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The ratio is variable from very soft compression (fully counter-clockwise) to
hard limiting (fully clockwise). The Compressor light will blink when your
gain goes above the compression threshold. This will generally show up
more on the lower notes, or when you employ Slapping. (A properly
compressed Slap sound is very cool, indeed.)

A good general setting for overall compressor operation is to match the
Compressor LED (located between the Ratio and Threshold controls) to go
on at the same time as the Set Level indicator. This will provide the best
headroom with good peak protection. We recommend that you start with the
Threshold at about 1:00 and the Ratio at about 11:00. You may have to
adjust the Threshold slightly to get the two lights to blink together.

If you want the compression to activate sooner (at lower signal level),
increase the Threshold a little at a time. If you want more compression,
increase the Ratio until you achieve the amount of compression you desire.

SETTING YOUR EQ

The frequencies that you’ll need to boost or cut are dependent upon your
instrument, playing style, speaker cabinets, and venue. Extreme settings of
boost or cut are unlikely to be necessary or helpful. We are frequently asked
to provide suggested settings for various styles of play. We have discovered
though, that most of our endorsers tend to set their EQ generally flat, using
varying amounts of the Enhance Control to achieve their sound. In fact, a
number of our recording artists tell us that their standard recording set-up is
to have the Enhance set at approximately 9 or 10 O’clock and the tone
controls set flat. We encourage you to experiment with different settings

to obtain the sound you desire.

Enhance

 – Once you’ve set your gain, you can move on to setting your EQ,

beginning with the Enhance control, or Magic Knob, as some call it. The
Enhance circuitry adds very low bass, upper mids and highs while scooping
out a bit of low middle. The more Enhance effect you dial in, the greater the
boost (and cut). As with all of our EQ controls, a little goes a long way.

All manuals and user guides at all-guides.com

Содержание World Tour WTX1000N Powered Navigator

Страница 1: ...N BASS AMPLIFICATION World Tour Bass Guitar Amplifier Covering Model WTX1000N Powered Navigator Never Compromise 04 16 2009 by U S Music Corp All manuals and user guides at all guides com a l l g u i...

Страница 2: ...ions to connect with virtually all outboard gear In addition we ve incorporated a Tube Character circuit that allows the user to control the amount of tube warmth in their sound and more complete comp...

Страница 3: ...eplaced as easily as your other gear Please take the following warning seriously This product when used in combination with loudspeakers and or additional amplification may be capable of producing sou...

Страница 4: ...more detail later in the manual Compressor Ratio and Threshold Controls The WTX1000N s internal studio quality compressor uses a dbx style state of the art compressor chip with a fully adjustable Rati...

Страница 5: ...rol top knob and a Level control bottom knob The Level controls provide 15 dB of cut or boost The control is FLAT in the 12 00 position From left to right the Frequency controls have the following ran...

Страница 6: ...iter switch in the off position the Main sends can reach 21 dBm NOTE The limiters will also effect the Headphones and the Stereo D I output Side Chain Level Control This control sets the amount of sid...

Страница 7: ...ation to help you adjust controls in low light situations REAR PANEL FEATURES Ground Lift Switches These switches lift the ground from the D I sends on the back panel They do not lift the ground from...

Страница 8: ...nth module etc The signal is summed added in prior to the tone controls and Master Volume control This jacks can also be used to return a studio cue signal allowing the WTX1000N to provide you with yo...

Страница 9: ...witches on the front panel Side Chain Effects Loop This mono effects loop operates a bit differently than the other two loops The other two send the entire signal to an outboard device and accept the...

Страница 10: ...Mute to Tune Compressor Defeat Enhance Defeat Turbo Boost OPERATING INSTRUCTIONS Mechanical and Thermal Issues During operation your amplifier should always be placed away from sources of moisture or...

Страница 11: ...crossover control so you could make your own decision If necessary us the Balance control to balance the volume between the low and high speakers GETTING A GREAT TONE As bassists each of us has in our...

Страница 12: ...This will prevent any unexpected signal from being sent to your speakers Setting Your Level Remember begin with the Input Gain Enhance Compressor and Master Volume completely OFF fully counter clockwi...

Страница 13: ...compression you desire SETTING YOUR EQ The frequencies that you ll need to boost or cut are dependent upon your instrument playing style speaker cabinets and venue Extreme settings of boost or cut ar...

Страница 14: ...speakers NOTE Many players rely on the Enhance Control and perhaps a little Midrange Massage to get their sound This method leaves the Bass and Treble controls available to dial in to a particularly d...

Страница 15: ...ther reduce Input Gain or cut back on one or more EQ ranges As we said earlier Clipping in the preamp section is a very bad thing and is to be avoided at all times If you find yourself running out of...

Страница 16: ...from your Eden amplifier As previously mentioned it make take a few extra minutes the first few times you go through this especially if you take the time to experiment with all the knobs and switches...

Страница 17: ...ning of the plugs on your cords is also recommended Learn More If you d like to learn more about your amplifier or about our company and its activities we invite you to visit our website www eden elec...

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