Editing/Creating a Preset
The GNX3 was designed to make sound processing easy and intuitive. Because the GNX3 provides both
Amp Modeling and Effects Processing, the editing functions are divided into two sections: the Amp/Cabinet
Modeling section and the Effects section. The GeNetX™ technology contained in the GNX3 lets you go
much further than mere Amp Modeling. GeNetX™ lets you create your own Amp/Cabinet HyperModel™
and store this custom creation to a User Amp/Cabinet location. When editing either the Amp/Cabinet
Modeling, or the Effects section, you must start with one of the User or Factory Presets. It is not possible to
start with a completely empty preset. The preset you begin with does not need to be in the location that
you intend to save it. To begin creating a HyperModel™ or just edit the effects, you must select a preset as
your starting point.
Amp/Cabinet Modeling
After selecting a preset, you can select the Amp Models or Cabinet Types for your preset. Amp/Cabinet
Modeling applies the tone of one of several vintage or modern Amp Models and Cabinet Types to your guitar
signal. The GNX3 includes accurate emulations of fifteen guitar Amp Models, four Bass Amp Models, one
Acoustic Guitar Simulation, and sixteen Speaker Cabinet Types.Your choices include:
Amp Models
Marshall® is a registered trademark of Marshall Amplification Plc. Vox® is a registered trademark of Korg UK. Fender, Matchless, HiWatt,
Ashdown, Ampeg,Trace-Elliot, Sunn, and Mesa Boogie, are trademarks of their respective companies and are in no way associated with
DigiTech.
Cabinet Types
Editing Amp Models and Cabinet Types
Each GNX3 preset has a Green, Red, and Yellow (Warped) Amp Channel. The Green and Red Amp
Channels include individually selectable Amp Models, Cabinet Types, Gain, EQ, and Level settings.The
Speaker Cabinet’s resonant frequency can be selected. Once the Green and Red channel’s models are
selected, you can toggle channels instantly using the
Amp Channel Footswitch
(only when Stompbox
direct 1
- Turns the cabinet modeling off
amer2X12
2
- Based on an American 2x12
BRit4X12
3
- Based on a British 4x12
vntg4x12
4
- Based on a Vintage 30 4x12
BRit2X12
5
- Based on a British 2x12
twed1X12
6
- Based on an American 1x12
blnd2X12
7
- Based on a Blonde 2x12
Fane4X12
8
- Based on a Fane 4x12
grnb4X12
9
- Based on a Greenback 4x12
botq4X12
10
- Based on a Boutique 4x12
amer4x10
11
- Based on a Bassman 4x10
65 1x12
12
- Based on a ‘65 Tweed 1x12
Jazz1x15
13
- Based on a Fender Pro 1x15
bass1x15
14
- Based on an Ampeg Portaflex
bass4x10
15
- Based on an Ashdown 4x10
w/Tweeter
bass2x15
16
- Based on an Sunn 200S 2x15
EMPTY
U1
to
U9
- User Locations
DIRECT
1
- Turns the amp modeling off
blackfac
2
- Based on a ‘65 Fender Twin Reverb
BOUTIQue
3
- Based on a Matchless DC30
rectfied
4
- Based on a Mesa Dual Rectifier
HOTROD
5
- Based on a Mesa Boogie Mark II C
tweeD
6
- Based on a ‘57 Fender Tweed Deluxe
britcmbo
7
- Based on a Vox AC30 top boost
cleantub
8
- A clean tube combo setting
britstck
9
- Based on a ‘78 Marshall Master Volume
CRUNCH
10
- A nice crunchy tube amp combo
HI GAIN
11
- A high gain tube amp
BLUES
12
- A sweet blues tone
mdrngain
13
- Based on a Marshall JCM900
FUZZ
14
- A vintage fuzz distortion
BASS MaN
15
- Based on a Fender Bassman
hiwattag
16
- Based on a HiWatt 50 watt stack
ACOUSTic
17
- A flat top acoustic guitar
rockbass
18
- Based on an Ampeg SVT
mdrnbass
19
- Based on an Ashdown ABM-C410H
britbass
20
- Based on a Trace-Elliot Commando
EMPTY
U1
to
U9
- User HyperModel™ Locations
14
Introduction
Содержание GNX3
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