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Mode Selection.

The three-position, recessed Mode Select switch (located on the rear panel) configures the amplifier for
either Stereo, Parallel or Bridged Mono Mode. Amplifiers are factory-configured for Stereo Mode.

Stereo Mode.

In Stereo Mode, both channels operate independently, with their input attenuators controlling their respec-
tive levels. Signal at Channel A’s input produces output at Channel A’s output, while signal at Channel B’s
input produces output at Channel B’s output. Recommended minimum nominal load impedance for stereo
operation is 2 ohms per channel. Either the 1/4" (TRS) inputs or the XLR inputs may be used.

Parallel Mode.

When set to Parallel Mode, a signal applied to Channel A’s input will be amplified and appear at outputs for
both Channels A & B. Either the 1/4" (TRS) input or the XLR input on Channel A may be used.

Bridged Mono Mode.

Bridged Mono Mode straps both amplifier channels together to make a very powerful, single-channel
monaural amplifier. One channel “pushes” and the other “pulls” equally, doubling the power over that of
either channel alone. Signal is applied to the Channel A input only. Both attenuators are used to control sig-
nal level; in addition, both must be adjusted to the same setting. Either the 1/4" (TRS) or XLR input may be
used.

NOTE: The channel B input connectors (XLR and/or TRS) may be used to “loop thru” the channel A signal
when in parallel or bridged mono mode.

Use extreme caution when operating the amplifier in Bridged Mono Mode. Never ground either side of the
speaker cable when the amplifier is in Bridged Mono Mode; both sides are “hot.” If an output patch panel
is used, all connections must be isolated from each other and from the panel. The recommended minimum
nominal load impedance in the Bridged Mono Mode is 4 ohms, which is the equivalent to driving both
channels separately at 2 ohms. Driving bridged loads of less than the recommended minimums will activate
the IGM circuitry, resulting in a loss of power, and may also lead to a thermal protect condition.

See figures on pages 12 & 13 showing output connection information.

Crest Audio CA Series Power Amplifiers

Page 11

Models CA2, CA4, CA6, CA9, CA12, CA18

Connecting amplifier outputs to oscilloscopes or other test equipment while the
amplifier is in bridged mode may damage both the amplifier and test equipment! 

Содержание CA

Страница 1: ...MANUAL PROFESSIONAL POWER AMPLIFIERS Professional Power Amplifier Professional Power Amplifier Professional Power Amplifier Professional Power Amplifier Professional Power Amplifier Professional Power Amplifier ...

Страница 2: ... used in an extremely dusty or smoky environ ment the unit should be periodically blown free of foreign matter 14 Do not remove the cover Removing the cover will expose you to potentially dangerous voltages There are no user serviceable parts inside 15 Connecting amplifier outputs to oscilloscopes or other test equipment while the amplifier is in bridged mode may damage both the amplifier and test...

Страница 3: ...cting Outputs Mode Selection Stereo Parallel Bridged Mono Connections TourClass Protection Features User Precautions Speaker Protection Recommended Speaker Cabling Maintenance User Responsibility Service and Repair 5 5 5 6 7 8 9 9 9 10 10 10 12 14 15 15 15 16 16 16 Power Amplifier Owner s Manual Table of Contents Appendix A Specifications Appendix B CA Block Diagram Appendix C Wire Gauge Charts Ap...

Страница 4: ...wer Amplifier Front height 3 5 89mm CA2 9 Front View Rear Side Views Front width 19 483mm Note see Appendix E for detailed CA18 rear panel drawings A A B AB A 1 3 2 B A B A A A B B A B 5 25 133mm CA12 CA18 3 5 89mm CA2 CA4 CA6 CA9 17 9 437mm 19 483mm to rack ears 1 375 35mm 18 457mm A A B AB A 1 3 2 A A B B A B B A A B 5 way binding post version shown Speakon version shown CA2 9 CA12 CA18 ...

Страница 5: ... to safeguard both internal circuitry and connected loudspeakers This proven combination of advanced design quality construction and comprehensive circuit protection is your guarantee of fail safe reliability You can depend on consistent stable performance even when your CA Series amplifier is subjected to punishing extremes in the most demanding fixed or mobile sound rein forcement applications U...

