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The adjustable parameters are:
TREBLE : high frequencies;
BASS: low frequencies.
3. “MIC EQ”
: This adjusts the equalization of the microphone inputs Mic1 and
Mic2.
The adjustable parameters are:
HIGH
: high frequencies;
MID F
: MID intervention frequency;
MID
: medium frequencies;
LOW: low frequencies.
NOTE: The equaliser on the medium frequencies is of the “semi-parametric”
type. The “MID F” parameter enables adjustment to a particular frequency,
enhancing or easing it up through the “MID” parameter.
This means that intervening exclusively on the “MID F” parameter will make no
tonal variation. The intervention frequencies start from 110hz (identified as low
frequencies) and go up to 1800hz (identified as high frequencies, or high pitched)
and cover the range of frequencies not modifiable by the “HIGH or “LOW”
regulations. A practical example to understand the regulation of the semi-
parametric filter: enhance the “MID” parameter, then, speaking in the
corresponding microphone move as you please the parameter “MID F”. It will be
then possible to hear the different frequencies to enhance (or ease up) using the
“MID”.
4. “MIC FX”
. This adjusts the type and quantity of the effect for the Mic1 and
Mic2.
The adjustable parameters are:
DELAY TYPE:
To choose among three types of delay:
Mono/Stereo/Triple;
DELAY LEVEL:
To change the quantity of delay effect;
REVERB SEND:
To change the quantity of reverberation;
CHORUS
SEND: To change the quantity of chorus effect.
“EXIT”:
To leave the “PARAM.” page.