Hill Audio LMD-0502 Скачать руководство пользователя страница 6

PAGE 5

CONTROL SECTION:  

1

 High EQ: Controls a high shelving EQ, boosting or cutting 

frequencies from 12kHz and above

2

 Mid EQ: A peaking EQ control, boosting or cutting frequen

-

cies centered around 2.5kHz

3

 Low EQ: Controls a low shelving EQ, boosting or cutting 

frequencies 80Hz and below

4

 HPF: Cuts all frequencies 75Hz and below 

5

 Aux: A post-fader auxiliary send. It sends the channel to both 

the built-in effects processor and the Aux Send output. 

6

 Pan: Sends the channel to the left output, right output, or some

-

where between. 

7

 Level: Controls the level of the channel going to the 

 

Main outputs. 

8

 +4/-10 switch: Changes the input sensitivity. Usually balanced 

signals be set to +4 and unbalanced connections to -10. 

9

 Balance: Works in a similar way to a pan control, it turns down 

one side or the other of the stereo input. 

10

 Aux RCA Input: An unbalanced input for a mixdown recorder, 

MP3 player, computer or other playback source. 

11

 Aux RCA Output: Unbalanced output is useful to send to a 

 

recorder, such as a portable recorder or computer to record 

 

a live performance. 

12

 To Mix: Sends the Aux RCA Input to the Main outputs for live 

sound applications.

 

13

 To Phones (Control Room): Sends the Aux Input to the 

headphones and control room outs

14

 Control Room/Phones level: Controls the level going to the 

Control Room outputs and the Phones outputs. 

15

 Aux Send to Phones: When pressed, the aux send is sent to the 

Headphone and Control Room outputs. When up, the Phones 
and Control Room outputs are the same as the Main Outputs. 

16

 Effects Parameter Variable: Changes the characteristics of the 

selected effects preset parameters.

 

17

 Effects Level/Clip: Displays the level going to the effects 

processor. When the clip turns on, the effects are 

 

being distorted. 

18

 Effects Preset: Changes the effects processor preset, as listed 

on the top of the mixer.

19

 FX Return: The overall level from the effects processor that is 

being sent to the Main outputs

20

 Phantom Power: Sends 48V phantom power to the XLR inputs. 

21

 Meter: Shows the signal level being sent to the Main Outs. If 

the red 0 or +5 lights are on, the output is being distorted. 

22

 Power LED: Shows that the mixer is switched on. 

23

 Main Mix: Sets the level to the Main Outs. 

 

1

2

3

4

5

6

7

8

9

12 13

14

15

16 17

18

19

10

11

20

21

22

23

Front Panel Elements - Connections

USER MANUAL - LMD1202FX AUDIO MIXER

ATTENTION

Activating the phantom power supply during 
normal operation needs to be expedited with care, 
since pop noises may appear, which represent a 
risk to your ears and connected equipment.

 

Turn 

down the output (23) to minimum before activat-
ing the phantom power supply.  

Содержание LMD-0502

Страница 1: ...RevA 06 2014...

Страница 2: ...onnections to and from the product are neither subject to potentially des tructive mechanical impact nor present any risk of stumbling or other accident risk to people Audio equipment may generate sou...

Страница 3: ...same as this product is specified for see sticker on power supply Whenever the specified voltage or your AC plug should not match the local conditions do NOT plug the AC cord into the wall outlet and...

Страница 4: ...s on Are their level controls turned up Do you need to switch phantom power on Look at the mark ings on your microphone If it says condenser then Phantom Power should be switched on If it says dynamic...

Страница 5: ...p the GAIN on channel 2 9 Switch on your stage monitor Turn up the AUX knob on any channel you want to hear on stage Remember that the more microphones and speakers you use the more possibilities ther...

Страница 6: ...hones and control room outs 14 Control Room Phones level Controls the level going to the Control Room outputs and the Phones outputs 15 Aux Send to Phones When pressed the aux send is sent to the Head...

Страница 7: ...ts section so that some instruments have more reverb than others 2 Setting up a headphone mix so that a recording musician can hear exactly what they want while you listen to your own mix 3 Creating a...

Страница 8: ...player to the PA between sets Pressing AUX RCA TO PHONES CONTROL ROOM means that only the Aux RCA input is heard through the Control Room and Phones outputs This is useful if you are recording the mi...

Страница 9: ...t with short delays 3 Delay M Feedback from single repeat to long repeating echos Delay Time Simple mono delay great for vocals and guitars 4 Delay PP Feedback from single repeat to long echo Delay Ti...

Страница 10: ...hield black tip sleeve tip sleeve red tip shield sleeve red tip black sleeve shield uncon 3 1 2 plug side 3 1 2 cable side red 2 black 3 shield 1 red 2 shield 1 3 2 3 1 3 1 2 3 1 2 cable side plug sid...

Страница 11: ...hat don t need it except for very old and or damaged ribbon microphones REVERB An audio effect that emulates the echo reflections and decay time of a large space SHELVING EQUALIZER CONTROL Increase or...

Страница 12: ...s Essex SS3 9QY UK We declare on our own responsibility that the equipment Hill Audio LMD1202FX is in conformity with the following directives and standards or regulations EMC Directive 2004 108 EC EN...

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