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P

ANEL LAYOUT AND FEATURES

2

FEATURES

Tripac 8442

 are consist of Mono (8ch ), 

Stereo (4ch), GRP 4channel, 
Main Stereo Mix out, 4 Aux out. 

Stage pro series

 are consist of Mono

(12 or 20 channel), Stereo 4ch, GRP 
4ch, Main Stereo Mix out, 4 Aux out, Input 
module, Direct out and Phantom power per 
4channel.

Tripac 8442

 are 19" rackmount style and 

3-way convertible configurations which 
depend on place where to use and how to
use.

Stage pro series

 are mixing console and 

there are direct out for multi track recording 
which is convenient recording and mixing 
for live. Feature and design of two styles 
is modern sensitivity, also convenient 
function to control.
Specification of equalizers are designed 
precise for better sound of instruments.
And "HPF" function, ultra low cut in vocal, 
will be effect on voice  clearance. 
Head rooms of input module and noise are
designed for sound clearance and enough 
volume also it is easy to check trouble 
through Monitor function(AFL, PFL) fast and 
convenient for user to adjust.

SM 16

SM 24

4Aux out

4Stereo effect return

GRP4, L/R Mix, Monitor output 

3Band E.Q

4Stereo module

Built in Power supply

Built in Talk back mic

6Each 12step output indicator

Soft start for power on 

MASTER

SECTION

STEREO

CHANNEL

STRIPS

MONO CHANNEL STRIPS

MIXING CONSOLE

STAGE PRO

SM 24

CHANNEL INPUT/OUTPUT

MASTER

I/O

MONO CHANNEL STRIPS

MASTER

SECTION

STEREO

CHANNEL

STRIPS

MIXING CONSOLE

STAGE PRO

SM-16

CHANNEL INPUT/OUTPUT

MASTER

I/O

MASTER

I/O

MASTER

SECTION

PROFESSIONAL  AUDIO  MIXER  8.4.4.2

TRIPAC

MONO CHANNEL 

STRIPS

STEREO

CHANNEL

STRIPS

MASTER

I/O

CHANNEL INPUT/OUTPUT

Содержание STAGE PRO SM16

Страница 1: ...OLE STAGEPROSM24 OPERATING INSTRUCTIONS MIXING CONSOLE STAGE PRO SM16 SM24 TRIPAC 8 4 4 2 MAIN OFFICE AND FACRORY 608 Wha San Ri I Dong Myeon Yong In City Kyung Gi Do KOREA TEL 82 31 335 1311 FAX 82 3...

Страница 2: ...heat source such as radiators or other device that produce heat Do not drop objects or spill liquids into the inside of mixers 2 KEEP IN MIND THE FOLLOWING WHEN CONNECTING AMPLIFIER Connect the mixer...

Страница 3: ...TMENT PROCEDURE A AYOUT AND FUNCTION OF L 3 2 4 6 OUTPUT CHANNELS 7 10 11 12 13 14 15 16 17 18 AYOUT OUTPUT PANELS PPLICATIONS L A PUBLIC ADDRESS STEREO LIVE MULTITRACK RECORDING IMENSIONS D ECHNICAL...

Страница 4: ...precise for better sound of instruments And HPF function ultra low cut in vocal will be effect on voice clearance Head rooms of input module and noise are designed for sound clearance and enough volum...

Страница 5: ...el input If you turn the gain control switch to clockwise slowly Input signals is are appeared at L RMix meter Adjust the signal level to 0dB then the signal LED will be lighten If you want equalizer...

Страница 6: ...nnel For recording of channel signal connect multi track 6 PAD SWITCH When pushing PAD switch for supporting gain volume input sensitivity of mic line will be reduced at 40dB During the PAD switch pus...

Страница 7: ...n mix for making adjustment or tracing problem 15 PAN POT The pan control determines the position of the signal within stereo mix image or may be used to route the channel to particular output group a...

Страница 8: ...puts have two left and right unbalanced RCA jack and two left and right balanced 1 4 phone jack with tip ring sleeve groud 21 GAIN CONTROL You can adjust input sensitivity of stereo balanced and unbal...

Страница 9: ...and reverb devices for extra flexibility the AUX returns have been designed with an extermely wide range of available gain 29 PFL SWITCH When the PFL switch is pressed the prefader signal is fed to th...

Страница 10: ...etermines the position of the signal within the stereo image which is routed to the Mix L R bus and is available input channel as a four group master 34 AFL SWITCHES 34 Pressing AFL switch group outpu...

Страница 11: ...POWER Only for Tripac series Pressing this switch 48V phantom power will be fed to XLR pin 2 3 of group Warning Before pressing phantom switch on turn channel sensitivity controller to the countercloc...

Страница 12: ...ote when talkback is engaged the control room output are padded by 20dB to avoid feedback yet engineer to hear the musicians in situations where either the control room level is set way up or there is...

Страница 13: ...circuits and you can modify the signals by use The insert point is after the summing amplifier but before the fader L R Mix output connectors are standard 3 pin XLR jacks wired pin 2 signal pin 3 sig...

Страница 14: ...r output jacks are 1 4 unbalanced wired tip sleeve ground This is where you connect your control room monitor amplifier inputs the nominal output level is 0dB 0 775V RMS NOTE when you use talkback mic...

Страница 15: ...OLD SIGNAL HOT SCREEN GND T R S S R T 2 1 3 FEMALE XLR 1 2 3 MALE XLR XLR JACK MIX INSERT R L SEND MONITOR OUTPUTS AUX RETURNS INSERT GROUP 1 2 3 4 4 3 2 4 3 2 1 L R L R 4 3 2 1 AUX LINE MIC LINE LINE...

Страница 16: ...MAIN AMPLIFIER JMA 30 0N 2 SPEEDS F AN FULL PROTECTION NEGATIVE FEEDBACK SYSTEM ACTIVE CLIPS SEND SEND RTN RTN JEQ 215 STEREO COMPRESSOR LIMITE JMA and AP SERIES STAGE MONITOR REVERB 2 MAIN SPEAKER JM...

Страница 17: ...PUTS AUX SEND INSERT DIRECT LINE 8 Channel MIC INSERT DIRECT LINE 7 Channel MIC INSERT DIRECT LINE 6 Channel MIC INSERT DIRECT LINE PHANTOM POWER CH 5 8 5 Channel MIC INSERT DIRECT LINE 4 Channel MIC...

Страница 18: ...MIXER GROUP 4 STEREO 4 MONO 24 3 2 1 3 2 1 23 22 21 20 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 24 Inputs 16 Inputs 12 Inputs 8 Inputs Length 12 channel 610mm Height Depth H 130mm D 680mm 441m...

Страница 19: ...AUX 4 PFL CON 1 2 3 4 L R STEREO INPUT GAIN AUX 1 4 GROUP 1 4 L R MIX SUPPLY POWER 17V GND 17V 48V 24V L 20dB 20dB R T B MIC AC POWER 120 220 230V 50 60Hz OPTION INSERT POINT GROUP FADER GROUP PAN VU...

Страница 20: ...AUX 4 PFL CON 1 2 3 4 L R STEREO INPUT GAIN AUX 1 4 GROUP 1 4 L R MIX SUPPLY POWER 17V GND 17V 48V 24V L 20dB 20dB R T B MIC AC POWER 120 220 230V 50 60Hz OPTION INSERT POINT GROUP FADER GROUP PAN VU...

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