Bass Control
Turn knob clockwise to boost low (bass) frequencies (100Hz and below) by up to 15dB, for adding warmth to vocals, or extra punch to keyboards,
sound modules, guitars. etc. . Turn the knob
anti-clockwise to cut bass frequencies by up to 15dB, reducing hum, stage rumble, or improve a mushy sound. Set the knob at the 12 ‘o clock
position for a flat response.
Mid Control
The mid band is the most difficult control to use correctly in an eq, as it covers the active frequency range of most vocals, string and wind
instruments. etc. To add mid tone turn the knob clockwise
to give up to 15dB gain between (240Hz – 6kHz). Beware too much mid can make for a honky sound and can cause feedback. Turn the knob anti-
clockwise to cut mid the tones by up to 15dB. Set the knob at the 12 ‘o clock position for a flat response.
Treble Control
Turn clockwise to boost high (treble) frequencies (10kHz and above) by up to15dB, to add crispness and brightness to your sound. Beware if you
have a noisy (hissy) signal source then the use of too much treble could increase your background noise level. Turn anti-clockwise to cut
frequencies by up to 15dB, reducing hiss or excessive sibilance. Set the knob at the 12 ‘o clock position for a flat response.
Input Channels 5 –6 (Stereo)
The Stereo Line Inputs
These two stereo channels are accessed through the dual RCA phono sockets or the dual
jack
2-pole ‘A’ gauge (TRS) jacks, all these inputs are UNBALANCED. All jack inputs are
switched, so that if only 1socket is used then the signal is automatically fed into the other
side.
The sensitivity of these channels has been designed for use with Tape, CD, Mini Disk, DAT,
and DVD players, however they can be used for keyboards, sound modules, and synths. etc.
Use of the Mic Channel 4, will cause both of these channels to ‘DUCK’ (Auto Fade) if the
TALKOVER button is selected at the rear of the Qmix. This feature is ideally suitable for MC,
DJ, KARAOKE & CONFERENCING applications.
