Deactivate the line input and put the channel faders down, turn the microphone up and talk
into the microphone, set the microphone volume control to middle position. If the microphone
level is unsatisfactory in this position turn the FF2.2 on its side and using a very small flat
bladed screwdriver locate the microphone gain control on the base of the unit indicated by
the legend. Insert the blade gently in the slot and turn to increase or decrease the gain (level)
while talking into the microphone, adjust until you have the desired microphone level. In
setting the microphone to the required level with the control at middle position you have room
to increase the level should you require.
Now adjust the microphone EQ if required, the microphone EQ is controlled by two pots
through the base of the unit indicated by silk screen legend and allows adjustment of bass
and treble. Use a small flat bladed screwdriver to gently turn the controls to achieve the
desired effect, with both controls in middle position the EQ is flat.
Turn the microphone down and reactivate a line input, set the fader up for the channel with
the line input. Adjust the headphone cue/master control to master, put the headphones on
and adjust the headphone volume to a level you are comfortable with.
Activate a line input on the other channel and press the cue button on that channel, adjust
the cue/master control to cue and you should hear the audio from the channel with the cue
switch enabled.
On the channel with the CUE switch selected, select the channel filter, now operate the low
and high pass filters by adjusting the LPF and HPF controls, become familiar with what they
do to the sound and how they operate.
Remove the headphones, you should still have a line input active playing through to the
master. Put the fader on the channel that is playing down, operate the FX switch on that
channel and turn the fader up.
Adjust the FX wet/dry control to dry and you should have audio at the master with no FX, set
the FX control to wet (and assuming you have plugged in and switched on an FX unit) you
will have the audio with FX.
Set the channel FX switch to off and set both channel faders down, activate a line input to
both channels and on both channels activate the XF switches. The audio to the master is
now controlled by the crossfader, moving to one side results in the line input from that side
appearing at the master and moving to the other side sends the line input of that side to the
master.
What happens in between is determined by the fader curve control, this adjust the rate at
which a side fades out and the other side comes in, experiment with adjusting the control to
become familiar with what it does and perhaps establish a position you favour.
Your FF2.2 is now set up and ready to go, the channel 3 input has only a volume control on
the front panel and no other adjustment, note the channel 3 input has +6dB of gain so with
the channel 3 volume control in middle position you are sending to master the same level as
present at the input. This gives room to increase the level if required.
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