Hill Audio LMD-0502 Скачать руководство пользователя страница 5

PAGE 4

USER MANUAL - LMD1202FX AUDIO MIXER

LIVE SOUND QUICK START – PLUG IN A MICROPHONE AND HEAR IT THROUGH YOUR PA SPEAKERS

Here is a typical live sound setup using two microphones, a stereo 
PA, and an on-stage 

fl

oor monitor. 

1.  Turn the MAIN MIX fader (bottom right) all the way down, 

and the GAIN control on channels 1 and 2 (top left) all the 
way down. 

2.  Plug your speakers into the MAIN OUT left and right. Switch 

on the power amp. 

3.   Turn the LEVEL control on channel 1 up about half way. 

4.  Plug a microphone into the MIC inputs on channels 1 and 2. 

5.  If you’re using a condenser microphone, switch on the 

PHANTOM POWER function (top right). If you’re using a 
dynamic mic, or don’t know which type you’re using, leave 
phantom power off. 

6.  Turn the MAIN MIX fader up to 0 (¾ of the way up).

7.  Slowly turn the GAIN control on channel 1 up to about ½ 

way. Watch the meters above the main fader. If they go up 
to 0, or if the PEAK light 

fl

ashes red on your channel, turn the 

gain back down a bit. 

8.  Slowly turn up the GAIN on channel 2. 

9.  Switch on your stage monitor. Turn up the AUX knob on any 

channel you want to hear on stage. 

Remember that the more microphones and speakers you use, the 
more possibilities there are for feedback. 

 

 

 

1

2

3

4 5

6

7

8

 

1

 Mic Input: XLR connector for a microphone-level signal. This 

input also sends +48V phantom power to a microphone when 
Phantom Power is switched on. 

2

 Line Input: A ¼" input that accepts a line-level signal. 

 

Either a balanced (TRS) or unbalanced (TS) cable can be 
plugged in here. 

3

 Gain Control: Controls the input gain for the selected channel, 

from either the mic or line input. 

4

 Left/Mono Line Input: When this input is used and not the 

 

input below, it is sent to both the left and right outputs of the 
stereo channel. If L and R are both used, a stereo signal is sent 
to the Main Out.

5

 Main Out: Outputs controlled by the Main Mix fader.

6

 Control Room Out: Outputs controlled by the Control Room/

Phones knob. 

7

 Aux Send: Output can be connected to a stage monitor or 

effects processor

8

 Phones Out: Stereo output for driving a pair of headphones. 

The output level is controlled by the Control Room/
Phones knob.  

QUICK START, Part 2 

Front Panel Elements - Connections

Содержание LMD-0502

Страница 1: ...RevA 06 2014...

Страница 2: ...onnections to and from the product are neither subject to potentially des tructive mechanical impact nor present any risk of stumbling or other accident risk to people Audio equipment may generate sou...

Страница 3: ...same as this product is specified for see sticker on power supply Whenever the specified voltage or your AC plug should not match the local conditions do NOT plug the AC cord into the wall outlet and...

Страница 4: ...s on Are their level controls turned up Do you need to switch phantom power on Look at the mark ings on your microphone If it says condenser then Phantom Power should be switched on If it says dynamic...

Страница 5: ...p the GAIN on channel 2 9 Switch on your stage monitor Turn up the AUX knob on any channel you want to hear on stage Remember that the more microphones and speakers you use the more possibilities ther...

Страница 6: ...hones and control room outs 14 Control Room Phones level Controls the level going to the Control Room outputs and the Phones outputs 15 Aux Send to Phones When pressed the aux send is sent to the Head...

Страница 7: ...ts section so that some instruments have more reverb than others 2 Setting up a headphone mix so that a recording musician can hear exactly what they want while you listen to your own mix 3 Creating a...

Страница 8: ...player to the PA between sets Pressing AUX RCA TO PHONES CONTROL ROOM means that only the Aux RCA input is heard through the Control Room and Phones outputs This is useful if you are recording the mi...

Страница 9: ...t with short delays 3 Delay M Feedback from single repeat to long repeating echos Delay Time Simple mono delay great for vocals and guitars 4 Delay PP Feedback from single repeat to long echo Delay Ti...

Страница 10: ...hield black tip sleeve tip sleeve red tip shield sleeve red tip black sleeve shield uncon 3 1 2 plug side 3 1 2 cable side red 2 black 3 shield 1 red 2 shield 1 3 2 3 1 3 1 2 3 1 2 cable side plug sid...

Страница 11: ...hat don t need it except for very old and or damaged ribbon microphones REVERB An audio effect that emulates the echo reflections and decay time of a large space SHELVING EQUALIZER CONTROL Increase or...

Страница 12: ...s Essex SS3 9QY UK We declare on our own responsibility that the equipment Hill Audio LMD1202FX is in conformity with the following directives and standards or regulations EMC Directive 2004 108 EC EN...

Отзывы: