Chase Bliss Audio Blooper Скачать руководство пользователя страница 4

2. SAMPLER

Now, let’s enjoy some more immediate, performative 

looping with Sampler mode. This is a place to play 

around or capture samples to trigger. 

4. DELAY-STYLE

The repeats knob unlocks a whole other side of 

Blooper. It allows it to function like a delay, or perform 

frippertronics-style looping. Here, think of your loop 

length as “tap tempo.” Remember that this will only 

work if the loop is recording (not in playback).

Input “tap tempo”

Play like a delay

Experiment  

with modifiers 

Try additive  

& normal

Toggle over to play, 

and notice how the  

loop is now stable

Crank repeats, now 

overdub like a loop

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2

3

4

5

6

Tap x2

Tap

Tap

Record loop

Retrigger

Replace

Turn off looping

Trigger samples

Explore using 

modifiers with 

samples

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2
3
4
5

6

Tap

Tap

Tap

Hold

Tap

TIPS

 

Additive terror

There is an element of risk involved with Additive mode. 

We are allowing you to record the same effect over and 

over, intensifying it each time. This is a dangerous thing 

to do, and it’s up to you to control it. There’s no safety 

switch (well, normal mode). If you leave things recording 

in additive mode, effects may get outrageous fast or 

distort. It depends on what you are using, and how  

it’s set. 

Mode switching

Your audio comes with you when switching modes. 

This can be useful for using additive mode to effect 

and transform your base layer, then moving on to 

normal mode for some more predictable overdubbing, 

for example. Build a complex, multi-layered loop, then 

switch over to Sample mode and manually fire it off. 

Mind the repeats

You may find yourself noticing that your loops keep 

fading away. This is not a mistake: this is Repeats. Keep it 

maxed if you want standard looping behavior. 

LEDs are your friend

We’ve taken some care to have unique LED feedback 

for each of Blooper’s various states. It would be boring 

and silly to describe them all, but they should become 

familiar and second-nature before long. 

DIP SWITCHES

You can break Blooper’s dip switches up  

into two categories:

Ramping / Expression and Customization

RAMPING / EXPRESSION 

The ramping dip switches allow you to activate and customize 

built-in modulation or external control (like expression or CV) 

that can be applied to any (or multiple) of Blooper’s knobs. 

To get started, put the knobs you want to control into the on 

position. If you are using CV or Expression, you’re all set. You 

can use the Sweep and Polarity dip switches to customize 

further. You also have some other options if you are using 

internal ramping. In this case - once you put something in the 

on position - the Volume knob now becomes the Ramp knob. It 

controls the speed of Ramping. 

There are two ways you can use Ramping:

Ramp and hold, which transitions from one point  

to another and stays there, or bounce, for continuous 

movement.

Sweep

Sets the range of the modulation. (T)op will sweep from the 

knob position to maximum, while (B)ottom will sweep from the 

knob position to minimum.

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