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A Little History

In 1983, Electro-Harmonix released what would become a legendary 
and more importantly, revolutionary, musical instrument… the

 16 

Second Digital Delay

. Aside from being the first looper ever invented, 

it helped change the way music was created while presenting indi-
vidual musicians with a way to manipulate their creations instantly. 
The concept of looping, as we know it today, was an entirely new 
dimension in musical expression in 1983 and the 16 Second Delay 
was an instant hit.
In 2004, the music public demanded the 16 Second’s re-release, 
and it once again became an all-time classic.

The Legacy Continues

The uniqueness of the 45000 is the ability to layer multiple 
tracks and manipulate them. A special mix down track 
allows you to create a spatial stereo pair while freeing 
up previous tracks to add more instruments. Very com-
plex interactive tracks can be completed quickly with 
the ability to sound unique and totally original. This is 
a very spontaneous instrument.
The Electro-Harmonix 45000 records at the industry 
CD standard of  44.1 kHz /16 bit uncompressed 
digital audio. What you record is what you get, 
without the degradation or artifacts that com-
pressed audio usually presents.
Building upon the original concept of the 16 
Second Delay, while taking into consideration 
the demand for more complex possibilities, the 
45000 is more of everything. True world stan-
dard audio fidelity, as much creative time as 
any musician would need, and an ease of use 
that is instantly familiar.
The 45000 uses world-class audio converters, 
while offering uniformity in syncing and inte-
gration with any user’s current equipment. 

Introduction

Storage is on popular and easy to obtain SDHC flash 
cards that range from 4 to 32 gigabytes. All audio files 
may be downloaded to your computer for backup as well 
restoring to the 45000 for use at a later time. Additionally 
musicians can import their own audio files and play them 
back or manipulate them on the 45000 as if the 45000 
itself recorded the files. 

Electro-Harmonix then followed up in 2006 with the 

2880 Super Multi-

Track Looper.

 It has since become a mainstay for many serious looping 

enthusiasts, whether used on stage or in the studio. The 2880 was a 
powerful and interactive instrument following a traditional recording 
layout, so it felt instantly familiar. However, there were significant dif-
ferences that go well beyond the recording world. At the very least it 
was a multi-track recorder but when viewed as a whole, it was a multi-
faceted performance instrument with significant advantages in both 
live performance and as a personal recording instrument. 
The 

45000 Multi-Track Looping Recorder

 takes the 2880 and builds 

upon it, adding key features such as the ability to store and recall up 
to 100 loops on one SD card and an output dedicated to monitoring. 

Содержание Forty-five thousand

Страница 1: ...User Reference Manual...

Страница 2: ...PLIANCE Note This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to part 15 of the FCC Rules These limits are designed to provide reason able prote...

Страница 3: ...r more complex possibilities the 45000 is more of everything True world stan dard audio fidelity as much creative time as any musician would need and an ease of use that is instantly familiar The 4500...

Страница 4: ...To exit OVERDUB mode press the RECORD button You could also press NEW LOOP to end recording and begin playback immediately 12 If you want to record on another track press the TRACK SELECT button to c...

Страница 5: ...ECORD buttons 7 Move the Mixdown slider up move all of the track sliders down and press PLAY to hear the newly recorded mix 8 Please Note The original audio on the 4 tracks remains after completing a...

Страница 6: ...erdubbing audio The RECORD LED blinks at a medium rate when the 45000 is in Record Ready mode The table to the right explains the result of pressing the RECORD button in relation to the currrent mode...

Страница 7: ...sloppy about ending the loop the 45000 will adjust the loop length to the nearest bar yielding loops that cycle per fectly in sync with the CLIX metronome All bars are 4 beats long In Non Quantize mod...

Страница 8: ...will be recorded or over dubbed onto The tracks are available in mono or stereo pairs 1 2 or 3 4 The recording levels are set with the INPUT knobs 10 TRACK Faders The 4 track faders serve a dual purpo...

Страница 9: ...recorded speed variations you perform with the TEMPO Slider will be recorded onto the Mixdown track This allows you to make subtle effects such as flanging or more drastic effects like radically bendi...

Страница 10: ...5000 in the analog domain and is output through the LEFT and RIGHT OUTPUT jacks the Headphone and the MONITOR OUT jacks You could connect an mp3 player mixer drum machine or any other device with a li...

Страница 11: ...DI OUT jack as a MIDI Thru pass ing whatever commands the MIDI IN jack receives back out to the MIDI OUT jack When EXT CLOCK Mode is activated the MIDI OUT jack passes the MIDI Clock signal it receive...

Страница 12: ...loop if all audio files are present and may not play as intended if TEMPO TXT is not present Importing Audio Files The 45000 is capable of Playing and Overdubbing audio files that are made elsewhere...

Страница 13: ...adphones output and the MONITOR OUT jack The setting of the DRY OUT fader and pan knob will not effect what is actually recorded Only the INPUT Level knobs have any bearing on what is recorded Non Qua...

Страница 14: ...ack Track 1 will remain the active track The audio you recorded on Track 1 is in memory you need to press PLAY to hear it By pressing the NEW LOOP button the 45000 will enter Play mode the loop will c...

Страница 15: ...r devices may send 0 to 127 which would also activate loop numbers 0 to 99 MIDI PC 122 is Loop Down When the 45000 receives this message it will decrement the loop number by 1 MIDI PC 123 is Loop Up U...

Страница 16: ...put you into Overdub mode immediately while in the middle of the loop cycle Overdubbing occurs only on the track that is currently active the track or tracks with their LEDs lit up For the track you a...

Страница 17: ...Y while Mixdown is the active track is exactly like pressing PLAY when any of the other tracks are active you will not do anything to change the audio already on the tracks you are simply listening ba...

Страница 18: ...ED lit solid and Beat Sync LED blinks rapidly Full Ext Clock Mode Setting the 45000 to Full EXT CLOCK Mode enables it to respond not only to MIDI Clock but also MIDI Start Stop and Song Position Point...

Страница 19: ...op recording and immediately begin playing overdubbing the loop you just recorded If you want to just play the loop back and not overdub press the NEW LOOP button to end the loop If you want to simply...

Страница 20: ...0 s buttons and moving its sliders and rotary controls The 45000 does not send Program and Control Change messages it only receives these messages Setting the MIDI Channel The MIDI channel on which Pr...

Страница 21: ...nge we have also added more functions not present on the face of the 45000 such as mute unmute of the tracks and direct selection of a track A program change message has one information byte P0 0 to 1...

Страница 22: ...at its discretion a product that fails to oper ate due to defects in materials or workmanship for a period of one year from date of purchase This applies only to original purchasers who have bought t...

Страница 23: ...User s Notes...

Страница 24: ...55 01 2nd Street Long Island City New York 11101 www ehx com...

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