VLZ3, its power jack accepts a standard 3-prong IEC 
cord like those found on most professional recorders, 
musical instruments, and computers. 

WARNING: Before you plug the AC power cord 
into the 1642-VLZ3, you must make sure that 
the VOLTAGE SELECTOR [17] slide switch is 

set to the same voltage as your local AC mains supply. 

WARNING: Disconnecting the AC mains plug’s 
ground pin can be dangerous. Please don’t do 
it.

19.  FUSE

The 1642-VLZ3 is fused for your (and its own) protec-

tion. If you suspect a blown fuse, disconnect the power 
cord, pull the fuse drawer out (located just below the 
cord receptacle) and replace the fuse with a 1 A SLO 
BLO, 5x20mm, available at electronics stores or your 
dealer (or a 0.5 A SLO BLO 5x20mm if your 1642-VLZ3 is 
set to 220V-240V).

If two fuses blow in a row, something is very wrong. 

Please call our toll-free number 1-800-898-3211 from 
within the U.S. (or call the distributor in your country) 
and find out what to do. 

20.  POWER SWITCH

Press the top of this rocker switch inwards to turn 

on the mixer. The POWER LED [21] on the top surface 
of the mixer will glow with happiness, or at least it will 
if you have the mixer plugged in to a suitable live AC 
mains supply.

Press the bottom of this switch to put the mixer into 

23 21

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Содержание 1642-VLZ3

Страница 1: ...1642 VLZ3 OWNER S MANUAL 16 Channel Mic Line Mixer...

Страница 2: ...dio interference regulations of the Canadian Department of Communications ATTENTION Le pr sent appareil num rique n met pas de bruits radio lectriques d passant las limites applicables aux appareils n...

Страница 3: ...LZ3 Or you might be one of those people who never reads manuals All we ask is that you read this page NOW and read the rest later you ll be glad you did WARNING Before you plug the AC power cord into...

Страница 4: ...u adjust each channel Output Section The output section on the right Throughout these chapters you ll find illustrations with each feature numbered If you re curious about a feature simply locate it o...

Страница 5: ...N 1 2 3 4 L R 14 27 SOLO 14 28 20 SOLO LED 15 29 OL MUTE LED 15 30 MUTE 15 31 PAN 15 STEREO SOURCES 15 CONSTANT LOUDNESS 16 32 3 BAND MID SWEEP EQ 16 33 4 BAND FIXED FREQUENCY EQ 17 34 LOW CUT 17 35 A...

Страница 6: ...order 8 Track Recorder Out In From Mics Keys Drum machines etc Headphones EFX A Stereo Compressor EFX B CHANNEL INSERTS CHANNEL INPUTS AUX SENDS BAL UNBAL TAPE OUT TAPE IN PHONES OUT SUB OUTS BAL UNBA...

Страница 7: ...al stereo source Stereo Compressors TAPE OUT TAPE IN PHONES OUT SUB OUTS C R OUT BAL UNBAL MAIN INSERT Headphones Digital Multitrack Recorder Stereo Processor CD Player Active PASpeaker Subwoofer comb...

Страница 8: ...nput feeding each pair Channels 13 14 and 15 16 are stereo pairs with LINE inputs only 1 MIC INPUTS We use phantom powered balanced microphone inputs just like the big studio mega consoles for exactly...

Страница 9: ...inputs for virtually any signal you ll come across from instru ment levels as low as 50 dB to operating levels of 10 dBV to 4 dBu as there is 45 dB of gain available via the GAIN 3 knob Note that cha...

Страница 10: ...OUT 1 SUB OUT 1 s output is patched to multitrack input 1 From there the multitrack output goes to the mixer s channel 3 LINE input as we just discussed Double Busing How on earth do you get four bus...

Страница 11: ...l you ve put the phones on Then turn it up slowly Why Engineers who fry their ears find themselves with short careers Another method of interfacing a multitrack is called in line monitoring and requir...

Страница 12: ...ts device outputs Sleeve common ground connect shield to all three sleeves 14 MAIN OUTS Two sets of jacks are provided for the main out puts 1 4 TRS jacks and XLR jacks These are usually patched to th...

