9
.
Getting the Most Out of Your Camera
Snapshots
Shooting with Optimum Setups
➞
USING BEST SHOT . . . . . . . . . . . . . . . . . . . . . . . . . . .98
Portrait, Scenery, Night Scene, Night Scene Portrait, Children, etc.
Adding Special Effects
➞
USING BEST SHOT . . . . . . . . . . . . . . . . . . . . . . . . . . .98
Monochrome, retro, etc.
Compensating for Hand or Subject Movement
➞
Reducing the Effects of Hand and Subject Movement . 104
Increasing Sensitivity when Lighting is Dim
➞
Taking Bright Images without Flash . . . . . . . . . . . . . .105
Making Images of Business Cards, Documents, and
Meeting Information (White Board) Easier to Read
➞
Shooting Images of Business Cards and Documents
(Business Shot) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .106
Selecting the Best Focus Mode for Shooting Conditions
➞
Changing the Focus Mode . . . . . . . . . . . . . . . . . . . . .112
Eliminating Light Source Color Cast
➞
Controlling White Balance . . . . . . . . . . . . . . . . . . . . . .123
Sharpening or Softening Subject Outlines
➞
Controlling Image Sharpness . . . . . . . . . . . . . . . . . . .129
Enhancing or Reducting Color Satuation
➞
Controlling Color Saturation . . . . . . . . . . . . . . . . . . . . 130
Increasing or Decreasing Contrast
➞
Adjusting Image Contrast . . . . . . . . . . . . . . . . . . . . . . 130
Movies
Normal Movie Recording
➞
Shooting a Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Limiting Movie Length
➞
Using Short Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Capturing Action Occurring before
the Shutter Button is Pressed
➞
Using Past Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Snapshots
CONTENTS