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B. Release latch on socket (lever up-release, Lever down-lock). 

C. Carefully insert network. 

D. Lock the network in the socket. NOTE: CHECK TO SEE THAT THE "STEREO 
- MONO" SWITCH IS IN THE CORRECT POSITION. 

E. Access plate can now be replaced. 

SYSTEM ADJUSTMENT/USE

- Recheck all wiring and connections and apply 

power to system. Set all tone controls to "flat" (no cut or boost) position and 
adjust volume to a comfortable level. Select a variety of program material, 
preferably music that you know to be fairly accurate and containing deep bass as 
well as high treble passages. 

Increase volume of music source to approximately 3/4 of maximum. Adjust 
variable gain on bass amplifier slowly clockwise just to the point where audible 
distortion becomes noticeable, then turn gain control counterclockwise slightly. 
Adjust the gain control on the midrange amplifier until you obtain balance to the 
bass tones. Follow the same procedure for adjusting the gain of the treble 
amplifier. Proper tonal balance will require some careful listening and 
readjustment. 

Volume can then be controlled by the music source volume control. 

 

CROSSOVER FREQUENCY SELECTION

 

Selection of the proper crossover frequency depends on the driver selected and 
the way in which they are used. For subwoofer operation, crossover frequencies 
between 80 and 150 Hertz are generally preferred. For use between separate 
drivers of a two or three way system, there is much more variance in the potential 
choice of crossover frequencies. If a tweeter, say, has a response of 1200 to 
22,000 Hertz, and a woofer a response of 28 to 2400 Hertz, the overlap area 
would be between 1200 and 2400 Hertz (the tweeter's lower end and the 
woofer's upper end). The difference between these two frequencies is ONE 
octave. (Octaves are logarithmic, meaning that each octave is double the 
frequency in Hertz of the previous octave. So, if 20 to 40 Hertz is the first octave, 
then 40 to 80 Hertz is the second octave.) The proper crossover choice is usually 
about half of the octave difference of the overlap area. In the case above, since 
the overlap area is one octave, the crossover point would be at one half octave, 
or 1800 Hertz. 

 

© 2008 Linear Power, Inc. - ALL RIGHTS RESERVED 

LINEAR POWER™ is a trademark of Linear Power, Inc.

 

 

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Содержание EQ-1

Страница 1: ...al noise A unique ultrasonic inverter provides a negative 14 volts to facilitate the unusual high output voltage The EQ 1 and EQ 1 D are fully protected against accidental power reversal CONSTRUCTION...

Страница 2: ...mount applications a good method for mounting bi amp and tri amp systems is to fashion a mounting plate made of 1 2 to 1 4 inch plywood and attach it to the back of the rear seat in the trunk This wi...

Страница 3: ...er and follow the enclosed directions 3 OUTPUTS BI AMP Low Frequency Connect the right and left low frequency outputs from the XO 1 to the right and left inputs on the low frequency amplifier The low...

Страница 4: ...t the system will be acoustically in phase though electrically out of phase In most cases the system will sound better with the phase of the mid range drivers reversed Although this sound complicated...

Страница 5: ...d readjustment Volume can then be controlled by the music source volume control CROSSOVER FREQUENCY SELECTION Selection of the proper crossover frequency depends on the driver selected and the way in...

Страница 6: ...ce Center T I P S INC 3455 Lanell lane Pearl MS 39208 601 932 8477 E mail ray tipsinc net SPECIFICATIONS XO 1 Output Level 0 to 5 volts Total Harmonic Distortion 0 05 maximum 0 01 typical Inter modula...

Страница 7: ...tput Frequency Response 1dB 4 Hz to 250 KHz Current Draw 25 mA maximum Crossover Points 50 Hz to 6 KHz in 1 3 octave steps Crossover Slope 12dB per octave 2008 Linear Power Inc ALL RIGHTS RESERVED LIN...

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