Страница 13: ...mono mix is maxed just reach for this knob and turn it down a bit Just the thing for send ing mono signals to mic inputs like camcorders tele phone interface boxes even answering machines With the po...

Страница 14: ...d that channel s 20 SOLO LED 28 will light constantly so you can easily catch any channels which have been soloed by those naughty SOLO pixies Using the MODE 44 switch the 1642 VLZ3 s solo system come...

Страница 15: ...that channel s MUTE switch is engaged Here is a quick reference to these LEDs 30 MUTE Engaging a channel s MUTE switch provides the same results as turning the fader all the way down Any chan nel assi...

Страница 16: ...frequency signals like kick drums and bass guitars The MID EQ or midrange has a fixed bandwidth of 1 octave The MID knob sets the amount of boost or cut up to 15 dB and is effectively bypassed at the...

Страница 17: ...if you do The AUX SEND outputs can then be patched to paral lel effects processor inputs or stage monitor amp inputs AUX SENDS 1 and 2 levels are controlled not only by the channel s AUX knobs but al...

Страница 18: ...n insert jack on their way to the subgroup faders That s no problem should you want to send these signals through a serial effects processor simply patch from the SUB OUTS to the effect s input and fr...

Страница 19: ...These signals are tapped off as follows post MAIN MIX 37 fader post SUBGROUP 38 faders and post TAPE IN 40 knob With no switches engaged there will be no signal at these outputs and no meter indicatio...

Страница 20: ...f the channel fader and that would be a big problem 46 SOLO LEVEL This knob controls the level of the signals coming from the SOLO system It s range is off when fully down unity at the center detent w...

Страница 21: ...d 2 are sent to the AUX SENDS 1 and 2 49 master knobs before the AUX SEND outputs and AUX 3 through 6 are sent directly These outputs are fed to the inputs of a reverb or other device From there the o...

Страница 22: ...ctive AUX SEND 6 outputs TO AUX 1 feeds STEREO RETURN 1 to AUX SEND 1 49 master and TO AUX 2 feeds STEREO RETURN 2 to AUX SEND 2 master They are off when turned fully down deliver unity gain at the ce...

Страница 23: ...SOLO This switch operates just like the channel SOLO 27 switches engaging it sends signals to the control room headphones and meters and interrupts whatever happened to be there before you soloed It f...

Страница 24: ...not the mixer If it s a stereo pair try switching them around For example if a left output is presumed dead switch the left and right cords at the mixer end If the left is still dead it s not the mixe...

Страница 25: ...nected tip to signal high hot ring to signal low cold and sleeve to ground earth Unbalanced Send Return circuits When wired as send return Y connector a 1 4 TRS jack or plug is connected tip to signal...

Страница 26: ...s and jacks are often used in home stereo and video equip ment and in many other applications Figure D They are unbalanced and electrically identical to a 1 4 TS phone plug or jack See Figure C Connec...

Страница 27: ...turn circuit and will show up in the center of the stereo pair of buses it s assigned to or it can be panned with the PAN control Y cord splitter cable TIP SEND RING IN TIP OUT RING RETURN TO MIXER CH...

Страница 28: ...5 kilohms All other inputs 10 kilohms or greater Tape out 1 1 kilohms All other outputs 120 ohms 3 Band EQ channels 1 8 High Shelving 15 db 12 kHz Mid Peaking 15 dB sweep 100 Hz 8 kHz Low Shelving 15...

Страница 29: ...OUT METERS 0VU 0dBu TAPE IN L R TAPE LEVEL C R PHONES SOURCE MAIN TAPE 1 2 RUDE SOLO LED C R PHONES MIX C R LEVEL CONTROL ROOM OUT L R PHONES OUT A SIP PFL SOLO LEVEL SOLO MIX SUB 1 MIX FADER FADER AS...

Страница 30: ...30 1642 VLZ3 1642 VLZ3 Track Sheet Session Notes Date...

Страница 31: ...ice representative will at its option either repair or replace any such nonconforming product provided that Customer gives notice of the noncompliance within the Warranty Period to the Company at www...

Страница 32: ...Road NE Woodinville WA 98072 USA United States and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail s...

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