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ULTRA-Q PRO PEQ2200

1. INTRODUCTION

With the BEHRINGER ULTRA-Q PRO you have purchased an extremely musical and flexible parametric

equalizer. Our ULTRA-Q range of devices has been a hit ever since we introduced our first model about 5 years

ago. This high-end equalizer is based on many years of experience and findings in filter technology and is used

throughout the world in renowned studios, sound reinforcement systems as well as in broadcast and television

studios. Improving the legendary ULTRA-Q even further was a real challenge, and we are proud of our success.

The BEHRINGER ULTRA-Q PRO meets highest and no-compromise requirements in terms of operation,

sound, specifications and workmanship.

Future-oriented BEHRINGER technology

Compared to its predecessor models, the ULTRA-Q PRO not only has additional features, but also comes with

dramatically enhanced audio qualities. For example, it uses a refined filter concept and select components.

The heart of the ULTRA-Q PRO is an extremely low-noise filter circuit based on our well-known state-variable

filters that produce a highly transparent sound. In combination with the constant Q principle, the operational

amplifiers 4580 and a sophisticated circuit topology, the ULTRA-Q PRO yields excellent noise and distortion

properties!

State-of-the-art production processes

For the first time ever, the ULTRA-Q PRO is now manufactured with SMD components (Surface Mount Device).

Using these sub-miniature components known from aeronautics does not only ensure extreme packing

densities, but also improves the ULTRA-Q PRO’s reliability.

Features of the BEHRINGER ULTRA-Q PRO

Parametric equalizers represent the most advanced form of equalization systems. Basically, the user has

control over the three parameters that define the so-called Gaussian equalization curve: bandwidth, frequency

and amplitude boost/cut. Unlike graphic equalizers which provide a series of adjacent frequency bands to

approach a specific frequency, parametric equalizers allow for selecting a specific frequency directly. They can

be used to realize complex frequency curves with highest precision. Although the acoustic results of specific

equalizer settings cannot be predicted as easily as on graphic equalizers, parametric EQ’s are professional

audio tools of highest quality. It will certainly pay to invest some time to study their functioning principle and get

a feel for the way in which they can be used to modify the program material.
The BEHRINGER ULTRA-Q PRO gives you a combination of all technical properties both of parametric

equalizers and of narrow-band notch filters. With its excellent audio quality and outstanding specifications it is

simply better than any conventional equalizer. The ULTRA-Q PRO can be used to make up for frequency

response deficiencies and to creatively process any audio material, thus giving you undreamed-of equalization

flexibility. It is a highly efficient and all-purpose tool both in creative audio processing in broadcast and televi-

sion studios, in video post-production and on stage. Each of its five bands can be freely adjusted in quality:

from extremely narrow to broad-band. The ULTRA-Q PRO is superior to graphic equalizers in all respects.
It also has two additional filters which enable you to adapt the entire frequency response to meet your specific

application. These low and high-cut filters have a slope of 12 dB/oct. and can be varied in a wide frequency

range. Practice has shown how important this feature is, as most acoustic problems are encountered in the

extreme low and high frequency ranges. Typical frequency response, hum or feedback problems must be

handled differently. The additional low and high-cut filters allow for a broad-band correction of the frequency

curve, while the parametric filters can be used to process narrow frequency bands (mains hum, feedback,

etc.).

The “Constant-Q” principle

One of the most important features any graphic or parametric equalizer has to offer is the independent control

of the various filter parameters. The special state-variable filters of the ULTRA-Q PRO use the so-called

“Constant Q” principle which prevents the parameters frequency, bandwidth and amplitude from influencing

each other. In the same way, the mutual influence of the individual frequency bands is avoided, which is a

fundamental requirement as it allows for clearly defined and repeatable filter settings.

The concept of parallel filters

Unlike conventional parametric equalizers the ULTRA-Q PRO features a parallel filter configuration, which

offers a decisive advantage over series-type configurations: with parallel filters it is possible to reduce to a

minimum the phase shifts and delays usually associated with filters.

