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FRONT PANEL CONTROLS

 

1.

 

IN 1

,

 IN 2 JACKS:

 stereo audio inputs, 

INPUT 1

 (typically left) – is 

normalled

, i.e. pre­routed 

 to 

INPUT 2

 (right) when no audio cable is present 

on 

INPUT 2

. Typical input audio level: eurorack m/­5V with maximum 

up to +/­9V when saturation starts with higher audio amplitude.

 

2.

 

PRE­VCA CV INPUT JACK:

 

external 0…+5V CV input that controls 

the amplitude of the incoming stereo signal. Normalled to +5V when no patch 
cable is inserted.

 

3.

 

TONE

/GAIN*

 KNOB:

 

multi­function knob. By default it acts as a 

6db/oct 

TILT EQ

 for low and high frequencies (CCW and CW respectively) 

with no effect when the knob is at 12 o’clock. Secondary function is a gain 
boost for incoming audio, activated by turning while holding the 

ROUTING

 

button. Fully CCW the signal is at its original level ­ turn CW to boost.

 

4.

 

DISTORTION KNOB:

 

manual control over the distortion level. Is 

summed with an external CV applied to the 

DIST. CV

 jack.

 

5.

 

DISTORTION CV JACK:

 

external 0…+5V control over the distortion 

level.

 

6.

 

CLIP LED:

 

lights up when clipping occurs at the distortion stage.

 

7.

 

FREQUENCY KNOB:

 

manual control over the 

FILTER CUTOFF

.

 

8.

 

VCF CV INPUT JACK:

 

­5V…+5V CV input for the 

FILTER CUTOFF

The polarizer CUTOFF CV knob defines its amount, mixed with the setting of 
the 

FREQUENCY

 knob.

 

9.

 

CUTOFF CV KNOB:

 

polarizer / attenuverter for incoming CV to the 

FILTER CUTOFF.

 

10.

 

DELAY DRY/WET CV JACK:

 

0…+5V external CV input for the 

DRY/WET

 mix of the delay effect. Normalled to +5V when no patch cable 

inserted.

 

11.

 

DELAY KNOB:

 

manual control of the 

DRY/WET MIX OF THE DELAY

 

effect, acts as attenuator for 

DRY/WET CV jack

.

 

12.

 

REPEATS

/TONE* 

KNOB:

 

manual control over 

REPEATS 

or

 

FEEDBACK 

level of the delay. Turn it fully CW for self­oscillation. Secondary 

/TONE*

 function (holding 

ROUTING 

while turning

 REPEATS

/TONE*

) adjusts 

the LOW­PASS FILTER after the WET output of the delay chain. Is summed 
with an external CV applied to the 

REPEATS CV

 jack.

 

13.

 

REPEATS CV JACK:

 

0…+5V external CV input for the feedback 

control of the delay effect. 

 

14.

 

DELAY TIME/DIV KNOB:

 

manual control of the delay time, from 

short audio rate repeats CCW and longer taps CW. When an external clock is 

Содержание ANDREW HUANG GHOST 16hp

Страница 1: ...FIRMWARE V 1 00 RC...

Страница 2: ...F DISTORTION DIST 12 THREE FLAVORS OF FILTER VCF 12 SPATIAL EFFECTS FX 12 ADVANCED DELAY PARAMETERS 13 ADVANCED REVERB PARAMETERS 13 DYNAMICS SHAPING 14 COMPRESSOR 14 SIDECHAIN DUCKING 14 RESET 14 PAT...

Страница 3: ...proper connecting The warranty covers replacement or repair as decided by us Please contact us via email for a return authorization before sending anything Shipping costs of sending a module back for...

Страница 4: ...ol for Karplus Strong various taps settings with up to 2 5 sec maximum delay time 8x oversampled distortion algorithm pre and post VCA controls Tone and Volume controls with extra gain drive reserve I...

Страница 5: ...le with the RED BROWN STRIPE label on the module that corresponds to 12V to the 10 pin connector and with typically a white line for the 16 pin connector on the bus board TECHNICAL SPECIFICATIONS Widt...

Страница 6: ...INTERFACE...

Страница 7: ...ver the distortion level 6 CLIP LED lights up when clipping occurs at the distortion stage 7 FREQUENCY KNOB manual control over the FILTER CUTOFF 8 VCF CV INPUT JACK 5V 5V CV input for the FILTER CUTO...

Страница 8: ...emi lit shown by the symbol under it Secondary function ROUTING TAPS changes the stereo behavior of the taps produced by the delay Available delay tap configurations are LRLR left and right summed tap...

Страница 9: ...COMB FILTER with resonator by using the ROUTING BPF COMB button combo When the COMB FILTER is activated the button is semi lit shown by the symbol under it A second press on the button switches back...

Страница 10: ...1 OUT 2 JACKS final stereo audio outputs OUTPUT 1 is typically left and OUTPUT 2 is typically right OUTPUTS 1 2 can drive headphones or be used as separate mono L R outputs connected with mono cables...

Страница 11: ...LAY REVERB FX DISTORTION and VCF blocks 1 FX DISTORTION VCF 2 DISTORTION VCF FX 3 VCF FX DISTORTION The selected order is shown by the brightness of the ROUTING button and written as a hint on the fac...

Страница 12: ...knob behavior in Comb filter is special it is bipolar so from noon it either adds negative CCW or positive combs CW SPATIAL EFFECTS FX This chain of audio effects a k a FX consists of a delay which i...

Страница 13: ...blinks twice the tap pattern is LRRL When the TAP button blinks 3 times STEREO mode is selected where the delay taps appear on either L or R output only when there is something present on L or R inpu...

Страница 14: ...ormance Compressor behavior varies on the audio material and music taste We recommend setting for 12 o clock for ambient pads and full clockwise setting for obtaining snappy drums SIDECHAIN DUCKING Si...

Страница 15: ...is will trigger an internal envelope that will come out from the ENVELOPE OUT The decay of the envelope is controlled by the SIDECHAIN knob Patch the signal from the ENVELOPE OUT to either DELAY DRY W...

Страница 16: ...your low end consistent or even better MONO So when using the delay to create the rumble set TAPS DISTRIBUTION to STEREO mode via ROUTING TAP to avoid PING PONG effect or simply only use AUDIO OUT 1...

Страница 17: ...or phone will work we advise you to disable all notifications flight mode so that the update is not interrupted 1 Power OFF your modular system 2 Unplug all the cables from GHOST except a simple mono...

Страница 18: ...or without any effects applied EQ etc CREDITS ENDORPHIN ES x ANDREW HUANG GHOST FIRMWARE VERSION 1 00 COLLECTION SPRING SUMMER 2023 Module idea and concept by Andreas Zhukovsky and Andrew Huang Hardwa...

Страница 19: ...mply with the limits for a Class A digital device pursuant to part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference when the equipment is ope...

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