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Synthesis page

Xfd Width (Crossfade Width)

[0.00...100.00]

As the Position changes, the Wavetable changes from one waveform to another. When changing between two adjacent

waveforms, the transition can be gradual or immediate. Xfade Width controls the amount of the Position range spent

interpolating between neighboring waveforms vs. the amount playing single waveforms. Note that this does not affect

A/B Blend.
It may be helpful to think of the Position value range 0-100 as a ribbon, with the Wavetable stretched to fit, regardless

of how many waveforms it contains. Each waveform is a stripe on the ribbon. Xfade Width controls the amount of

blurring between the stripes. A given value for Position will always yield the same output, which will be either a solid

stripe or some amount of blurring between two stripes. When Position changes continuously, as with an envelope or

LFO, this causes crossfades between the waveforms.

Xfade Width

Waveform

Crossfade 1-2

Waveform

Crossfade 2-3

Waveform

Crossfade 3-4

Waveform

Crossfade 1-2

Crossfade 2-3

Crossfade 3-4

Waveform

Crossfade 1-2

Crossfade 2-3

Crossfade 3-4

Waveform

Position

100

Position

100

When Xfade Width = 50.00, half of the Position

range is taken up by crossfades, and the other

half is taken up by the single waveforms playing

unaltered. Note how the total length of the

three crossfade zones is the same as the total

length of the four single waveform zones.

Xfade Width = 0.00

Xfade Width = 50.00

Xfade Width = 100.00

B Offset

[0.00...100.00]

This appears only if Mode is set to

A/B

. It shifts the position of Wavetable B in relation to Wavetable A, allowing for

flexibility when combining Wavetables via A/B Blend. For example, you might want to blend the first half of Wavetable

A with the second half of Wavetable B.
From a technical perspective, the position of Wavetable B is the sum of Position and B Offset.

Sample Mode

(Multisample)

[List of Multisamples]

This selects a Multisample for the Oscillator. Use the < and > arrows to step through Multisamples one by one, or click

on the name to bring up a browser window.

Start Offset

[Off, 1st…8th, n/a]

In addition to simply starting playback from the beginning, Multisamples may have up to 8 different pre-programmed

alternate starting points, or “Start Offsets.” These skip part of the beginning of the samples, either to make them more

Содержание modwave native

Страница 1: ...modwave native WAVETABLE SYNTHESIZER E1...

Страница 2: ...ain Menu 17 Settings 18 User Sample Banks 22 Synthesis page 23 Oscillator 1 2 24 Filter 29 Common Pitch 33 Amp 34 Motion Sequencing 2 0 36 Overview 36 Sequencer page 37 Motion Sequence 38 Standard Lan...

Страница 3: ...7 Filter Amp Pitch Osc 1 Osc 2 LFO 67 KeyTrack 70 Filter KeyTrack 70 Amp KeyTrack 71 Modulation Processors 73 Overview 73 Gate 73 Offset 74 Quantize 75 Scale 76 Curve 76 Smooth 78 Sum 78 Effects page...

Страница 4: ...s or noise 95 Sound is delayed 95 Can t control the software synthesizer from a MIDI device connected to the computer 95 Specifications 96 Operating requirements 96 Support and service 97 Before you c...

Страница 5: ...f motion sequencing including multiple lanes asynchronous loops step probability and more Filters Add vintage character to your sounds with the aggressive MS 20 Lowpass or Highpass filters or the stro...

Страница 6: ...Kaoss Physics Mod Knobs ADSR 1 3 ADSR 1 3 ADSR 4x Envelopes Pitch Portamento Slope Motion Seq Osc 2 Wavetable A Wavetable B Osc 1 Wavetable A Wavetable B Sub Noise ADSR 1 3 LFO ADSR 1 3 ADSR 5x LFOs...

Страница 7: ...r Selectors Favoriteicon PerformanceSelectorsonly Off On Knobs and sliders To edit knob values drag vertically To edit slider values drag in the direction of the slider Most knobs and sliders can also...

Страница 8: ...nce Select 7 Main Menu 10 Layer B Osc 1 12 Layer B Filter 3 Play Edit Librarian modes 4 Hold 2 Kaoss Physics 5 Volume 6 Randomize 10 Layer A Osc 1 9 Layer A On Off 11 Layer A Osc 2 12 Layer A Filter 1...

Страница 9: ...o Redo Undo redo history is maintained separately for the Librarian and Play Edit modes The names of the undo redo commands change to reflect this for example Editor Undo Value Change Cutoff or Librar...

