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TUBE ULTRAGAIN T1953

1. INTRODUCTION

With the TUBE ULTRAGAIN you have purchased an extremely musical and flexible microphone preamplifier.

Our ULTRAGAIN range of devices has been a hit ever since we introduced our first model some 5 years ago.

This high-end microphone preamp is based on many years of experience and findings in amplifier technology

and is used throughout the world in renowned studios, sound reinforcement systems as well as in broadcast

and television studios. Improving the legendary ULTRAGAIN even further was a real challenge, and we are

proud of our success. The BEHRINGER TUBE ULTRAGAIN meets highest and no-compromise requirements

in terms of operation, sound, specifications and workmanship.
Even at the conception of the TUBE ULTRAGAIN it was clear that we had to combine the outstanding technical

specifications of our ULTRAGAIN with a warm tube sound. We are therefore proud to be able to present the

TUBE ULTRAGAIN, a device featuring our newly developed UTC vacuum tube circuit combined with a

no-compromise approach.
The heart of the TUBE ULTRAGAIN is an extremely low-noise microphone preamp circuit that uses discrete

components to produce a highly transparent sound. In combination with our BEHRINGER tube technology, the

operational amplifiers 4580 and a sophisticated circuit topology, the TUBE ULTRAGAIN yields excellent noise

and distortion properties! The swit48 V phantom power supply allows for connecting almost any kind

of microphone and suppresses power-up thumps with its “soft mute” function.
Our engineering team has made it possible to enhance the traditional tube circuitry (particularly for our

TUBE ULTRAGAIN) and adapt it to meet the high sound quality and dynamics requirements of modern,

pro-level audio technology. The fact that we are still fascinated by “antique” tube radios and amps as well as

the fine and warm tonal character that we usually associate with them, are the reasons why vacuum tubes

have  kept  their  ground  even  in  state-of-the-art  circuit  topologies  used  especially  in  professional  audio

technology or high-end devices. We are particularly proud that we have found a highly effective symbiosis

between solid-state and tube technologies making them affordable to almost anybody in audio technology.
With the exception of 2 12AX7/ECC83 tubes, the TUBE ULTRAGAIN T1953 is based on SMD technology

(Surface Mounted Device). These subminiature components known from aerospace applications ensure both

extreme packing density and greater reliability.
Speaking of reliability: quality assurance plays an ever important role in today’s production methods. To

guarantee even greater operational reliability, our products are manufactured under one of the most stringent

industrial  quality  assurance  systems:  ISO9000.  This  European  certification  is  granted  exclusively  to

companies whose manufacturing processes are in full compliance with this accurate standard.

1.1 The concept

The philosophy behind BEHRINGER products guarantees a no-compromise circuit design and employs the

best choice of components. The op-amps, type 4580, used in the TUBE ULTRAGAIN are chosen for their

superior signal-to-noise ratio, low distortion and linear performance. Additionally, the TUBE ULTRAGAIN uses

high quality resistors and capacitors with very tight tolerances, high-grade switches as well other selected

components.
The TUBE ULTRAGAIN uses 12AX7 / ECC83 tubes. These triodes are capable of handling a large dynamic

range with little microphony. Add to this their relative ruggedness and above average life span and you can see

why it’s one of the most popular and reliable pre-amp tubes on the market. These features also ensure you

their availability for many years to come.

Balanced inputs and outputs

As standard, the BEHRINGER TUBE ULTRAGAIN is installed with electronically servo-balanced inputs and

outputs. The new circuit design features automatic hum and noise reduction for balanced signals and thus

allows for trouble-free operation, even at high operating levels. Externally induced mains hum etc. will be

effectively suppressed. The automatic servo-function recognizes the presence of unbalanced connectors and

adjusts  the  nominal  level  internally  to  avoid  level  differences  between  the  input  and  output  signals

(correction 6 dB).

Transformer-balanced outputs (optional)

In contrast to electronic balancing, the use of transformer-balanced outputs offers the advantage of galvanic

separation between units. Electrical potential differences and ground loops in audio installations do not

1. INTRODUCTION

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Содержание Tube Ultragain T1953

Страница 1: ...TUBE ULTRAGAIN T1953 Version 1 2 December 2002 User s Manual ENGLISH Downloaded from www Manualslib com manuals search engine...

