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MIDI Selection of Key & Harmony
Controlling your harmonies can be done through MIDI as an alternative
to using the front panel. You have the option of independently selecting
key or chord root and style. There are several ways in which this can be
done to provide you the most flexibility in live performance or sequenc-
ing.
MIDI options for selecting key and harmony style:
•
Chord Recognition
•
Controller #16 (transmitted from front panel)
•
Notes
•
Program Change
Using
Chord Recognition
and a Chordal harmony program is the most
useful combination when you want to just “plug in and play”. The chord
voicings you use in your playing are interpreted by the Studio Vocalist
EX as key and harmony information. You can also set chord recognition
so that it only recognizes chords played on the upper or lower part of
your keyboard with a split point that you set. This way, left hand bass
lines don’t cause the harmonies to jump around. See page 39 for more
information on setting the split point.
The program you have loaded must contain styles that are related to the
chords you play. As an example, if you play a C augmented 7th chord
and the Studio Vocalist EX program has no augmented 7th styles the
Studio Vocalist EX selects the closest sounding chord. See the Harmony
Editing section on page 26 for instructions on adding or modifying chord
styles.
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