Dan Dugan Sound Design E-3A, Руководство пользователя

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Dugan Model E-3A User Guide Dugan Music System and Gain Limiting
59
Using a Sensing Mic
Consider the following before placing a sensing mic:
• Use the same type of mic for program and sensing applications.
• Place the sensing mic in the same area, and pointing in the same direction as the
program mics.
This samples, as closely as possible, the ambient sound picked up by the program
mics.
• Do not place the sensing mic close to an individual voice or instrument.
• Do not point the sensing mic at a pit orchestra.
• Do not put the sensing mic in the back of the house because of the time delay.
To use a sensing mic:
1.
Connect the sensing mic to an available console input.
2.
Deselect all mix buses from that input strip.
3.
Set the console input gain for the sensing mic 10–15 dB higher than the program
mics.
4.
Route that input’s direct out to an available AES or ADAT output.
5.
Patch that console output to an unused AES or ADAT input on the Model E-3A.
Using a Submix from the Console
To use a submix from the console:
1.
Route the submix to an available AES or ADAT output.
2.
Set the submix controls to unity gain.
3.
Patch the console’s output to an unused AES or ADAT input on the Model E-3A.
4.
On the Music System Master Pane, select that input as the source of the Music
System Threshold Input.
Using a Mix Bus Submix
To use a mix bus submix:
1.
Choose one of the six internal mix buses (mix 1–6
)
.
See Mix Bus Masters on page 49.
2.
Make the bus internal by setting its destination to
mix bus
.
3.
In that mix bus matrix row, enter 0 dB for each channel or input that you want
to contribute to the ducking action.
4.
On the Music System Master Pane, select that mix bus as the source of the Music
System Threshold Input.