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11. SYNTH TRACK PARAMETERS
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Press [SYN1] once to access this parameter page.
11.3.1 ALGO
Algorithm selects the set structure of how the four operators are connected to each other. (1–8) For
more information, please see “A.3 ALGORITHMS” on page 74.
11.3.2 RATIO C
Sets the frequency ratio for operator C. (0.25–16.0) For more information, please see “A.4 FM RATIOS”
on page 74.
11.3.3 RATIO A
Sets the frequency ratio for operator A. (0.25–16.0) For more information, please see “A.4 FM RATIOS”
on page 74.
11.3.4 RATIO B
Sets the frequency ratio for operator B1 and B2. The minimum value for B1 and B2 is .25. As you turn the
encoder, B2 increases until it reaches the max (16). It then starts over from .25 and B1 increases to the
next value (0.5). This revolving behavior continues until both operators reach the maximum value. This
parameter behavior is similar to the movement of the hands on a watch. (0.25–16.0) For more information,
please see “A.4 FM RATIOS” on page 74.
11.3.5 HARM
Harmonics controls waveform of the operators, C, A, and B1. The parameter is bipolar. Negative parame-
ter values change the harmonics of operator C, while positive parameter values change the harmonics of
operators A and B1. (-26.00–26.00) For more information, please see “A.6 HARMONICS” on page 76.
11.3.6 DTUN
Detune offsets the ratio of operator A and B2. Up until a parameter value of around 64, the offset is very
slight to achieve subtle movement and drifting. Above 64 the operators start to detune more heavily.
0.00–127.00)
11.3.7 FDBK
Feedback sets the amount of self modulation of the operator that has feedback. This operator is shown
in the algorithm on the screen with a feedback loop in its upper left corner. (0.00–120.00). For more infor-
mation, please see “A.2 THE OPERATORS” on page 73.
11.3.8 MIX
Each algorithm has two carrier outputs (X and Y) that come from two different operators depending on
what algorithm you chose. Use the MIX parameter to mix between these outputs so that you can cross-
fade between two separate timbres.J50 (-64–63). For more information, please see “A.3 ALGORITHMS”
on page 74.
11.4 SYN 2 PAGE 1
The parameters on the SYN2 pages control various aspects of the FM synthesis, mainly the amount of
frequency modulation together with the operator envelopes and their behavior.
The FM engine has two operator envelopes. One is for operator group A, and one is for group B (B1 and
B2). The envelopes are essentially expanded AD (Attack Decay) envelopes, but with an added adjustable
end level (the amplitude level the sound reaches at the end of the decay stage). For more information,
please see “A.5 THE OPERATOR ENVELOPES” on page 75.
Press
[SYN2] once to access this parameter page.