Lexicon
4-22
PCM 81 User Guide
1.7
MIDI Pitch
ADJUST:
Rvb Mix
0–100
Use this preset to harmonize source material via single notes played on a MIDI keyboard.
The amount of pitch shift is determined by the size of the interval played above or below
middle C. ADJUST allows you to mix in some reverberation. Note that the audio source
should not be the same source used to generate the MIDI notes.
1.8
MIDI Harmony
ADJUST:
Rvb Mix
0–100
This is a useful variation of MIDI Pitch. Play two notes at once on a MIDI keyboard to add
two voices to the input note to create three part harmony. The harmonies are relative to
middle C. ADJUST allows you to mix in some reverb. Note that the audio source should
not be the same source used to generate the MIDI notes.
1.9
MIDI Chord
ADJUST:
V2 Pitch
1–25
A variation of MIDI Pitch that allows you to create four part harmonies. You can add two
notes to the input note from a MIDI keyboard and dial-in an additional fixed harmony with
ADJUST which provides 1 octave up or down in half steps. Note that the audio source
should not be the same source used to generate the MIDI notes.
2.0
SingleDetune
ADJUST:
10=unison
0–20
A high quality detuner. ADJUST shifts pitch up or down 10 cents. Detune is at unison when
ADJUST=10.
2.1
DualDetune
ADJUST:
cents +/–
0–100
A classic guitar effect. Two pitch shifters are used to spread out and thicken up the sound.
ADJUST controls the amount of shift in cents. One side shifts up, the other shifts down.
2.2
Phat Detune
ADJUST:
TuneKnob
0–100
A classic detune effect with two additional voices. The four voices are panned across
stereo space to really widen up the sound. ADJUST controls the overall amount of
detuning.
2.3
EGtrPitchRm
ADJUST:
Fbk Mix
0–50
This preset produces a rich, room-like halo around every note. Sounds like reverb, but
it’s not. How can you tell? Choke off a note and you’ll hear that there’s no decay. The effect
is created by using pitch shifted echoes with cross feedback. The input level controls the
amount of cross feedback. When the input dies out, the X-feedback goes to 0. ADJUST
lets you dial some back in.
2.4
VibroShift1
ADJUST:
Rate
0–100
A simple unison vibrato with ADJUST controlling the rate. Mix with the original signal for
chorusing or use 100% wet for straight vibrato.
2.5
VibroShift2
ADJUST:
Rate
0–100
Similar to VibroShift1 with a touch of octave down vibrato. Nice on single notes or chords.
2.6
VibroTrem
ADJUST:
Rate
0–100
Pitch shift vibrato and out-of-phase tremolo combined to create a new take on a retro
sound. ADJUST controls the rate of the throb. For the fullest effect, don’t mix any dry
signal with the PCM 81 output.
2.7
VibroTremRvb
ADJUST:
Rate
0–100
Another cool take on a vintage effect with reverb added between the vibrato and the
tremolo. Play some chunky chords and listen to the verb pump. ADJUST controls the rate.
Guitar Magic
(P4 2.0 – P4 2.9)
Vocal Harmony
(P4 1.0 – P4 1.9) cont'd.
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