1. INTRODUCTION

Содержание PEQ2200

Страница 1: ...ULTRA Q PRO PEQ2200 www behringer com User s Manual Version 1 2 September 2001 ENGLISH...

Страница 2: ...appliances including amplifiers that produce heat Power Source The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the applianc...

Страница 3: ...you because you are the most important member of the BEHRINGER family With your highly competent suggestions for new products you ve greatly contributed to shaping our company and making it successful...

Страница 4: ...cies s In out switch plus adjustable bandwidth per frequency band bandwidth 0 03 octave 2 octaves s Widely overlapping frequency bands allow extreme attenuation or boost s Extremely accurate 12 segmen...

Страница 5: ...oduction 11 5 2 The Constant Q principle 12 5 3 The concept of parallel filters 12 5 4 Filter functions 12 5 4 1 The notch function 12 5 4 2 The roll off function 13 6 APPLICATIONS 13 6 1 Introduction...

Страница 6: ...nal audio tools of highest quality It will certainly pay to invest some time to study their functioning principle and get a feel for the way in which they can be used to modify the program material Th...

Страница 7: ...and silently bypasses the unit in the event of power supply disconnection or failure This relay is also active at switch on to isolate the ULTRA Q PRO until the power rails have settled thus preventi...

Страница 8: ...ng the fuse holder by 180 CAUTION this instruction does not apply to export models exclusively designed e g for 115 V operation Please refer to the specifications for detailed information about specif...

Страница 9: ...eve have to be bridged at the stereo plug 1 Ground Shield 2 hot ve 3 cold ve For unbalanced use pin 1 and pin 3 have to be bridged Fig 3 2 Different plug types Never use unbalanced XLR connections wit...

Страница 10: ...treme boost settings in combination with a high input level can overload the unit In such a case the input level must be reduced with the INPUT control 4 The INPUT control determines the input level a...

Страница 11: ...he technical properties of both parametric equalizers and narrow band notch filters Owing to its variable bandwidth ranging from 0 03 to 2 octaves it is much more flexible than conventional EQs It s i...

Страница 12: ...ilter curve can be calculated by adding subtracting the single band specific filter curves 5 3 The concept of parallel filters Unlike conventional parametric equalizers the ULTRA Q PRO features a para...

Страница 13: ...allow for setting all filter parameters such as center frequency bandwidth and amplitude The possibility of determining both the bandwidth and center frequency as well as frequency boost cut in five s...

Страница 14: ...can estimate the required amount of level compensation 6 2 On phase shift and time delay Any analog filter be it graphic or parametric produces a certain amount of phase shift Particularly in narrow b...

Страница 15: ...specific speaker systems or simply to modify sounds dramatically telephone voice All of these applications have been quite difficult to realize up to now In practice broad band frequency correction is...

Страница 16: ...ion of vocals Important to speech intelligibility Too much boost between 2 and 4 kHz can mask certain speech sounds e g m b and v can become indistinguishable Too much boost anywhere between 1 and 4 k...

Страница 17: ...strings and percussion 630 to 1k Fundamentals and harmonics of strings keyboards and percussion Boosting the 600 to 1 kHz range can make instruments sound horn like 1 25k to 4k Drums guitar accentuat...

Страница 18: ...should start ringing This does not mean that such settings should generally not be used often enough they cannot be avoided if the room acoustics are poor Nevertheless you should always try to change...

Страница 19: ...ifferent delay times In such a case the ULTRA Q PRO should be inserted before the delay line unit In complex sound reinforcement systems comprising different speakers located in varying acoustic envir...

Страница 20: ...kHz band 2 60 Hz to 1 kHz band 3 150 Hz to 2 5 kHz band 4 500 Hz to 8 kHz band 5 1 kHz to 20 kHz Bandwidth variable 0 03 to 2 octaves FUNCTION SWITCHES Audio in out relay controlled hard wire bypass...

Страница 21: ...ithin 30 days of receipt of the product at BEHRINGER 2 If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a na tional or local level in...

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