Canon XL 1 Скачать руководство пользователя страница 15

b.

 

Turn the LEVEL dial to adjust the recording level and BALANCE dial 
to adjust the balance between the 2 inputs. Check the levels in the 
audio LCD panel. Note: you can not adjust he volume level 
independently for the left and right channels. We recommend keeping 
the level below the 12 point index mark, and monitoring the sound 
using headphones. You can adjust the headphone volume by rotating 
the PHONES LEVEL dial.  

Audio Input for Four Channel Recording

 (Stereo 1 and Stereo 2, simultaneous 

recording of all four channels) using the RCA jacks, where the sound sources are the 
supplied microphone; external microphones; VCR, CD or other line-in devices; or 
using XLR type microphones. 

Four channel recording can be the most versatile configuration. For example, you can 
input two external wireless microphones and use the supplied microphone, all 
simultaneously. 

1.

 

Open the Camera Menu and select AUDIO MODE.  

Select 12-bit ST-1, 2 and close the menu. "12bit ST-1,2" is displayed in the 
viewfinder and main LCD panel. Selecting Audio Mode 12-bit ST-1,2 
(32kHz, 4 channels) is for simultaneous recording on four channels (referred 
to as Stereo 1 and Stereo 2). 

2.

 

To set the input for Stereo 1:  

Use the supplied mic or external microphone plugged into the mini jacks. 
Slide the INPUT SELECT switch to MIC. This assigns the MIC mini jacks as 
the source for the audio input. In place of the supplied microphone, you can 
attach an external microphone to the mini jacks. 

or  

Slide the INPUT SELECT switch to ATT. If you are recording in a very loud 
environment, you may want to use the attenuator. The attenuator reduces loud 
noises to produce a more natural sound. 

or  

Use the Audio 1 RCA jacks on the back of the camcorder to record sound 
from a VCR, CD or other line-in devices; or XLR microphones. Switch the 
Input Selector to Audio 1. Open the Camera Menu and select the appropriate 
option for AUDIO 1 IN: 

a.

 

LINE: to record sound from a VCR, CD or other line-in devices  

b.

 

MIC ATT20: to record high-level sound using a microphone  

 

15

c.

 

MIC: to record sound using an XLR microphone attached to the MA-
100 Microphone Adapter/Shoulder Pad.  

Содержание XL 1

Страница 1: ...CANON XL1 USER MANUAL 1 By Lindsey Thorpe...

Страница 2: ...s cap 2 Align the hood with the lens lengthways and the Canon logo facing to the left 3 Twist it 90 into position clockwise so that the Canon logo is to the top You do not need to assert any pressure...

Страница 3: ...selected option remains on the screen and all other options are removed 6 Press the r or t cursor keys to choose its setting You can return to the full menu by pressing the e cursor key 7 Press the M...

Страница 4: ...the camera s manual functions you can adjust focus and exposure set the white balance and so on Manual Select this program for total creative freedom when operating the camcorder You can set aperture...

Страница 5: ...switch ON OFF as appropriate before changing the setting NB The camera memorizes the latest Tv or Av value until a new value is set Turning off the camcorder or changing the recording program does not...

Страница 6: ...the five preset levels that range from 3 to 12 dB 1 Turn the POWER dial to any recording program except Easy Recording or Spotlight 2 Press the GAIN knob so that it pops out You can now turn it to ad...

Страница 7: ...to a slower speed rather than remain lit The result will remain better than with the auto setting and you can continue recording c Turn the white balance selector knob back to A to return to the auto...

Страница 8: ...Limiter Bi Colour LED 8 Slate Button 9 Power On Off Switch 10 Power On LED 11 Input Gain Control 12 Input Low Cut Filter Switch 13 Master Gain Right Channel Output 14 Master Gain Left Channel Output...

Страница 9: ...Channel Inputs 2 Mic Line Level Input Switch OUTPUT PANEL CONNECTORS AND CONTROLS 1 Mix Bus Jack 2 Main Output 3 Headphones Outputs 4 Monitor In Jack 5 Tape Output Jack 6 Mic Line Level Output Switch...

Страница 10: ...ape that is separate from the video information Sound waves are vibrations in the air There are 2 basic properties frequency and amplitude Frequency from low to high Amplitude from soft to loud Togeth...

Страница 11: ...on the back of the camcorder Audio 2 terminals are on the right side of the handle Stereo 1 and Stereo 2 refer to the stereo tracks available on the tape Audio Monitor only use when using 12 bit Stere...

Страница 12: ...ugged into the mini jacks 3 5mm mini plug type 1 Open the Camera Menu Select AUDIO MODE Choose one of the following modes a 16 bit 48kHz 2 channel for the highest sound quality Note the 16 bit mode co...

Страница 13: ...t AUDIO MODE and choose one of the following modes a 16 bit 48KHz 2 channel for the highest sound quality Note the 16 bit mode contains only Stereo 1 sound There is no Stereo 2 in this mode b 12 bit S...

Страница 14: ...the highest sound quality Note the 16 bit mode contains only Stereo 1 sound There is no Stereo 2 in this mode b 12 bit Stereo 1 32kHz 2 out of 4 total channels for recording on 2 channels Stereo 1 lea...

Страница 15: ...2 is displayed in the viewfinder and main LCD panel Selecting Audio Mode 12 bit ST 1 2 32kHz 4 channels is for simultaneous recording on four channels referred to as Stereo 1 and Stereo 2 2 To set th...

Страница 16: ...MIC controls to M Turn the LEVEL dial to adjust the recording level and BALANCE dial to adjust the balance between the two inputs Check the levels in the audio LCD panel b Set the recording level for...

Страница 17: ...ricity outside of it professional cable analogue cable carrying an analogue signal 2 Kettle plug carries current electricity controls behaviour of devices carries only electricity not audio or video 3...

Страница 18: ...h 1 Spatial compression affects only a single frame at a time This type of compression makes random access to any point in the video and editing easy Spatial compression finds redundancy within a fram...

Страница 19: ...mes and B frames The content of a P frame predictive frame is based on the previous frame the content of a B frame bi directional frame is based on the previous and subsequent frames Audio compression...

Страница 20: ...lies quite well Tilts and pans are more difficult Depending on the codec rotating the camera a Dutch can be trivial or extremely costly in compression efficiency The most difficult motion for any code...

Страница 21: ...ttenuation or the loss of signal power and quality over long cable runs usually 300 meters or more Equipment that supports analogue signals is generally more affordable and analogue video formats are...

Страница 22: ...e susceptible to interference so they are not often used in professional applications There are three basic kinds of unbalanced audio connectors The most familiar to consumers is traditional unbalance...

Страница 23: ...time Motion JPEG is 4 2 2 and most implementations allow you to specify a data rate or quality level 3 Uncompressed codecs More and more cards support true 4 2 2 uncompressed video The data rates are...

Страница 24: ...file formats for rendering The most common formats are QuickTime and AVI both offer good quality intermediate codecs You can also use MPEG 2 at high data rates Modern tools like After Effects and Adob...

Страница 25: ...me size for example going from a 720 x 480 source frame to a 320 x 240 output frame for web video Scaling up on either axis forces a video editing application to make up data that s not in the source...

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