background image

A

DJUSTMENT PROCEDURE

3

Adjustment Procedure

1. Select the following as the supplied signal sources at each channel.

Final out level is affected by gain control, channel fader, group fader etc. Adjust gain control proper so as to

be balanced at each source under setting at "U" if gain is high or low, then, it is diffcult to adjust fader under 

operating.

If channel will be used with microphone input.

Don't depress the pad switch.

2. Adjust the each channel as the followings.

Turn the gain control all the way counterclockwise.

Turn the Aux sends (Aux 1~4) control all the way counterclockwise.

Don't depress E.Q switch

Don't depress 100Hz switch

Turn the panpot to the left or right

Turn the gain control to "U"

Depress PFL  switch

Turn PFL/AFL gain control all the way clockwise

Connect the headphone plug into headphone jack

1. Minimize at feedback by adjustment of fixed direction and location speaker.

2. Adjust input fader according to procedure so as not to make howling.

3. Adjust mid EQ for reducing howling.

4. After marking of setting up for fader. And return to initial setting.

3. Adjust as the following after sending the signal into channel input.

If you turn the gain control switch to clockwise slowly. Input signals is are appeared at L/RMix meter 

(Adjust the signal level to 0dB, then the signal LED will be lighten)

If you want equalizer, depress  EQ switch.

After adjusting each EQ, turn the gain control to 0dB at meter again.

Depress PFL switch again.

4. Adjust GRP output as the following.

Depress the GRP switch at channel.

Depress the channel output switch(on switch).

Turn GRP  fader up slowly then adjust to 0dB at meter (0dB=4dB/1.23V RMS).

Depress AFL switch in signal output GRP then, check output signal

(after checking it, depress the switch again).

5. If channel will be used with microphone. Select the following function .

Depressing 100Hz switch in vocal then, cut off the low pass filter.

Improve the clarity of sound through adjusting EQ.

6. Adjust the other input strip as the above.

If microphone will be used with phantom power.

Connect Mic connector into the jack before depressing the phantom switch.

If channel will be used with key board line input.

Depress the PAD switch or turn the gain control all the way counterclockwise.

IMPORTANT LEVEL SETTING

It is necessary to minimize howling, using the mic.

For the better sound without howling, we recommend using of JFS-142 to minimize howling due to 

bandwidth of octave of MID peaking curve.

HOW TO MINIMIZE AT HOWLING

Содержание STAGE PRO SM16

Страница 1: ...OLE STAGEPROSM24 OPERATING INSTRUCTIONS MIXING CONSOLE STAGE PRO SM16 SM24 TRIPAC 8 4 4 2 MAIN OFFICE AND FACRORY 608 Wha San Ri I Dong Myeon Yong In City Kyung Gi Do KOREA TEL 82 31 335 1311 FAX 82 3...

Страница 2: ...heat source such as radiators or other device that produce heat Do not drop objects or spill liquids into the inside of mixers 2 KEEP IN MIND THE FOLLOWING WHEN CONNECTING AMPLIFIER Connect the mixer...

Страница 3: ...TMENT PROCEDURE A AYOUT AND FUNCTION OF L 3 2 4 6 OUTPUT CHANNELS 7 10 11 12 13 14 15 16 17 18 AYOUT OUTPUT PANELS PPLICATIONS L A PUBLIC ADDRESS STEREO LIVE MULTITRACK RECORDING IMENSIONS D ECHNICAL...

Страница 4: ...precise for better sound of instruments And HPF function ultra low cut in vocal will be effect on voice clearance Head rooms of input module and noise are designed for sound clearance and enough volum...

Страница 5: ...el input If you turn the gain control switch to clockwise slowly Input signals is are appeared at L RMix meter Adjust the signal level to 0dB then the signal LED will be lighten If you want equalizer...

Страница 6: ...nnel For recording of channel signal connect multi track 6 PAD SWITCH When pushing PAD switch for supporting gain volume input sensitivity of mic line will be reduced at 40dB During the PAD switch pus...