Страница 6: ...o indicate that a signal above a minimum threshold is present at the amplifier input and that the signal is being amplified 6 Clip LED Illuminates at the clipping threshold Continuous illumination also indicates that ACL Active Clip Limiting protection circuitry is engaged 7 Active LED Indicates that AC power is connected and the amplifier is turned on 8 Protect LED Indicates that the channel is i...

Страница 7: ...ground In a properly designed system for safety purposes and to minimize noise amplifiers should be connected to ground through the AC line cord Also whenever possible the signal source equipment should share the same AC ground as the amplifier In some cases this may not be possible and a ground loop results If this happens the first step is to move the ground lift switch to the top lift position ...

Страница 8: ...igured as Pin 2 hot On models CA2 CA4 CA6 CA9 and CA12 an internal jumper makes it possible to alter the amplifier to Pin 3 hot NOTE This jumper is NOT user configurable Please consult your supplier or local Crest Audio service center if you wish to have the input XLR polarity changed On the CA18 an external XLR polarity switch is featured See Appendix E Input Sensitivity The CA Series amplifiers ...

Страница 9: ...nel air flows through the cooling fins of the channel heat sinks dissipating power transistor heat then exhausts through the front panel slots The intelligent variable speed DC fans are controlled by heat sink temperature sensing circuits When the amplifier is turned on the fans briefly rev up then slow to an idle this indicates that the temperature sensing circuits are operating normally The fan ...

Страница 10: ...dio input to another amplifier input For more information see the sections on Balanced 1 4 TRS XLR Input Connectors Input XLR Polarity and Input Sensitivity Connecting Outputs Speakers are connected using 5 way Output Binding Posts or Speakon connectors depending on version supplied Please note that on the 5 way Output Binding Post version of the CA18 two pairs of 5 way bind ing posts are provided...

Страница 11: ... channel alone Signal is applied to the Channel A input only Both attenuators are used to control sig nal level in addition both must be adjusted to the same setting Either the 1 4 TRS or XLR input may be used NOTE The channel B input connectors XLR and or TRS may be used to loop thru the channel A signal when in parallel or bridged mono mode Use extreme caution when operating the amplifier in Bri...

Страница 12: ... 2 A A B B A B B A A B A A or A A A A B AB A 1 3 2 A A B B A B B A 643 106 A B A A A or Bridged Mono Stereo Mode Connections 5 Way Output Binding Posts NOTE the Binding Post version of the CA18 features two pair of 5 Way Output Binding Posts Parallel Mode Connections 5 Way Output Binding Posts Bridged Mono Mode Connections 5 Way Output Binding Posts ...

Страница 13: ...IN 1 2 1 2 1 A A B AB A 1 3 2 B A NL4FC B A A B A A B B A A or A A Speaker to PIN 1 Speaker to PIN 1 2 1 2 1 A A B AB A 1 3 2 B A NL4FC B A A B A A B B A A or Speaker to PIN 1 Speaker to PIN 2 2 1 2 1 Bridged Mono Stereo Mode Connections Speakon Output Connectors Parallel Mode Connections Speakon Output Connectors Bridged Mono Mode Connections Speakon Output Connectors ...

Страница 14: ...urned on or is reactivated after a protect condition is cor rected This exclusive Crest Audio feature gradually increases gain to the attenuator setting avoiding unnec essary stress on the loudspeakers Thermal Protection Abnormally high heat sink temperatures will engage the Protect circuit for the overheating channel only An output relay disconnects the loudspeakers until nominal temperature rang...

Страница 15: ...ter or a compressor with a ratio of 10 1 or higher to control power output Use one compressor limiter for each frequency band in systems with active electronic crossovers The ACL clip limiting circuit will automatically limit the duration of squared off continuous waveforms applied to the speakers The amplifier will however allow normal musical transient bursts to pass Of course when the amplifier...

Страница 16: ...ier is installed wired and operated properly as instructed in this manual Many loudspeakers can be easily damaged or destroyed by overpowering especially with the high power available from a bridged amplifier Read the section on Speaker Protection and always be aware of the speaker s continuous and peak power capabilities Crest Audio is not responsible for damage to loudspeakers for any reason Ser...

Страница 17: ...Appendices ...