Страница 10: ...15 Mod Knobs The Mod Knobs can control any number of parameters in any of the Layers they will do different things depending on the specific sound The knob values are stored and can themselves be modu...

Страница 11: ...grammable modulation sources are shown here including the keyboard with note number velocity aftertouch and Pitch and Mod Wheels Kaoss Physics Envelopes LFOs Key Tracking Mod Processors and the Step S...

Страница 12: ...performance and also save the results as new sounds You can drag from the Mod Knobs using their appear on hover drag handles to modulate parameters in the main part of the screen or even other modula...

Страница 13: ...ew parent sound is selected for example the Program is the parent sound of the Motion Sequence For more information see Selectors on page 2 2 Data List This shows the list of selectable sound data Per...

Страница 14: ...leads bells etc Each sound can be assigned to two Categories and each data type Performances Programs etc has its own list of Categories Click on a Category name to filter by that Category click on t...

Страница 15: ...pen the contextual menu and select the Save command The Save dialog will appear Savedialog 3 Set the Name Author Collection and Categories as desired You can also edit all of this metadata later using...

Страница 16: ...trol click macOS on the name and select the Rename command in the contextual menu 5 Select Rename 6 Enter the new name and press OK to confirm Names can be up to 24 characters long 7 Make sure to save...

Страница 17: ...ModKnobDragHandleinupperright 2 Drag to a modulation destination Most parameters are modulatable Newly created modulation routings will appear in the Mod Inspector Note If a parameter cannot be modula...

Страница 18: ...ayer Mod Knobs can be controlled directly from MIDI CCs Unlike normal modulation this works by directly editing the Mod Knob values just like turning the knobs on the screen Important Any changes made...

Страница 19: ...can use copy paste with Layers Programs LFOs Envelopes Kaoss Physics Filter Amp Key Track Mod Processors Individual effects Pre FX Mod FX Delay Reverb and Master EQ Filter settings Arpeggiator setting...

Страница 20: ...ion Sequence Select Arpeggiator Filter and so on Depending on the Scope additional settings may appear Fx Mod Knob Values randomizes the Mod Knobs Program and or Performance according to Scope and Eff...

Страница 21: ...backing up or transferring all of your custom sounds at once Undo Returns to the state prior to the previous operation This applies to any edits made in the Editor windows for instance editing synthes...

Страница 22: ...ed the software checks for a new version immediately Set List ListofSetLists This selects the active Set List You can store many Set Lists and change between them as you like You can also set this by...

Страница 23: ...respond to variations in pressure applied to the keyboard while playing a note aftertouch Choose the curve that is most appropriate for your controller playing strength and style Aftertouchcurve 1 0 1...

Страница 24: ...mitones and play a C the result will be two notes C and G 2 cents sharp the Just Intonation fifth Transposes Scale means that the Scale s Key changes to match the transposition This option is useful i...

Страница 25: ...118 109 118 YVelocity LSB 110 119 110 119 Scale Select and Mod Knob 1 4 You can control Scale Select and each Mod Knob directly from MIDI CCs Unlike normal modulation this works by directly editing th...

Страница 26: ...ing then take one more step 2 Open the User Sample Banks dialog and press OK Refresh How is the list of User Sample Banks updated Every time modwave native instantiates it checks the contents of the s...

Страница 27: ...encer and Effects pages Use the and arrows to step through Programs one by one or click on the name to bring up a browser window Right click control click macOS on the name to bring up a contextual me...

Страница 28: ...avetables for their respective oscillators Attack sweeps forward in the Wavetable and Decay sweeps backwards the Sustain level determines the resting point Try both fast and slow envelope times for bo...

Страница 29: ...result Note that Soft Clip Hard Clip and Infinite Clip are very different from applying clipping to the audio output The timbre isn t affected by the oscillator level or the number of voices being pla...

Страница 30: ...rst waveform and 100 00 selects the last waveform The range between these extremes is divided between the total number of waveforms in the selected Wavetable as shown below Note that when Mode is set...

Страница 31: ...rm 2 Waveform 3 Waveform 4 Crossfade 1 2 Crossfade 2 3 Crossfade 3 4 Waveform 1 Waveform 2 Waveform 3 Waveform 4 0 Position 100 0 Position 100 When Xfade Width 50 00 half of the Position range is take...

Страница 32: ...r to Mirror above but doubles the Stretch effect Narrow As Morph Amount increases the waveform is compressed towards the front with zeros filling the rest of the duty cycle The effect is different fro...

Страница 33: ...s sound thinner or more buzzy BP Band Pass This cuts out all parts of the sound both highs and lows except for the region around the cutoff frequency Since this filter cuts out both high and low frequ...

Страница 34: ...e cutoff frequency will change depending on the selected Type as described above Most filter types have a range of 4 00 to 138 00 but the MS 20 LP HP and Polysix range from 8 00 to 136 00 Resonance 0...

Страница 35: ...signals Normal 1 osc input This will produce the classic resonant sounds of these filters with a single oscillator playing at full volume When input is louder than a single full volume oscillator the...

Страница 36: ...Low Pass Try it and see LP Lowpass HP Highpass BP Bandpass Dry 100 100 These set the volume of the Lowpass Highpass Bandpass and Dry signals respectively Negative values invert the phase Filter Mod Th...

Страница 37: ...t change the pitch at all it will be as if you re always playing C4 Slope 2oct 1oct 1oct C4 C5 2 1 0 1 Pitch Note on Keyboard Random Random Pitch Range 0 0 50 0cents This creates random variations in...

Страница 38: ...t Rate the units are secs octave seconds per octave If Type is set to Constant Time the units are simply secs seconds Amp Notes on Amp Modulation Amp modulation scales the Amp Level and Amp Envelope w...

Страница 39: ...or more information see Key Track on page 70 Pan Pan L100 L1 C0 R1 R100 This sets the left right pan Note that this can be modulated per voice Random Pan Off On Off The normal pan controls above apply...

Страница 40: ...s can be modulated on a per note basis using velocity LFOs envelopes etc Each time the sequence moves forward values from the individual lanes are combined to create the output The result can be eithe...

Страница 41: ...tion Sequences play on their own separate timelines or whether they are sync d together For details see Sync Notes on page 38 3 Use Master When Use Master is On the Master Lane restarts all of the oth...

Страница 42: ...Lane when Tempo is On click and hold to bring up a popup menu to select the Shape or note value respectively 9 Lane Preset Each Lane has its own Preset Use the and arrows to step through Presets one b...

Страница 43: ...for the Lane and its Steps Explore the system by mixing and matching presets for different Lanes Loop Start Loop End These control the Steps on which the Lane begins ends and loops You can change the...

Страница 44: ...slightly differently regarding probability skipped Steps are absorbed into the previous Step For instance if A1 and A2 are both 16th notes and A2 is skipped due to probability A1 becomes an 8th note T...

Страница 45: ...he Swing Resolution For instance if Resolution is set to 1 8 Swing affects every other 8th note 100 Full swing Up beats become triplets moving one third of the way toward the next down beat 300 Up bea...

Страница 46: ...he Shape Lane If the pitch offsets are zero Shape has no effect Note that Shape interacts with Transition below to hear shapes unaltered set Transition to Off Transition Off Lin Exp Log Individual Thi...

Страница 47: ...c C C D D D F F G G A A A Diminished C C D D D F F F G A A B HalfDiminished C C D D F F F F G G A A Augmented C C D D E E G G G G B B WholeTone C C D E E F F G G A A A Tritone C C C E E F F G G A A A...

Страница 48: ...tly differently from Mod Processor Offset in that the Offset is added to the shape and then the result is scaled by the Level below For instance if you want Shape to control volume but don t want the...

Страница 49: ...n is updated only at the start of the Step For instance if an LFO is modulating Value only the LFO s amplitude at the very start of the step matters you will not hear the LFO s shape during the step V...

Страница 50: ...sert Before and Insert After These commands insert the Step s on the clipboard before or after the selected Step If a range of steps is selected only the first or last step matters Insert Before refer...

Страница 51: ...e Advance so that each generated note starts on a new step in the Lane Try this with the Sample Lane for instance with a single Timing step set to Gate Arpeggiator Off On The power button turns the ar...

Страница 52: ...ggiator plays notes according to the selected Pattern sorted from lowest to highest and ignores the originally played order Rhythm Resolution 32ndnotetriplet 1 4note This controls the speed of the Arp...

Страница 53: ...turbed by playing new notes Layer Setup Volume Inf 84 9 6 0dB This controls the volume of the Layer Note that this is saved in the Performance but not with the Program so it s a good choice when balan...

Страница 54: ...use this to create the click heard when a harpsichord note is released for instance In general when using Key Off it s also best to set the Amp Envelope Sustain to 0 Voice Allocation Mode Poly Voice A...

Страница 55: ...playing Priority Low High Last Priority is available when Voice Assign Mode is set to Mono This determines what happens when more than one note is being held down Low The lowest note will sound Many v...

Страница 56: ...ex and changes the way in which the pitches beat against one another like slightly out of tune oscillators in a vintage synthesizer Higher numbers increase the effect Stereo Spread 0 100 Stereo lets y...

Страница 57: ...otes or chords are held indefinitely until you play a new note or chord at which point the previous notes are cut off and the new ones will sound Hold applies only to Layers on the Global MIDI Channel...

Страница 58: ...ifth from sharp four to sharp root is also quite flat Werkmeister Werkmeister III Kirnberger Kirnberger III These are Well Tempered tunings from the Baroque period Pelog This Indonesian gamelan scale...

Страница 59: ...the fade out occurs working inwards from the High key To edit Fade ranges in the Zone graphics use Option drag macOS or Alt drag Windows LFade Low Fade A B 0 127 See HFade High Fade A B above Velocit...

Страница 60: ...currently selected Layer The middle section filters by either destination category such as Synth or Effects or source category such as Controllers or Generators The bottom section more specifically s...

Страница 61: ...urces are shown here including the keyboard with note number velocity aftertouch and Pitch and Mod Wheels Kaoss Physics Envelopes LFOs Key Tracking Mod Processors and the Step Seq Lanes Graphics show...

Страница 62: ...locity This is MIDI note on velocity through an exponential curve Low velocities won t have very much effect and the differences between lower velocities won t be very noticeable On the other hand hig...

Страница 63: ...Knobs This section of the Modulation Sources list contains the 4 Mod Knobs Generators Filter Amp Osc 1 Osc 2 Envelope These are the four ADSR envelopes Filter Amp Osc 1 Osc 2 Pitch LFO These are the...

Страница 64: ...CCs 1 to 119 interpreted as bipolar signals MIDI value 64 is 0 values below 64 produce negative modulation and values above 64 produce positive modulation CCs with fixed assignments MIDI CCs 1 to 119...

Страница 65: ...r instance try modulating Tilt X with Kaoss Y Using Kaoss Physics to create specific results Kaoss Physics can be interesting in itself but you can also use it to create specific modulation effects Fo...

Страница 66: ...ysics On Off Press the power button to turn Kaoss Physics on and off Off The physics model is disabled and the pad works as a simple x y pad On The physics model is enabled 3 Control Area Start the mo...

Страница 67: ...100 Controls the energy absorption as the ball travels across the surface Time 0 00x 1 00x Slows down time Note that 1 00 normal speed is the maximum if you want to both speed up and slow down start a...

Страница 68: ...X 0 50 100 Sets the start point of the launch on the X axis 50 is the center 0 is the left side and 100 is the right Start Position Y 0 50 100 Sets the start point of the launch on the Y axis 50 is t...

Страница 69: ...ge quickly at first and then slow down as it approaches the next point This tends to sound better than straight linear segments Classic analog synth envelopes made these curved shapes naturally The mo...

Страница 70: ...if the value has been below the Threshold and then changes so that it is equal to or greater than the Threshold the envelope resets When the threshold is negative the envelope resets when passing thro...

Страница 71: ...orms are self explanatory but a few will benefit from more details GTR Guitar is intended for guitar vibrato It is positive only so that when used for pitch it only bends upwards RND 1 Random 1 genera...

Страница 72: ...low 0 again Offset is shown as a dotted line in the LFO graphic and can be edited by dragging the line up and down Offset affects the signal after the Shape function as shown below LFOSignalFlow Offse...

Страница 73: ...arts from the phase determined by the first note in the phrase so that the LFOs for all notes being held are synchronized together Fade applies only to the first note in the phrase Note Even if Sync N...

Страница 74: ...ay the same between the Low Key and the Mid Key You can think of the resulting shape as being like two folding doors attached to a hinge in the center At the Mid Key the main hinge the keyboard tracki...

Страница 75: ...normal key track use negative values 1 00 is the default Mid Key C 1 G9 This sets the center of the keyboard tracking the main hinge When this key is played the Key Track output is 0 The Mid Key can t...

Страница 76: ...p Key Track s negative Slopes act as if they are steeper than positive Slopes This only applies to modulation of Amp Level when modulating other destinations Amp Key Track acts the same as Filter Key...

Страница 77: ...the threshold For instance you can use Gate to Apply pitch bend or other effects to some notes but not to others using Control at Note On Only Apply modulation only after the source reaches a certain...

