Fostex MR16, Руководство пользователя

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151
MR16
Owner’s Manual (Application examples)
PEAK
GUITAR
MIN
DISTORTION
MAX LINE MIC
TRIM
INSERT /GUITAR
UNBAL
BAL BAL BAL BAL
INPUT A INPUT B INPUT C INPUT D
VOLUME
MIN MAX
PEAK
LINE
TRIM
MIC
UNBAL
POWER
UNBAL
MIC
TRIM
LINE
PEAK
UNBAL
MIC
TRIM
LINE
PEAK
BOUNCE
15/16 > STEREO WAV FILE
EFFECT
DELAY PLATE HALL ROOM BOUNCE MODE
INPUT EQ
TO STEREO BUSS LEVEL
MENU / ENTER
MIN MAX
MIN
MAX
REVERB / DELAY TIME
L STEREO OUT R
1 AUX OUT 2
1 PHONES 2
INPUT A INPUT B INPUT C INPUT D
As example 1, this example also uses the AUX OUT and TO STEREO BUSS functions. It is assumed
that you want to do the following.
Application example 2 (Live)
Connection between the MR16 and external units
Operation procedure
(1) You want to use the MR16 in the live performance of a band, which uses synchronization between the
recorder tracks and keyboard live playing.
(2) The backing tracks (tracks 3 through 16) are played back by the MR16, while two keyboards are
played live.
(3) A click (recorded on tracks 1 and 2) is fed to the keyboard players.
• Set the output source of AUX OUT 1 to track "1".
• Set the output source of AUX OUT 2 to track "2".
See page 146 for details about how to make
settings above.
• Set the panpot of INPUT A to "L10".
• Set the panpot of INPUT B to "R10".
• Set the panpot of INPUT C to "L10".
• Set the panpot of INPUT D to "R10".
See page 86 for details about how to make
settings above.
• Use the [To STEREO BUSS LEVEL] control to adjust
the keyboard sound levels.
• Use the faders for tracks 3 through 16 to adjust the
track signal levels.
• Turn down the faders for tracks 1 and 2 (because
tracks 1 and 2 are click tracks).
Keyboard 1 Keyboard 2
To PA system
Headphone amplifier
Headphone amplifier
<Notes>
•
You can independently assign any one of tracks 1
through 16, the effect send and the internal click
to AUX OUT 1 and AUX OUT 2 (you cannot assign
more than one signal to each AUX OUT).
•
You can set pan for each of INPUT A through D at
the desired position between L10 and R10.
•
The mixing levels of INPUTs A through D are
collectively controlled by the [TO STEREO BUSS
LEVEL] control.
•
The balance among INPUTs A through D is
adjusted using the TRIM control for each input
channel or the output level control of each
external device. If you do not want to mix any of
the input channels, you can mute it.
•
The input channel which is assigned to a recorder
track for recording is not mixed. • Turn on the [TO STEREO BUSS] keys for [INPUT A]
through [INPUT D].