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7
6
COMPRESSOR
Sliding compressor controller for channels 1 or 2. Depending on the setting, the signal is more or less compressed, i.e. the dynamics of the
signal is restricted (controller to the left stop = compressor is disabled, controller to the right stop = maximum compression). The level loss
caused by the increasingly stronger compression is automatically compensated by the compressor unit. The use of the compressor can
provide for an improved clarity of a singing voice in the mix.
7
EQUALIZER HI CHANNEL 1 - 9/10
Equalizer high band for channels 1 to 9/10 (12 kHz, +/-15 dB). When turned to the left, levels are lowered, when turned to the right, they are
raised. In the centre position (resting point), the equalizer is inactive.
8
EQUALIZER MID CHANNEL 1 - 5/6
Equalizer mid band for channels 1 to 5/6 (2.5 kHz, +/-15 dB). When turned to the left, levels are lowered, when turned to the right, they are
raised. In the centre position (resting point), the equalizer is inactive.
9
EQUALIZER LOW CHANNEL 1 - 9/10
Equalizer bass band for channels 1 to 9/10 (80 kHz, +/-15 dB). When turned to the left, levels are lowered, when turned to the right, they are
raised. In the centre position (resting point), the equalizer is inactive.
10
LEVEL AUX POST CHANNEL 1 - 9/10
Volume controller for adding the signal from channel 1 to 9/10 to an external effects device (Effect Send, Post Fader). Use the line output
AUX SEND (N 29) to control the effect and the stereo line input ST RETURN (N 17) for routing the effect signal to the mixer.
11
PAN CHANNEL 1 / 2 & BAL CHANNEL 3/4 - 9/10
PAN channel 1 and 2: Using the Panorama controller, position the signal of the corresponding channel in the stereo field of the total signal
(Centre position = perception of the signal in the middle of the stereo field). BAL channel 3/4 to 9/10: Use the balance controller to set the
relative volume between the left and right part of the connected stereo signal. When only the XLR socket or left socket L (MONO) of the line
input is in use, the controller performs the function of a Panorama controller.
12
PEAK LED CHANNEL 1 - 9/10
PEAK channel 1-5 / 6: Once the red Peak LED lights up, the corresponding channel is operating at the distortion limit. Adjust the Gain controller
(N 4) so that the peak LED of the corresponding channel only lights up briefly when signal peaks occur. Avoid the permanent lighting of the
peak LED by reducing the input gain or input sensitivity. PEAK Channel 7/8 and 9/10: Once the red Peak LED lights up, the corresponding
channel is operating at the distortion limit. Adjust the output level of the source device so that the peak LED of the corresponding channel only
lights up briefly when signal peaks occur. Avoid the permanent lighting of the peak LED.
13
FADER CHANNEL 1 - 9/10
Volume controller for channels 1 to 9/10. Press the Fader button upwards to increase the volume of the corresponding channel and downwards
to decrease it.
14
LINE IN L / R CHANNEL 3/4 - 5/6
Unbalanced inputs for the stereo channels 3/4 and 5/6 with 6.3 mm jack sockets to connect external devices with line level (e.g. keyboard).
If only the left input jack is used (L), the channel will be mono.
15
LINE IN CHANNEL 7/8
Unbalanced line input for the stereo channel 7/8. The RCA sockets can be used as an alternative to the jack sockets of the channel.
16
LINE IN CHANNEL 9/10
Unbalanced line input for the stereo channel 9/10. The RCA sockets can be used as an alternative to the jack sockets of the channel.
17
ST RETURN L / R
Unbalanced stereo line input with 6.3 mm jack sockets for connecting an external effects device (left input = mono), or another source
device with a line level. Use the AUX SEND jack socket in order to activate an external effects device.
