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Synthesis page
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Multi Filter Advanced settings
To dive even deeper into the Multi Filter, press the Advanced button. This appears only when Multi Filter is selected,
and replaces the normal filter controls with the Mode 1, Mode 2, and Manual controls, as described below. To exit
Advanced mode, press Advanced again.
1 (Mode 1)
[List of filter types]
This sets the filter type for Mode 1.
LP, HP, BP,
and
BR
are the standard filter types. For more information, see “Filter” on page 29.
LP+BP, LP-BP, LP-HP, BP+HP, BP-HP, Dry+LP, Dry-LP, Dry+BP, Dry-BP, Dry+LP-HP, Dry+LP-BP, Dry+BP-LP,
Dry+BP-HP, Dry+HP-LP, Dry+HP-BP, LP+HP+BP:
These combine two or more filters at equal volumes.
Dry
is the un-
filtered input signal. The minus sign (“-”) indicates when the phase of a filter is reversed.
All On
uses the Low Pass, High Pass, Band Pass, and Dry signals at equal volumes.
Manual
lets you create your own mix of the filters; an additional four parameters will appear. For more information, see
2 (Mode 2)
Mode 2 has the same selections as Mode 1.
Manual
When Mode is set to
Manual,
additional parameters appear so that you can create your own mix of the filters.
You may wonder why Band Reject is not included here. This is because it’s not a filter mode per se. Instead, it’s created
by equal amounts of High Pass and Low Pass. Try it and see!
LP (Lowpass), HP (Highpass), BP (Bandpass), Dry
[-100%…+100%]
These set the volume of the Lowpass, Highpass, Bandpass, and Dry signals, respectively. Negative values invert the
phase.
Filter Mod
These four parameters control the default modulation routings for Filter Cutoff. You can create additional routings as
desired, of course.
LFO Intensity
[-142.00…+142.00]
This sets the amount of modulation from the Filter LFO, in semitones.
Envelope Intensity
[-142.00…+142.00]
This sets the amount of modulation from the Filter Envelope, in semitones.
Vel->Env
[-142.00…+142.00]
This lets you use velocity to scale the amount of the Filter Envelope applied to Filter Freq, in semitones.
Key Track
[-142.00…+142.00]
This controls how much the Key Track will affect the Cutoff frequency. The value is the amount, in semitones, that the
filter will change over five octaves of keyboard with a standard -1.00/+1.00 slope. The overall effect of the Keyboard
Track is a combination of this value and the Keyboard Track shape.
With positive values (+), the effect will be in the direction specified by keyboard tracking; if the Slope goes up, the
Cutoff will increase.
With negative values (–), the effect will be in the opposite direction; if the Slope goes up, the Cutoff will decrease.
To create one-octave-per-octave key tracking (useful when creating pitch through filter resonance):
1. Set the Key Track amount to +60.00 semitones.
2. In Filter Key Track, set Low and Low-Mid Slopes to -1.00, and Mid-High and High Slopes to +1.00.