Страница 78: ...erts the phase Offset 200 200 This controls how the Input is shifted up or down 200 shifts an input of 100 all the way to 100 Converting from bipolar to unipolar You can use Offset to convert a bipola...

Страница 79: ...itch Bend You can use Quantize to create quantized pitch bend for fret dragging effects brass rips and more 1 Open the Synthesis tab 2 Click and hold on Mod Processor 1 in the Mod Source footer and dr...

Страница 80: ...t is an LFO and the Scale Source is an Envelope positive settings mean that the Envelope will increase the amount the of LFO Curve Curve can create custom controller curves such as exponential joystic...

Страница 81: ...nd deemphasizes the center Negative emphasizes center value range around 0 Asymmetric Unipolar Positive emphasizes extreme upper range with offset Negative emphasizes extreme lower range with offset B...

Страница 82: ...od Processor Attack 0 000 10 000sec This controls how long it takes the smoother to reach a new higher value Higher settings mean longer times Decay 0 000 10 000sec This controls how long it takes the...

Страница 83: ...Modulation Processors 79 Input LFO Sum Source Env Output...

Страница 84: ...fect you can select a Type aka algorithm and a Preset within that Type For full lists of Effect Types see Pre FX on page 81 Mod FX on page 82 Delay on page 83 and Master Reverb on page 84 Types ending...

Страница 85: ...the effect Use this to alter the response of effects such as the Waveshaper or to compensate for gain increases in effects such as the Talking Modulator Volume Inf 84 9 12 0dB This controls the post D...

Страница 86: ...rus This effect models the scanning chorus and vibrato circuitry of a vintage organ EP Chorus This is inspired by a rare chorus built into a famous modified tine piano Harmonic Chorus This stereo effe...

Страница 87: ...VOX wah pedals the V847 and the V848 Clyde McCoy model Delay L C R Delay This mono in stereo out multitap delay has three taps panned to the left right and center respectively Multiband Mod Delay Thi...

Страница 88: ...Master Reverb 3 EQ On Off The power button turns the EQ and off 4 ReverbType For the reverb you can select a Type aka algorithm and a Preset within that Type Types ending in all such as Reverb All let...

Страница 89: ...EQ page 85 Master EQ Performances include a dedicated parametric EQ after the Master Reverb Use Trim to compensate for EQ boosts The L Low and H High bands can be set to Peak Shelf or Cut Low cut Hig...

Страница 90: ...les Scales Effects presets and Set Lists This menu chooses which type s of data are shown in the list All Data shows all types of data at once 3 Data List This shows lists of all the data in the modwa...

Страница 91: ...Collection Categories 1 2 Author and Notes If more than one item is selected and the items have different settings for a metadata field such as the name or category the field shows the note Multiple...

Страница 92: ...list this selects the item for playing Double clicking has the same effect When a Set List is selected in the list this activates that Set List and changes the Set List parameter in the Settings dial...

Страница 93: ...Librarian select the data that you d like to export 2 Right click control click macOS on one of the items to open the contextual menu 3 In the menu select the Export command A standard file open dial...

Страница 94: ...pproach instead of crossfading they create a series of intermediate waveforms and then just switch between them If the differences between the intermediate waveforms are small it sounds close enough t...

Страница 95: ...t Wavetables don t have modwave native UUIDs until after they ve been imported into the database see UUIDs on page 89 So to check for duplicate files modwave native uses the name of the wav file on di...

Страница 96: ...le bar and in an editable field at the top of the window Selected Slots are shown with a blue outline You can select multiple non continuous Slots by holding down the command key on MacOS or the Ctrl...

Страница 97: ...o copy cut or delete You can select two or more non continuous Slots using command click on MacOS or Ctrl click in Windows Alternatively select a continuous range of Slots by using Shift click 2 Selec...

Страница 98: ...the data on the clipboard If multiple Slots are selected only the lowest numbered selection affects the Paste operation other selections are ignored Important if the clipboard contains multiple Slots...

Страница 99: ...e following If other applications are running close them Reduce the maximum polyphony of the synthesizer you re using In the Audio MIDI Settings window increase the audio buffer size Note that this wi...

Страница 100: ...OS OS macOS 10 14 Mojave or later with latest updates CPU Apple M1 or better or Intel Core i5 or better for Intel Core i7 or better recommended Memory 8 GB RAM or more 16 GB RAM or more recommended St...

Страница 101: ...sounds Information to provide when contacting us In order for us to help you we ll need the following information Your name The name and version of the product you can find the version using the Abou...

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