Страница 7: ...n mix for making adjustment or tracing problem 15 PAN POT The pan control determines the position of the signal within stereo mix image or may be used to route the channel to particular output group a...

Страница 8: ...puts have two left and right unbalanced RCA jack and two left and right balanced 1 4 phone jack with tip ring sleeve groud 21 GAIN CONTROL You can adjust input sensitivity of stereo balanced and unbal...

Страница 9: ...and reverb devices for extra flexibility the AUX returns have been designed with an extermely wide range of available gain 29 PFL SWITCH When the PFL switch is pressed the prefader signal is fed to th...

Страница 10: ...etermines the position of the signal within the stereo image which is routed to the Mix L R bus and is available input channel as a four group master 34 AFL SWITCHES 34 Pressing AFL switch group outpu...

Страница 11: ...POWER Only for Tripac series Pressing this switch 48V phantom power will be fed to XLR pin 2 3 of group Warning Before pressing phantom switch on turn channel sensitivity controller to the countercloc...

Страница 12: ...ote when talkback is engaged the control room output are padded by 20dB to avoid feedback yet engineer to hear the musicians in situations where either the control room level is set way up or there is...

Страница 13: ...circuits and you can modify the signals by use The insert point is after the summing amplifier but before the fader L R Mix output connectors are standard 3 pin XLR jacks wired pin 2 signal pin 3 sig...

Страница 14: ...r output jacks are 1 4 unbalanced wired tip sleeve ground This is where you connect your control room monitor amplifier inputs the nominal output level is 0dB 0 775V RMS NOTE when you use talkback mic...

Страница 15: ...OLD SIGNAL HOT SCREEN GND T R S S R T 2 1 3 FEMALE XLR 1 2 3 MALE XLR XLR JACK MIX INSERT R L SEND MONITOR OUTPUTS AUX RETURNS INSERT GROUP 1 2 3 4 4 3 2 4 3 2 1 L R L R 4 3 2 1 AUX LINE MIC LINE LINE...

Страница 16: ...MAIN AMPLIFIER JMA 30 0N 2 SPEEDS F AN FULL PROTECTION NEGATIVE FEEDBACK SYSTEM ACTIVE CLIPS SEND SEND RTN RTN JEQ 215 STEREO COMPRESSOR LIMITE JMA and AP SERIES STAGE MONITOR REVERB 2 MAIN SPEAKER JM...

Страница 17: ...PUTS AUX SEND INSERT DIRECT LINE 8 Channel MIC INSERT DIRECT LINE 7 Channel MIC INSERT DIRECT LINE 6 Channel MIC INSERT DIRECT LINE PHANTOM POWER CH 5 8 5 Channel MIC INSERT DIRECT LINE 4 Channel MIC...

Страница 18: ...MIXER GROUP 4 STEREO 4 MONO 24 3 2 1 3 2 1 23 22 21 20 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 24 Inputs 16 Inputs 12 Inputs 8 Inputs Length 12 channel 610mm Height Depth H 130mm D 680mm 441m...

Страница 19: ...AUX 4 PFL CON 1 2 3 4 L R STEREO INPUT GAIN AUX 1 4 GROUP 1 4 L R MIX SUPPLY POWER 17V GND 17V 48V 24V L 20dB 20dB R T B MIC AC POWER 120 220 230V 50 60Hz OPTION INSERT POINT GROUP FADER GROUP PAN VU...

Страница 20: ...AUX 4 PFL CON 1 2 3 4 L R STEREO INPUT GAIN AUX 1 4 GROUP 1 4 L R MIX SUPPLY POWER 17V GND 17V 48V 24V L 20dB 20dB R T B MIC AC POWER 120 220 230V 50 60Hz OPTION INSERT POINT GROUP FADER GROUP PAN VU...

Отзывы: