background image

CARDS PER VOICE (PER-PATCH) 

The 

CARDS PER VOICE

 setting determines how many of Kijimi’s voice cards are 

dedicated to a single voice. Increasing the number of voice cards per voice results in a 
thicker sound. Available options are 

1

2

, and 

4

 
This setting affects only the 

MONOPHONIC

 and 

POLYPHONIC

 settings in the 

VOICE

 

MODE

 settings section. Because selecting 

UNISON

 assigns all 8 voice cards to a single 

voice, 

CARDS PER VOICE

 does not affect the 

UNISON

 setting. 

 

1

: A setting of 

1

 assigns 1 voice card to 1 voice, for a thinner sound per voice. 

This allows you to play up to 8 notes simultaneously in 

POLYPHONIC

 mode. 

2

: A setting of 

2

 assigns 2 voice cards to 1 voice, for a thicker sound per voice. 

This allows you to play up to 4 notes simultaneously in 

POLYPHONIC

 mode. 

4

: A setting of 

4

 assigns 4 voice cards to 1 voice, for an even thicker sound per 

voice. This allows you to play up to 2 notes simultaneously in 

POLYPHONIC

 

mode. 

 
Rotate the 

ENCODER

 to select your preferred number of cards per voice, then press 

ENTER (SAVE)

 to save your selection.  

 
Press 

BACK (CNCL)

 at any time to cancel any changes to the 

CARDS PER VOICE 

settings and return to the 

VOICE

 settings menu.

 

NUMBER OF VOICES (GLOBAL) 

The 

NUMBER OF VOICES

 setting determines the maximum number of voices available 

in 

POLYPHONIC

 mode. This setting does not affect the 

MONOPHONIC

 or 

UNISON

 

modes, as they are already limited to 1 voice. Available options are 8 (the default value) 
to 1. 
 
Rotate the 

ENCODER

 t

o select your preferred maximum number of voices, then press 

ENTER (SAVE)

 to save your selection.  

 
Press 

BACK (CNCL)

 at any time to cancel any changes to the 

NUMBER OF VOICES 

settings and return to the 

VOICE

 settings menu. 

VCA LEVEL (PER-PATCH) 

The 

VCA LEVEL

 setting determines the maximum output level of Kijimi’s VCA. The 

default setting is 

10%

. The allowable range is 

10%

 to 

100%

. Higher percentages will 

have a higher final output volume.  

26 

Содержание KIJIMI

Страница 1: ...not block any ventilation openings Install in accordance with the manufacturer s instructions Do not install near any heat sources such as radiators heat registers stoves or other apparatus including...

Страница 2: ...art stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over 13 U...

Страница 3: ...ls BOM KIJIMI BOM REV1 0 pdf When unpacking your Kijimi check to make sure that all of the following contents are present and that nothing has been lost or damaged in shipping It may be helpful to sav...

Страница 4: ...polar 8 LFO1 VCA amplitude modulation green pos red neg both bipolar 9 LFO2 VCO1 frequency modulation green pos red neg both bipolar 10 LFO2 VCO2 frequency modulation green pos red neg both bipolar 11...

Страница 5: ...LFO section of the manual 25 ADSR2 modulation amount 26 VELOCITY LFO1 rate amount 27 VELOCITY LFO2 rate amount 28 VELOCITY VCO1 2 waveform modulation amount 29 VELOCITY VCO1 sub osc amount 30 VELOCITY...

Страница 6: ...1 VCO1 volume 1 3 52 VCO1 volume 2 3 both 51 and 52 on 100 volume 53 VCO2 volume 54 VCO1 sub osc volume 55 VCO2 detune 56 Noise volume 1 3 57 Noise volume 2 3 both 56 and 57 on 100 noise volume 58 VCO...

Страница 7: ...DSR looping trapezoid mode on off red ADSR2 loop on green ADSR1 loop on red green both ADSR2 and ADSR1 loop on 78 Attack Keyboard Tracking Slower ADSR Attack on lower range of keyboard faster ADSR Att...

Страница 8: ...The HEADPHONES output is a stereo output that duplicates the synthesizer s mono output to both the left and right channels Like the AUDIO OUT jack the HEADPHONES output is controlled by the VOLUME kno...

Страница 9: ...ut of your controller to the jack labeled MIDI IN on the back of the unit If desired MIDI signals can be passed through the unit to another device by connecting a MIDI cable to the jack labeled MIDI T...

Страница 10: ...eform at one end of the waveform spectrum sub oscillator SSM2044 24dB low pass LP voltage controlled filters VCF with velocity and polyphonic aftertouch control of both cutoff and resonance all with d...

Страница 11: ...routing to LFO1 2 rates and amplitudes VCO1 2 waveform morph sub osc amount pitch bend and VCA amplitude Dedicated modulation knobs for poly aftertouch routing to LFO1 2 rates and amplitudes VCO1 2 wa...

Страница 12: ...MIDI THRU jack DIN5 AUDIO OUT jack 1 4 inch unbalanced PHYSICAL SPECIFICATIONS 19 4U rack mount Width 483mm 19 Height 178mm 7 Depth 100mm 4 Weight 4 8 kg 10 6 lbs incl external PSU brick 12...

Страница 13: ...ion of this manual For basic MIDI controllers that are not capable of polyphonic aftertouch select the CHANNEL PRESSURE setting For MIDI controllers that are capable of polyphonic aftertouch select th...

Страница 14: ...by building your own patches from the panel settings While holding SHIFT press ENTER BNK1 to select BNK 1 or BNK 2 SELECTING PATCH PRESETS When navigating to a new bank patch preset 1 will be selected...

