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Benchmark Media Systems, Inc. 

Page 4 of 39 

SYSTEM OVERVIEW: 

 
The DAC1 is a reference-quality, 2-channel 192-kHz 24-bit audio digital-to-analog converter featuring 
Benchmark’s 

UltraLock™

 technology.  The DAC1 is designed for maximum transparency and is well suited for 

critical playback in studio control rooms and in mastering rooms.  A compact and rugged enclosure makes the 
DAC1 an excellent choice for location recording, broadcast facilities, and mobile trucks.  The internal power 
supply supports all international voltages and has generous margins for over and under voltage conditions. 
 
Two ¼” headphone jacks are driven with Benchmark’s new 

HPA2™

 headphone amplifier.  The 

HPA2™

 is a high-

current amplifier that is capable of driving a wide variety of headphone loads while achieving less than 0.0003% 
distortion under load. 
 
The gain control sets the output level of the headphone jacks. It can also be used to control the output level of the 
balanced XLR and unbalanced RCA analog outputs.  A rear-panel switch selects 

Variable

 or 

Calibrated

 output 

levels. 
 
The DAC1 is designed to interface directly to power amps and powered studio monitors in order to provide the 
cleanest and shortest path from digital to monitor output.  10, 20, and 30 dB pads are provided for interfacing to 
studio monitors having high input sensitivity. 
 
Three digital inputs (balanced XLR, coaxial, and optical) are provided and are selected from the front panel.  All 
inputs accept either professional or consumer formats. 
 
The Benchmark 

UltraLock™

 system is 100% jitter immune.  The D/A conversion clock is totally isolated from the 

AES/EBU digital audio clocks in a topology that outperforms two-stage PLL designs.  In fact, no jitter-induced 
artifacts can be detected using an Audio Precision System 2 Cascade test set.  Measurement limits include 
detection of artifacts as low as -140 dBFS, application of jitter amplitudes as high as 12.75 unit intervals (UI) and 
application of jitter over a frequency range of 2 Hz to 200 kHz.  Any AES/EBU signal that can be decoded by the 
AES/EBU receiver will be reproduced without the addition of any measurable jitter artifacts.  In addition, the 
receiver IC has been selected for its ability to decode AES/EBU signals in the presence of very high levels of 
jitter. 
 
The DAC1 is designed to perform gracefully in the presence of errors and interruptions at the digital audio inputs.  
A soft mute circuit eliminates pops when a digital signal is applied.  Power management circuitry controls the 
muting and resetting of all digital circuits upon removal and application of power.  Audio is present at the outputs 
only 60 ms after applying a digital input signal and only 500 ms after applying power to the unit. 
 
The DAC1 is designed to avoid all unnecessary mute scenarios.  Muting is only enabled upon loss of power, or 
when digital transmission errors occur.  The DAC1 does not mute when the input data is all zeros.  Consequently, 
no audio is lost when an audio transient follows full silence.  Furthermore, the DAC1 SNR specifications represent 
the true system performance, not just the performance of an output mute circuit. 
 
The DAC1 will operate even when sample rate status bits are set incorrectly.  Sample rate is determined by 
measuring the incoming signal.  Lack of sample rate status bits or incorrectly set status bits will not cause loss of 
audio. 
 
The DAC1 is phase accurate between channels at all sample rates, and is phase accurate between other DAC1 
boxes at sample rates up to 110 kHz. 
 
A fully digital de-emphasis circuit supports 44.1, 48, 88.2 and 96-kHz sample rates and is automatically enabled in 
response to the pre-emphasis status bits of consumer format digital signals. 

Содержание DAC1 HDR

Страница 1: ...Benchmark Media Systems Inc DAC1 Instruction Manual 2 Channel 24 bit 192 kHz Audio Digital to Analog Converter...

Страница 2: ...iau L DAC1 Manual Rev L Doc 01 31 07 F G Allen Burdick John Siau M DAC1 Manual Rev L Doc 01 10 09 F G Elias Gwinn N DAC1 Manual Rev L Doc 10 26 09 F G Elias Gwinn Manual Revision Notes Revision Note I...