Страница 18: ...0A 18 0A 2630 BTU hr 3713 BTU hr 3 5 x 19 x 18 89 x 483 x 457mm 49 lbs 22 24 kg 44 lbs 19 97 kg 5 years 600W 900W 1000W 1800W 2000W 550W 800W 900W 1600W 1800W 82V 116V 20Hz 20kHz 3dB 135kHz 20Hz 20kHz 84dB 0dB 0 01 0 01 700 1 60 dB 0 775V X86 5 20kΩ 10kΩ 105dB 60dB H 80 000 µF 100V 240V 50 60Hz 2 0A 8 6A 16 0A 21 0A 3250 BTU hr 4341 BTU hr 3 5 x 19 x 18 89 x 483 x 457mm 52lbs 23 60 kg 47 lbs 21 33...

Страница 19: ... 2 3 PIN 2 3 JUMPER REAR PANEL SWITCH ON CA18 INVERTED NON INVERTED PREAMP PREAMP ATTENUATOR ATTENUATOR AMP FRONT END AMP FRONT END OUTPUT STAGE OUTPUT STAGE OUTPUT RELAY OUTPUT RELAY 2 3 PIN 2 3 JUMPER REAR PANEL SWITCH ON CA18 INVERTED NON INVERTED B B A A CHANNEL A CHANNEL B PREAMP INCORPORATES INPUT SENSITIVITY VOLTAGE GAIN JUMPER REAR PANEL SWITCH ON CA18 ...

Страница 20: ...er Loss 8 ohm load 2 9 1 74 1 16 0 58 0 35 0 22 4 3 2 9 1 45 0 87 0 55 0 37 8 24 5 6 2 9 1 74 1 09 0 73 15 5 8 2 5 1 3 2 2 2 1 31 Power Loss 4 ohm load 5 6 3 4 2 3 1 16 0 70 0 44 8 2 5 6 2 9 1 74 1 09 0 73 15 5 10 8 5 6 2 9 1 74 1 09 0 73 15 5 9 8 6 3 4 3 2 6 Power Loss 2 ohm load 10 8 6 7 4 5 2 3 1 39 0 87 15 5 10 8 5 6 3 4 2 2 1 45 28 19 9 10 8 6 7 4 3 2 9 45 28 18 2 12 0 8 2 5 1 Appendix C Wire...

Страница 21: ...Power Loss 8 ohm load 0 81 0 51 0 32 0 20 0 128 1 61 1 02 0 64 0 40 0 25 6 2 4 0 2 5 1 60 1 01 0 60 11 9 7 7 5 0 3 2 2 0 1 20 Power Loss 4 ohm load 1 61 1 02 0 64 0 40 0 25 3 2 2 0 1 28 0 80 0 51 11 9 7 7 5 0 3 2 2 0 1 20 22 14 6 9 6 6 2 4 0 2 4 Power Loss 2 ohm load 3 2 2 0 1 28 0 80 0 51 6 2 4 0 2 5 1 60 1 01 22 14 6 9 6 6 2 4 0 2 4 37 26 17 8 11 8 7 7 4 7 Appendix C Wire Gauge Chart Imperial ...

Страница 22: ...Position Mode Selection Switch Stereo Position Chassis Ground Lift Switch Ground Lifted Position Chassis Ground Lift Switch Grounded Position Gain Select Switch CA18 XLR pin hot select switch CA18 Speakon Output Connector Channel A Stereo Parallel Speakon Output Connector Channel B Stereo Parallel Speakon Output Connector Bridged Mono 5 Way Binding Post Output Connection Channel A Stereo Parallel ...

Страница 23: ...igures XLR input connection polarity Either pin 2 or pin 3 may be selected as the hot pin Amplifiers are shipped pin 2 hot from the factory Gain Switch This switch permits the amplifier to be configured for the standard input sensitivity 775V for rated power 8Ω or for optional voltage gains of X40 or X20 Refer to the specifications for input sensitivity values at optional voltage gains of X40 and ...

Страница 24: ...rest Audio Inc 100 Eisenhower Dr Paramus NJ 07652 USA TEL 201 909 8700 FAX 201 909 8744 http www crestaudio com Printed in USA Choice of touring professionals B5000013 v 2 9 11 25 97 1997 Crest Audio Inc ...

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