Страница 2: ...rs that produce heat Power Source The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the appliance Grounding or Polarization P...

Страница 3: ...ested musicians at the Music Fair 1997 when they saw our VINTAGER models for the first time was a lasting incentive driving our development efforts It is our philosophy to share our joy with you becau...

Страница 4: ...evel converter from 10 dBV to 4 dBu s Soft mute 48 V phantom power to avoid switch on thumps s Fully tunable and switchable 12 dB high pass filter s Switchable phase reverse to correct phase problems...

Страница 5: ...ACKGROUND 12 4 1 Audio dynamics 13 4 1 1 Noise as a physical phenomenon 13 4 1 2 What are audio dynamics 14 4 2 The tubes used in the TUBE ULTRAGAIN 15 4 3 Tube history 15 4 4 Design and functional pr...

Страница 6: ...logies making them affordable to almost anybody in audio technology With the exception of 2 12AX7 ECC83 tubes the TUBE ULTRAGAIN T1953 is based on SMD technology Surface Mounted Device These subminiat...

Страница 7: ...he connectors on the back panel Be sure that there is enough space around the unit for cooling and please do not place the TUBE ULTRAGAIN on high temperature devices such as power amplifiers etc to av...

Страница 8: ...CLIP LED warns you to reduce the gain with the MIC TRIM control so as to avoid distortion caused by overloading During normal operation the LED should not light up at all 4 The MIC TRIM control is ena...

Страница 9: ...RAGAIN in a range from 20 to 2 dB The 0 dB marker corresponds to the studio reference level of 4 dBu Set the LEVEL control so that the level meter just touches the red zone Always try to optimize the...

Страница 10: ...H PASS switch OFF LEVEL control 0 dB Tab 2 1 Basic setup of the TUBE ULTRAGAIN Reduce the volume level of the subsequent audio system to a minimum and connect a microphone to the XLR input connector o...

Страница 11: ...to eliminate low end signal portions such as rumble or pop noise or other interference frequencies Often such frequencies have very high amplitudes and do not only deteriorate the sound quality but c...

Страница 12: ...nstruments particularly those rich in upper harmonics The source material is enriched in sound volume and brilliance Enhanced depth makes it easier to locate individual instruments Vocal sounds gain i...

Страница 13: ...ource to be calculated log decimal logarithm As can be seen human hearing has a very wide dynamic range of about 130 dB which surpasses the range of a DAT or CD player with an approximate range of 96...

Страница 14: ...determined by the levels of the internal operating voltages if they are exceeded audible signal distortion is the result Although in theory the usable dynamic range sits between these two limits it is...

Страница 15: ...t developments in tube technology were reported between 1904 and 1906 It was a research task of that time to find a suitable method for receiving and rectifying high frequencies On April 12 1905 a cer...

Страница 16: ...rons When a positive dc voltage is applied to the other electrode anode the negative electrons start to wander from the cathode to the anode With reverse polarity between cathode and anode a current f...

Страница 17: ...with frequencies of 2 f 3 f etc integral multiples of the original frequency are produced These new frequencies are referred to as upper harmonics grouped as odd and even harmonics Unlike the transist...

Страница 18: ...the actual tube effect be added gradually The more you turn the Warmth control to the right the more tube sound will be added to the original signal 4 8 Studio applications In a recording studio tube...

Страница 19: ...pter thoroughly phantom power can damage the microphone if used improperly Fig 4 9 Functional diagram of phantom power supply We speak of phantom power when a microphone cable is used to carry several...

Страница 20: ...und the unit for cooling and please do not place the TUBE ULTRAGAIN on high temperature devices such as power amplifiers etc to avoid overheating 5 2 Mains connection The mains connection of the TUBE...

Страница 21: ...d operate the TUBE ULTRAGAIN During installation and operation the user must have sufficient electrical contact to earth Electro static charges might affect the operation of the TUBE ULTRAGAIN Fig 5 1...

Страница 22: ...variable 20 dB to 20 dB Warmth variable cold to warm Function switches 48 V engages the phantom power Mic Line switches from line to microphone preamp Phase reverse phase reversal 180 High Pass engag...

Страница 23: ...aced within 30 days of receipt of the product at BEHRINGER 2 If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a national or local leve...

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