Страница 3: ...4 FEATURE SUMMARY 5 FRONT PANEL 6 REAR PANEL 7 CALIBRATION 7 REMOVING TOP COVER 13 JUMPER LOCATIONS 14 JUMPER SETTINGS 15 COMPLIANCE AND SAFETY INFORMATION 18 CERTIFICATE OF CONFORMITY 19 CONTACT INF...

Страница 4: ...dio Precision System 2 Cascade test set Measurement limits include detection of artifacts as low as 140 dBFS application of jitter amplitudes as high as 12 75 unit intervals UI and application of jitt...

Страница 5: ...switch Preset output levels use multi turn trimmers one 10 turn trimmer per output 20 dB Range 2 dB turn Total jitter immunity with Benchmark phase accurate UltraLock technology Two Error LED s no di...

Страница 6: ...out distortion The HPA2 delivers the full rated performance of the DAC1 into two 60 stereo headphones outputs The HPA2 is fully protected against short circuits and overloads VARIABLE GAIN CONTROL The...

Страница 7: ...d monitors The factory preset levels may be increased by 5 dB or decreased by 15 dB in order to conform to other studio reference levels This range of levels is also well suited for direct connection...

Страница 8: ...outputs are studio grade line level outputs and should not be plugged into microphone inputs without the use of the internal 20 or 30 dB pads or a suitable external pad Unbalanced Analog Outputs The L...

Страница 9: ...l We have chosen to use a BNC connector because of its superior reliability The DAC1 comes with a BNC to RCA adapter to allow easy interface with consumer equipment The BNC input has a 75 internal ter...

Страница 10: ...Output Level Calibration Controls 10 turn trimmers 1 per output Calibration Adjustability 2 dB turn Output Level Range at 0 dBFS In Calibrated Mode 9 dBu to 29 dBu Attenuator off 1 dBu to 19 dBu Atte...

Страница 11: ...itter Induced Sidebands 141 dB 10 kHz 0 dBFS test tone 12 75 UI sinusoidal jitter at 1 kHz Maximum Amplitude of Spurious Tones with 0 dBFS test signal 126 dB Maximum Amplitude of Idle Tones 128 dB Max...

Страница 12: ...M Non compatible digital audio format on active input 1 Red AC POWER REQUIREMENTS 50 60 Hz 8 Watts Idle 8 Watts Typical Program 16 Watts Maximum Fuses 2 required 5 x 20 mm 100 V to 130 VAC operation 0...

Страница 13: ...omponent failures may affect the long term reliability or may degrade the audio performance Use a static control wrist strap when changing jumper settings Caution Disconnect AC power by unplugging the...

Страница 14: ...4 of 39 JUMPER LOCATIONS Position Function N O C X XLR only BNC only Optical only Switchable input Position P5 P8 Attenuation 1 2 3 4 5 6 7 8v 30 dB 20 dB 10 dB 0 dB JP7 75 ohm BNC Termination Left Ri...

Страница 15: ...to 1 can be used to disable the front panel source selection switch This feature is useful when the DAC1 is in a critical audio path and only one of the three digital inputs will be used In such an ap...

Страница 16: ...ed if the user wishes to loop a single coaxial feed through several other pieces of equipment using a BNC T adapter on the DAC1 A 75 termination must be applied at the last device on the loop and ther...

Страница 17: ...ws 0 dB Attenuator disabled Jumper plug between pins 1 and 2 of each header 10 dB Jumper plug between pins 3 and 4 of each header 20 dB Jumper plug between pins 5 and 6 of each header 30 dB Jumper plu...

Страница 18: ...e received including interference that may cause undesired operation Safety Information Do NOT service or repair this product unless properly qualified Only a qualified technician should perform repai...

Страница 19: ...Benchmark Media Systems Inc Page 19 of 39 CERTIFICATE OF CONFORMITY...

Страница 20: ...ystems Inc Page 20 of 39 CONTACT INFORMATION Benchmark Media Systems Inc 203 E Hampton Place Ste 2 Syracuse NY 13206 USA 315 437 6300 Phone 315 437 8119 Fax http www benchmarkmedia com mailto sales be...

Страница 21: ...warranty to a period of five 5 years from the date of delivery For the extended warranty to become effective the original purchaser must register the product at the time of purchase either by way of...

Страница 22: ...ock when jitter is too high or when the reference sample frequency has drifted UltraLock converters exceed the jitter performance of two stage PLL converters and are free from the slow lock and no loc...

Страница 23: ...y remove most of this unwanted noise before it can alias down into lower audio frequencies These crosstalk problems may not become obvious until jitter is present Stop band attenuation can be measured...

Страница 24: ...can be done to remove the damage Jitter induced sidebands are extremely complex and cannot be removed with any existing audio device It is therefor important to attack jitter at both ends of the audio...

Страница 25: ...operating at a 48 kHz sample rate The top graph shows that the differential phase is better than 0 5 at 20 kHz The bottom graph shows the amplitude response on a highly expanded 0 05 dB division scal...

Страница 26: ...e The top graph shows that the differential phase is better than 0 5 at 20 kHz and better than 1 at 43 kHz The bottom graph shows the amplitude response on a highly expanded 0 05 dB division scale Not...

Страница 27: ...Analysis of Idle Channel Noise The above graph demonstrates that the DAC1 is free from idle tones and clock crosstalk The highest spurious tone measures 128 dBFS and is AC line related hum The highes...

Страница 28: ...hase between 10 audio channels using 5 DAC1 converters operating at 96 kHz The DAC1 converters were chosen from stock at random and measurements were made using a random combination of Coaxial XLR and...

Страница 29: ...tion from 20 Hz to 20 kHz is very slight Note that at worst case the distortion is 109 dB less than the 3 dBFS test tone and 112 dB less than the full scale output of the DAC1 This implies that the di...

Страница 30: ...Media Systems Inc Page 30 of 39 THD N vs Level at 1 kHz Balanced Outputs Below 4 dBFS distortion is lower than the noise floor of the converter Above 3 dBFS distortion reaches a maximum value of only...

Страница 31: ...e Outputs This graph shows the output of the HPA2 headphone amp driving a 60 Ohm load at a very high level 14 dBu Even under these conditions the HPA2 delivers the full rated performance of the DAC1 C...

Страница 32: ...a Systems Inc Page 32 of 39 THD N vs Level at 1 kHz Unbalanced Outputs This graph demonstrates the performance of the unbalanced outputs Note that the performance is nearly identical to that of the ba...

Страница 33: ...f 39 THD N vs Sample Frequency The above graph shows that the DAC1 provides consistent performance at all sample rates Distortion is not a function of sample rate The minor variations in the above plo...

Страница 34: ...op curve is on the right hand side of the graph and is calibrated in UI of jitter The bottom green curve shows the THD N of the DAC1 as the jitter amplitude and frequency is varied at the inputs of th...

Страница 35: ...e the sensitivity of the test We set the interface jitter amplitude to its maximum value of 12 75 UI 2075 ns of jitter We then swept the jitter frequency from 2 Hz to 9 kHz and plotted the THD N from...

Страница 36: ...dia Systems Inc Page 36 of 39 DAC1 Cable Jitter Immunity The above FFT plots demonstrate that the performance of the DAC1 is not degraded in any way when long cables are used to transmit digital audio...

Страница 37: ...37 of 39 XLR Digital Input Sensitivity The above graph shows that the performance of the DAC1 is not a function of the signal level at the XLR digital input When the signal is too low to decode 160 mV...

Страница 38: ...f 39 Coaxial Digital Input Sensitivity The above graph shows that the performance of the DAC1 is not a function of the signal level at the coaxial digital input When the signal is too low to decode 12...

Страница 39: ...the AES In addition the above plots show that while the AES minimum eye pattern specifications are barely met at the end of 1000 feet of Category 5 UTP cable the DAC1 receivers have enough sensitivity...

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