Страница 15: ...is in Save mode 3 Press ENTER SAVE a second time Your patch has been saved overwriting the previous values of that preset To save overwrite a patch in a new preset slot of the current bank 1 Make sure...

Страница 16: ...TS Importing and exporting of Kijimi preset banks is done via SysEx Connect Kijimi to your computer via USB or DIN MIDI and interface then set your SysEx program such as MidiOX up to listen to incomin...

Страница 17: ...17...

Страница 18: ...uttons will be described both in terms of their panel label as well as the variant name described on the display as button functions may change depending on the subsection of the settings menu you hav...

Страница 19: ...ttings section allows you to change how your MIDI sequencer or controller interacts with Kijimi MODE GLOBAL The MIDI MODE setting determines how Kijimi interacts with your MIDI controller based on the...

Страница 20: ...8 voices The master MIDI channel you select 1 8 assigns the master channel your MPE controller will use to communicate with Kijimi Rotate the ENCODER to select a new channel then press ENTER SAVE to...

Страница 21: ...the value stored in the current saved patch Available options are PICK UP MERGE and INSTANT PICK UP Moving knobs will have no effect until the knob position moves through the current patch s stored v...

Страница 22: ...wheel increases or decreases the value of the destination it has been sent to in the MOD WHEEL DESTINATION setting The POSITIVE setting adds to the value of the CC destination as use of the mod wheel...

Страница 23: ...URVE PER PATCH The VELOCITY CURVE setting determines the shape of the envelope applied to all velocity modulation parameters Available options include LINEAR A linear curve increases or decreases at a...

Страница 24: ...RVE PER PATCH The AFTERTOUCH CURVE setting determines the shape of the envelope applied to all aftertouch modulation parameters Available options include LINEAR A linear curve increases or decreases a...

Страница 25: ...Select this mode if you want monophonic behavior with a thinner sound POLYPHONIC Kijimi becomes a polyphonic synthesizer allowing up to all 8 of its analog voices to be played simultaneously depending...

Страница 26: ...per voice This allows you to play up to 2 notes simultaneously in POLYPHONIC mode Rotate the ENCODER to select your preferred number of cards per voice then press ENTER SAVE to save your selection Pre...

Страница 27: ...central pitch determined by the Hz setting In POLYPHONIC mode detuning will introduce random pitch fluctuations per voice At lower detune settings detuning will introduce a warble into your chords wh...

Страница 28: ...L at any time to cancel any changes to the PLAYBACK settings and return to the VOICE settings menu LFO SETTINGS The LFO settings allow you to adjust the maximum LFO frequencies as well as various othe...

Страница 29: ...ed by the first note pressed in the chord Rotate the ENCODER to select the desired LFO MODE then press ENTER SAVE to save your selection Press CANCEL CNCL at any time to cancel any changes to the LFO...

Страница 30: ...to the PRESET VOLUME settings and return to the main settings menu AMOUNT MODE PER PATCH When set to INDIVIDUAL it is possible the tweak each modulation amount in the mod matrix individually for each...

Страница 31: ...you to calibrate knob positions tune oscillator voices as a group or individually enable or disable microtuning and debug issues with Kijimi POTENTIOMETERS GLOBAL The POTENTIOMETERS setting allows all...

Страница 32: ...OSC 1A TUNING and will display a progress bar Calibration takes approximately 1 2 minutes per voice and must proceed from OSC 1A to OSC 1B to OSC 2A and so on Full calibration of all oscillators takes...

Страница 33: ...nd return to the CALIBRATION SETTINGS menu FILTER ADJUST GLOBAL Allows you to adjust the VCF frequency of each voice RESET SETTINGS GLOBAL The RESET SETTINGS setting allows you to revert all Kijimi se...

Страница 34: ...MENU LFO LFO1 2 SYNC Dividers and multiplayers are set by the LFO RATE knobs rate pots which range 1 32 1 24 1 16 1 12 1 8 1 6 1 4 1 3 1 2 1 1 5 2 3 4 6 8 This is only in MONO LFO mode and when AD Des...

Страница 35: ...will select Bank 1 etc 15 Scrolling in and out of the menu is more intuitive Pressing BACK will return the user to the last selection instead of the top of the menu 16 Ability to cancel calibration o...

Страница 36: ...0 CC21 CC22 CC23 CC24 CC25 CC26 CC27 CC28 CC29 CC30 CC31 CC32 CC33 CC34 CC35 CC36 CC37 CC38 CC39 CC40 POT MOD ADSR2 AMOUNT CC41 POT MOD VELOCITY TO LFO1 RATE CC42 POT MOD AFTERTOUCH TO LFO1 RATE CC43...

Страница 37: ...VCF RESONANCE CC74 Roli CC74 CC75 POT VCF VELOCITY Q CONTROL CC76 POT VCF AFTERTOUCH Q CONTROL CC77 POT VCF KEYBOARD CONTROL CC78 POT ADSR2 ATTACK CC79 POT ADSR2 DECAY CC80 POT ADSR2 SUSTAIN CC81 POT...

Страница 38: ...CC111 CC112 MOD ADSR2 TO WAVE1 CC113 MOD ADSR2 TO WAVE2 CC114 MOD LFO2 TO LPF CC115 MOD ADSR2 TO VCO2 CC116 CC117 CC118 CC119 CC120 CC121 CC122 CC123 CC124 CC125 CC126 CC127 38...

Отзывы: