Hill Audio LMD-0502 Скачать руководство пользователя страница 8

PAGE 7

LEFT/MONO INPUT

 

This ¼" input expects a line level signal. It accepts either balanced 
(TRS) or unbalanced (TS) ¼" cables. If only the Left/Mono input is 
used on a channel, that signal will be sent to the left and right 
outputs. If the Right input is also used, this input will be sent to the 
left output. 

RIGHT INPUT 

As above, this is a line level input, either balanced or unbalanced. 
It is sent to the right output.

+4/-10 SWITCH

 

This switch sets the sensitivity for the channel. It's similar to the 
gain control, but only has two settings. Generally speaking, if your 
device has balanced outputs you should use the +4 setting. If your 
device has unbalanced outputs, use the -10 setting. 
The -10 setting actually adds gain to the signal in this case. The 
number refers to the operating level of the device plugged into the 
mixer.

AUX SEND

 

This sends the channel to the aux buss. See the previous section 
for more information. 

BALANCE (BAL) 

The Balance knob has a similar effect to the pan control explained 
in the previous section. But the Balance control just turns down 
one input or the other. As you turn Balance to the right, the signal 
coming into the Left/Mono input gets softer. This allows you to 
control the panning in your mix without collapsing the stereo 
width of the input. 

LEVEL 

This controls the level of the channel going to the Main Outs. See 
the previous section for more information. 

AUX RCA INPUT 

The Aux RCA Inputs are a pair of unbalanced RCA phono line 
inputs. They can be used for a variety of applications: 
1) Monitoring a mixdown recorder. Since these inputs aren't sent 
to the Main Outputs, there is no chance of a feedback loop.
2) Playing an MP3 player through the PA between band sets, 
muting all microphones 
3) Sending a signal to the headphone outputs but not to the main 
outputs. You might plug a set of outputs from a computer 
inter¬face into these inputs, so that the metronome click can be 
sent to the headphones but not the main out. 
There are two buttons that control where these inputs are heard. 
One is Aux RCA To Mix and the other is Aux RCA To Phones (Cntl 
Room.) 
When AUX RCA TO MIX is switched on, all of the inputs are muted 
except for the Aux RCA input. All that you will hear from the L/R 
outputs is what is playing into the Aux RCA input. You might use 
this in the example above to play an MP3 player to the PA 
between sets. 
Pressing AUX RCA TO PHONES/CONTROL ROOM means that 
only the Aux RCA input is heard through the Control Room and 
Phones outputs. This is useful if you are recording the mix and 
only want to hear what is coming back from the recorder. This 
ensures that the recorder is getting the mix that you expect to 
hear. It also allows you to monitor the recorder output without 
creating a feed¬back loop in the speakers.

CHANNELS 5-12: STERO LINE INPUTS

MAIN OUTS

 

The Main Outs are line outputs. They will work with either 
balanced or unbalanced cables. The Main Mix fader controls the 
level of the Main Outputs. You might plug the main outs into a PA 
amplifier or a mixdown recorder. 
All of the channels should show up at the Main outputs. If they 
don't, make sure that the "Aux RCA to Mix" button isn't pushed. 

CONTROL ROOM OUTPUTS (CNTL RM OUT) 

The Control Room Outputs are a separate set of outputs for the 
mixer to listen to. In a home studio, you might plug these into a set 
of powered studio monitors. The Cnrl Rm|Ph knob controls the 
level going to the control room outputs (and the headphones.) 
There are three sources that can be sent to the Control Room 
Outputs. Usually, you listen to the same mix that's coming out of 
the Main Outs. If the Aux RCA to Phones (Control Room) button is 
pressed, only the Aux RCA input will be heard through the Control 
Room outputs. 
If the Aux Send to Phones (Cntl Room) is pressed down, the aux 
send will be heard through the Control Room outputs. This can be 
useful when preparing a headphone mix for an artist.

PHONES

 

This is a headphone-level output. It is designed to drive a pair of 
headphones with a balanced ¼" connector. If your headphones 
have a 1/8" stereo jack, you will need an adapter to plug them 
into the mixer (included with most professional headphones.) 
Note that the headphones and the control room outputs are 
linked – both the mix and level. If you press Aux RCA to Phones 
(Cntl Rm), the Aux RCA input will be sent to both the control room 
outs and the headphones. If you turn the control room level all the 
way down, there will be no signal in the headphones. 

AUX SEND

 

This jack sends the aux buss out of the mixer. Turn up the Aux 
knob on any channel to send it to the Aux Send output. See page 
9 for more information about the Aux Send. 

AUX RCA OUTPUT 

This is a pair of unbalanced line level outputs. They are just a copy 
of the Main Outputs. If you turn the Main Mix fader down, the level 
is also reduced here.

OUTPUT TYPES 

USER MANUAL - LMD1202FX AUDIO MIXER

Содержание LMD-0502

Страница 1: ...RevA 06 2014...

Страница 2: ...onnections to and from the product are neither subject to potentially des tructive mechanical impact nor present any risk of stumbling or other accident risk to people Audio equipment may generate sou...

Страница 3: ...same as this product is specified for see sticker on power supply Whenever the specified voltage or your AC plug should not match the local conditions do NOT plug the AC cord into the wall outlet and...

Страница 4: ...s on Are their level controls turned up Do you need to switch phantom power on Look at the mark ings on your microphone If it says condenser then Phantom Power should be switched on If it says dynamic...

Страница 5: ...p the GAIN on channel 2 9 Switch on your stage monitor Turn up the AUX knob on any channel you want to hear on stage Remember that the more microphones and speakers you use the more possibilities ther...

Страница 6: ...hones and control room outs 14 Control Room Phones level Controls the level going to the Control Room outputs and the Phones outputs 15 Aux Send to Phones When pressed the aux send is sent to the Head...

Страница 7: ...ts section so that some instruments have more reverb than others 2 Setting up a headphone mix so that a recording musician can hear exactly what they want while you listen to your own mix 3 Creating a...

Страница 8: ...player to the PA between sets Pressing AUX RCA TO PHONES CONTROL ROOM means that only the Aux RCA input is heard through the Control Room and Phones outputs This is useful if you are recording the mi...

Страница 9: ...t with short delays 3 Delay M Feedback from single repeat to long repeating echos Delay Time Simple mono delay great for vocals and guitars 4 Delay PP Feedback from single repeat to long echo Delay Ti...

Страница 10: ...hield black tip sleeve tip sleeve red tip shield sleeve red tip black sleeve shield uncon 3 1 2 plug side 3 1 2 cable side red 2 black 3 shield 1 red 2 shield 1 3 2 3 1 3 1 2 3 1 2 cable side plug sid...

Страница 11: ...hat don t need it except for very old and or damaged ribbon microphones REVERB An audio effect that emulates the echo reflections and decay time of a large space SHELVING EQUALIZER CONTROL Increase or...

Страница 12: ...s Essex SS3 9QY UK We declare on our own responsibility that the equipment Hill Audio LMD1202FX is in conformity with the following directives and standards or regulations EMC Directive 2004 108 EC EN...

Отзывы: